The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) 📕
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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“What blow, Goblin?” said Corinius.
And Gro answered and said, “One that I will devise upon with our Lord the King, Gorice XII, who now awaiteth us in Carcë. And I will not blab it to a wine-bibber and a dicer who hath but now drawn sword against a true lover of Witchland.” Whereupon Corinius leaped up in mickle wrath to thrust his sword into Gro. But Corund and his sons restrained him.
In due time the stars revolved to midnight, and the Red Foliot came secretly with his guards to the Witches’ booths. The lords of Witchland took their weapons and the men-at-arms bare the goods, and the King went in the midst on his bier of spear-shafts. So went they picking their way in the moonless night round the palace and down the winding path that led to the bed of the combe, and so by the stream westward toward the sea. Here they deemed it safe to light a torch to show them the way. Desolate and bleak showed the sides of the combe in the windblown flare; and the flare was thrown back from the jewels of the royal crown of Witchland, and from the armoured buskins on the King’s feet showing stark with toes pointing upward from below his bearskin mantle, and from the armour and the weapons of them that bare him and walked beside him, and from the black cold surface of the little river hurrying forever over its bed of boulders to the sea. The path was rugged and stony, and they fared slowly, lest they should stumble and drop the King.
IV Conjuring in the Iron TowerOf the hold of Carcë, and of the midnight practices of King Gorice XII in the ancient chamber, preparing dole and doom for the lords of Demonland.
When the Witches were come aboard of their ship and all stowed, and the rowers set in order on the benches, they bade farewell to the Red Foliot and rowed out to the deep, and there hoisted sail and put up their helm and sailed eastward along the land. The stars wheeled overhead, and the east grew pale, and the sun came out of the sea on the larboard bow. Still sailed they two days and two nights, and on the third day there was land ahead, and morning rose abated by mist and cloud, and the sun was as a ball of red fire over Witchland in the east. So they hung awhile off Tenemos waiting for the tide, and at high water sailed over the bar and up the Druima past the dunes and mud-flats and the Ergaspian mere, till they reached the bend of the river below Carcë. Solitary marshland stretched on either side as far as the eye might reach, with clumps of willow and rare homesteads showing above the flats. Northward above the bend a bluff of land fell sharply to the elbow of the river, and on the other side sloped gently away for a few miles till it lost itself in the dead level of the marshes. On the southern face of the bluff, monstrous as a mountain in those low sedgelands, hung square and black the fortress of Carcë. It was built of black marble, rough-hewn and unpolished, the outworks enclosing many acres. An inner wall with a tower at each corner formed the main stronghold, in the southwest corner of which was the palace, overhanging the river. And on the southwest corner of the palace, towering sheer from the water’s edge seventy cubits and more to the battlements, stood the keep, a round tower lined with iron, bearing on the corbel table beneath its parapet in varying form and untold repetition the sculptured figure of the crab of Witchland. The outer ward of the fortress was dark with cypress trees: black flames burning changelessly to heaven from a billowy sea of gloom. East of the keep was the water-gate, and beside it a bridge and bridge-house across the river, strongly fortified with turrets and machicolations and commanded from on high by the battlements of the keep. Dismal and fearsome to view was this strong place of Carcë, most like to the embodied soul of dreadful night brooding on the waters of that sluggish river: by day a shadow in broad sunshine, the likeness of pitiless violence sitting in the place of power, darkening the desolation of the mournful fen; by night, a blackness more black than night herself.
Now was the ship made fast near the water-gate, and the lords of Witchland landed and their fighting men, and the gate opened to them, and mournfully they entered in and climbed the steep ascent to the palace, bearing with them their sad burden of the King. And in the great hall in Carcë was Gorice XI laid in state for that night; and the day wore to its close. Nor was any word from King Gorice XII.
But when the shades of night were falling, there came a chamberlain to Lord Gro as he walked upon the terrace without the western wall of the palace; and the chamberlain said, “My lord, the King bids you attend him in the Iron Tower, and he chargeth you bring unto him the royal crown of Witchland.”
Gro made haste to fulfil the bidding of the King, and betook himself to the great banqueting hall, and all reverently he lifted the iron crown of Witchland set thick with priceless gems, and went by a winding
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