Essays by Henry David Thoreau (feel good books .txt) 📕

men that there is some beauty awake while they are asleep⁠—if I add to the domains of poetry.

Night is certainly more novel and less profane than day. I soon discovered that I was acquainted only with its complexion, and as for the moon, I had seen her only as it were through a crevice in a shutter, occasionally. Why not walk a little way in her light?

Suppose you attend to the suggestions which the moon makes for one month, commonly in vain, will it not be very different from anything in literature or religion? But why not study this Sanskrit? What if one moon has come and gone with its world of poetry, its weird teachings, its oracular suggestions⁠—so divine a creature freighted with hints for me, and I have not used her? One moon gone by unnoticed?

I think it was Dr. Chalmers who said, criticising Coleridge, that for his part he wanted ideas which he could see all round, and not such as he must look at away up in the heavens. Such a man, one would say, would never look at the moon, because she never turns her other side to us. The light which comes from ideas which have their orbit as distant from the earth, and which is no less cheering and enlightening to the benighted traveller than that of the moon and stars, is naturally reproached or nicknamed as moonshine by such. They are moonshine, are they? Well, then, do your night-travelling when there is no moon to light you; but I will be thankful for the light that reaches me from the star of least magnitude. Stars are lesser or greater only as they appear to us so. I will be thankful that I see so much as one side of a celestial idea, one side of the rainbow and the sunset sky.

Men talk glibly enough about moonshine, as if they knew its qualities very well, and despised them⁠—as owls might talk of sunshine. None of your sunshine!⁠—but this word commonly means merely something which they do not understand, which they are abed and asleep to, however much it may be worth their while to be up and awake to it.

It must be allowed that the light of the moon, sufficient though it is for the pensive walker, and not disproportionate to the inner light we have, is very inferior in quality and intensity to that of the sun. But the moon is not to be judged alone by the quantity of light she sends to us, but also by her influence on the earth and its inhabitants. “The moon gravitates toward the earth, and the earth reciprocally toward the moon.” The poet who walks by moonlight is conscious of a tide in his thought which is to be referred to lunar influence. I will endeavor to separate the tide in my thoughts from the current distractions of the day. I would warn my hearers that they must not try my thoughts by a daylight standard, but endeavor to realize that I speak out of the night. All depends on your point of view. In Drake’s Collection of Voyages, Wafer says of some Albinoes among the Indians of Darien⁠—“They are quite white, but their whiteness is like that of a horse, quite different from the fair or pale European, as they have not the least tincture of a blush or sanguine complexion.⁠ ⁠… Their eyebrows are milk-white, as is likewise the hair of their heads, which is very fine.⁠ ⁠… They seldom go abroad in the daytime, the sun being disagreeable to them, and causing their eyes, which are weak and poring, to water, especially if it shines towards them, yet they see very well by moonlight, from which we call them moon-eyed.”

Neither in our thoughts in these moonlight walks, methinks, is there “the least tincture of a blush or sanguine complexion,” but we are intellectually and morally Albinoes⁠—children of Endymion⁠—such is the effect of conversing much with the moon.

I complain of Arctic voyagers that they do not enough remind us of the constant peculiar dreariness of the scenery, and the perpetual twilight of the Arctic night. So he whose theme is moonlight, though he may find it difficult, must, as it were, illustrate it with the light of the moon alone.

Many men walk by day; few walk by night. It is a very different season. Take a July night, for instance. About ten o’clock⁠—when man is asleep, and day fairly forgotten⁠—the beauty of moonlight is seen over lonely pastures where cattle are silently feeding. On all sides novelties present themselves. Instead of the sun there are the moon and stars, instead of the wood-thrush there is the whip-poor-will⁠—instead of butterflies in the meadows, fireflies, winged sparks of fire! who would have believed it? What kind of cool deliberate life dwells in those dewy abodes associated with a spark of fire? So man has fire in his eyes, or blood, or brain. Instead of singing birds, the half-throttled note of a cuckoo flying over, the croaking of frogs, and the intenser dream of crickets⁠—but above all, the wonderful trump of the bullfrog, ringing from Maine to Georgia. The potato-vines stand upright, the corn grows apace, the bushes loom, the grainfields are boundless. On our open river terraces once cultivated by the Indian, they appear to occupy the ground like an army⁠—their heads nodding in the breeze. Small trees and shrubs are seen in the midst, overwhelmed as by an inundation. The shadows of rocks and trees and shrubs and hills are more conspicuous than the objects themselves. The slightest irregularities in the ground are revealed by the shadows, and what the feet find comparatively smooth appears rough and diversified in consequence. For the same reason the whole landscape is more variegated and picturesque than by day. The smallest recesses in the rocks are dim and cavernous; the ferns in the wood appear of tropical size. The sweet fern and indigo in overgrown wood-paths wet you with