The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) 📕
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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And one said from within, “Who knocketh?” and Gro answered, “Lord, it is I, Gro.” And the bolts were drawn and the door opened, and the King said, “Enter.” And Gro entered and stood in the presence of the King.
Now the fashion of the chamber was that it was round, filling the whole space of the loftiest floor of the round donjon keep. It was now gathering dusk, and weak twilight only entered through the deep embrasures of the windows that pierced the walls of the tower, looking to the four quarters of the heavens. A furnace glowing in the big hearth threw fitful gleams into the recesses of the chamber, lighting up strange shapes of glass and earthenware, flasks and retorts, balances, hourglasses, crucibles and astrolabes, a monstrous three-necked alembic of phosphorescent glass supported on a bain-marie, and other instruments of doubtful and unlawful aspect. Under the northern window over against the doorway was a massive table blackened with age, whereon lay great books bound in black leather with iron guards and heavy padlocks. And in a mighty chair beside this table was King Gorice XII, robed in his conjuring robe of black and gold, resting his cheek on his hand that was lean as an eagle’s claw. The low light, mother of shade and secrecy, that hovered in that chamber moved about the still figure of the King, his nose hooked as the eagle’s beak, his cropped hair, his thick close-cut beard and shaven upper lip, his high cheekbones and cruel heavy jaw, and the dark eaves of his brows whence the glint of green eyes showed as no friendly lamp to them without. The door shut noiselessly, and Gro stood before the King. The dusk deepened, and the firelight pulsed and blinked in that dread chamber, and the King leaned without motion on his hand, bending his brow on Gro; and there was utter silence save for the faint purr of the furnace.
In a while the King said, “I sent for thee, because thou alone wast so hardy as to urge to the uttermost thy counsel upon the King that is now dead, Gorice XI of memory ever glorious. And because thy counsel was good. Marvellest thou that I wist of thy counsel?”
Gro said, “O my Lord the King, I marvel not of this. For it is known to me that the soul endureth, albeit the body perish.”
“Keep thou thy lips from overspeech,” said the King. “These be mysteries whereon but to think may snatch thee into peril, and whoso speaketh of them, though in so secret a place as this, and with me only, yet at his most bitter peril speaketh he.”
Gro answered, “O King, I spake not lightly; moreover, you did tempt me by your questioning. Nevertheless I am utterly obedient to your majesty’s admonition.”
The King rose from his chair and walked towards Gro, slowly. He was exceeding tall, and lean as a starved cormorant. Laying his hands upon the shoulders of Gro, and bending his face to Gro’s, “Art not afeared,” he asked, “to abide me in this chamber, at the close of day? Or hast not thought on’t, and on these instruments thou seest, their use and purpose, and the ancient use of this chamber?”
Gro blenched never a whit, but stoutly said, “I am not afeared, O my Lord the King, but rather rejoiced I at your summons. For it jumpeth with mine own designs, when I took counsel secretly in my heart after the woes that the Fates fulfilled for Witchland in the Foliot Isles. For in that day, O King, when I beheld the light of Witchland darkened and her might abated in the fall of King Gorice XI of glorious memory, I thought on you, Lord, the twelfth Gorice raised up King in Carcë; and there was present to my mind the word of the soothsayer of old, where he singeth:
Ten, eleven, twelf I see
In sequent varietie
Of puissaunce and maistrye
With swerd, sinwes, and grammarie,
In the holde of Carcë
Lordinge it royally.
And being minded that he singleth out you, the twelfth, as potent in grammarie, all my care was that these Demons should be detained within reach of your spells until we should have time to win home to you and to apprise you of their farings, that so you might put forth your power and destroy them by art magic or ever they come safe again to many-mountained Demonland.”
The King took Gro to his bosom and kissed him, saying, “Art thou not a very jewel of wisdom and discretion? Let me embrace thee and love thee forever.”
Then the King stood back from him, keeping his hands on Gro’s shoulders, and gazed piercingly upon him for a space in silence. Then kindled he a taper that stood in an iron candlestick
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