Essays by Henry David Thoreau (feel good books .txt) 📕
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Though perhaps most famous for Walden, Henry David Thoreau was also a prolific essayist. Many of his essays touch on subjects similar to his famous book: long walks through nature, things found in moonlight that are invisible and unheard during the day, his preference for wild apples over domestic ones. In many ways he prefigured environmentalism, expressing his love for untouched nature and lamenting what the encroachment of man and cities were doing to it.
He also had strong opinions on many other subjects. One of his most famous essays, “On the Duty of Civil Disobedience,” was written as a result of his going to jail for refusing to pay several years’ worth of poll taxes. One of the primary reasons for his refusal was his holding the government in contempt for its support of slavery, and several of his other essays express support and admiration for John Brown, who thought to start a slave revolt when he attacked Harper’s Ferry in 1859.
Whether discussing trees in a forest, slavery, or the works of Thomas Carlyle, Thoreau’s essays are deeply personal and full of keen observations, often in poetic language. They give a sense of the man expressing them as being much more than the views being expressed.
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- Author: Henry David Thoreau
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There are nights in this climate of such serene and majestic beauty, so medicinal and fertilizing to the spirit, that methinks a sensitive nature would not devote them to oblivion, and perhaps there is no man but would be better and wiser for spending them out of doors, though he should sleep all the next day to pay for it; should sleep an Endymion sleep, as the ancients expressed it—nights which warrant the Grecian epithet ambrosial, when, as in the land of Beulah, the atmosphere is charged with dewy fragrance, and with music, and we take our repose and have our dreams awake—when the moon, not secondary to the sun,
“gives us his blaze again,
Void of its flame, and sheds a softer day.
Now through the passing cloud she seems to stoop,
Now up the pure cerulean rides sublime.”
Diana still hunts in the New England sky.
“In Heaven queen she is among the spheres.
She, mistress-like, makes all things to be pure.
Eternity in her oft change she bears;
She Beauty is; by her the fair endure.”
“Time wears her not; she doth his chariot guide;
Mortality below her orb is placed;
By her lie virtues of the stars down slide;
By her is Virtue’s perfect image cast.”
The Hindus compare the moon to a saintly being who has reached the last stage of bodily existence.
Great restorer of antiquity, great enchanter! In a mild night, when the harvest or hunter’s moon shines unobstructedly, the houses in our village, whatever architect they may have had by day, acknowledge only a master. The village street is then as wild as the forest. New and old things are confounded. I know not whether I am sitting on the ruins of a wall, or on the material which is to compose a new one. Nature is an instructed and impartial teacher, spreading no crude opinions, and flattering none; she will be neither radical nor conservative. Consider the moonlight, so civil, yet so savage!
The light is more proportionate to our knowledge than that of day. It is no more dusky in ordinary nights than our mind’s habitual atmosphere, and the moonlight is as bright as our most illuminated moments are.
“In such a night let me abroad remain
Till morning breaks, and all’s confused again.”
Of what significance the light of day, if it is not the reflection of an inward dawn?—to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.
When Ossian, in his address to the Sun, exclaims,
“Where has darkness its dwelling?
Where is the cavernous home of the stars,
When thou quickly followest their steps,
Pursuing them like a hunter in the sky—
Thou climbing the lofty hills,
They descending on barren mountains?”
who does not in his thought accompany the stars to their “cavernous home,” “descending” with them “on barren mountains?”
Nevertheless, even by night the sky is blue and not black; for we see through the shadow of the earth into the distant atmosphere of day, where the sunbeams are revelling.
The Wellfleet OystermanFirst published in The Atlantic Monthly, Vol. 14, No. 84, October, 1864.
Having walked about eight miles since we struck the beach, and passed the boundary between Wellfleet and Truro, a stone post in the sand—for even this sand comes under the jurisdiction of one town or another—we turned inland over barren hills and valleys, whither the sea, for some reason, did not follow us, and, tracing up a hollow, discovered two or three sober-looking houses within half a mile, uncommonly near the eastern coast. Their garrets were apparently so full of chambers that their roofs could hardly lie down straight, and we did not doubt that there was room for us there. Houses near the sea are generally low and broad. These were a story and a half high; but if you merely counted the windows in their gable-ends, you would think that there were many stories more, or, at any rate, that the half-story was the only one thought worthy of being illustrated. The great number of windows in the ends of the houses, and their irregularity in size and position, here and elsewhere on the Cape, struck us agreeably—as if each of the various occupants who had their cunabula behind had punched a hole where his necessities required it, and, according to his size and stature, without regard to outside effect. There were windows for the grown folks, and windows for the children—three or four apiece: as a certain man had a large hole cut in his barn-door for the cat, and another smaller one for the kitten. Sometimes they were so low under the eaves that I thought they must have perforated the plate beam for another apartment, and I noticed some which were triangular, to fit that part more exactly. The ends of the houses had thus as many muzzles as a revolver; and, if the inhabitants have the same habit of staring out the windows that some of our neighbors have, a traveller must stand a small chance with them.
Generally, the old-fashioned and unpainted houses on the Cape looked more comfortable, as well as picturesque, than the modern and more pretending ones, which were less in harmony with the scenery, and less firmly planted.
These houses were on the shores of a chain of ponds, seven in number, the source of a small stream called Herring River, which empties into the Bay. There are many Herring Rivers on the Cape: they will, perhaps, be more numerous than herrings soon. We knocked at the door of the first house, but its inhabitants were all gone away. In the meanwhile we saw the occupants of the
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