The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Nothing annoyed Soames so much as cheerfulness—an indecent, extravagant sort of quality, which had no relation to facts. The mixture of his desires and hopes was, in a word, becoming torture; and lately the thought had come to him that perhaps Irene knew she was being shadowed: It was this which finally decided him to go and see for himself; to go and once more try to break down her repugnance, her refusal to make her own and his path comparatively smooth once more. If he failed again—well, he would see what she did with herself, anyway!
He went to an hotel in the Rue Caumartin, highly recommended to Forsytes, where practically nobody spoke French. He had formed no plan. He did not want to startle her; yet must contrive that she had no chance to evade him by flight. And next morning he set out in bright weather.
Paris had an air of gaiety, a sparkle over its star-shape which almost annoyed Soames. He stepped gravely, his nose lifted a little sideways in real curiosity. He desired now to understand things French. Was not Annette French? There was much to be got out of his visit, if he could only get it. In this laudable mood and the Place de la Concorde he was nearly run down three times. He came on the Cours la Reine, where Irene’s hotel was situated, almost too suddenly, for he had not yet fixed on his procedure. Crossing over to the river side, he noted the building, white and cheerful-looking, with green sunblinds, seen through a screen of plane-tree leaves. And, conscious that it would be far better to meet her casually in some open place than to risk a call, he sat down on a bench whence he could watch the entrance. It was not quite eleven o’clock, and improbable that she had yet gone out. Some pigeons were strutting and preening their feathers in the pools of sunlight between the shadows of the plane-trees. A workman in a blue blouse passed, and threw them crumbs from the paper which contained his dinner. A bonne coiffed with ribbon shepherded two little girls with pigtails and frilled drawers. A cab meandered by, whose cocher wore a blue coat and a black-glazed hat. To Soames a kind of affectation seemed to cling about it all, a sort of picturesqueness which was out of date. A theatrical people, the French! He lit one of his rare cigarettes, with a sense of injury that Fate should be casting his life into outlandish waters. He shouldn’t wonder if Irene quite enjoyed this foreign life; she had never been properly English—even to look at! And he began considering which of those windows could be hers under the green sunblinds. How could he word what he had come to say so that it might pierce the defence of her proud obstinacy? He threw the fag-end of his cigarette at a pigeon, with the thought: “I can’t stay here forever twiddling my thumbs. Better give it up and call on her in the late afternoon.” But he still sat on, heard twelve strike, and then half-past. “I’ll wait till one,” he thought, “while I’m about it.” But just then he started up, and shrinkingly sat down again. A woman had come out in a cream-coloured frock, and was moving away under a fawn-coloured parasol. Irene herself! He waited till she was too far away to recognise him, then set out after her. She was strolling as though she had no particular objective; moving, if he remembered rightly, toward the Bois de Boulogne. For half an hour at least he kept his distance on the far side of the way till she had passed into the Bois itself. Was she going to meet someone after all? Some confounded Frenchman—one of those Bel Ami chaps, perhaps, who had nothing to do but hang about women—for he had read that book with difficulty and a sort of disgusted fascination. He followed doggedly along a shady alley, losing sight of her now and then when the path curved. And it came back to him how, long ago, one night in Hyde Park he had slid and sneaked from tree to tree, from seat to seat, hunting blindly, ridiculously, in burning jealousy for her and young Bosinney. The path bent sharply, and, hurrying, he came on her sitting in front of a small fountain—a little green-bronze Niobe veiled in hair to her slender hips, gazing at the pool she had wept: He came on her so suddenly that he was past before he could turn and take off his hat. She did not start up. She had always had great self-command—it was one of the things he most admired in her, one of his greatest grievances against her, because he had never been able to tell what she was thinking. Had she realised that he was following? Her self-possession made him angry; and, disdaining to explain his presence, he pointed to the mournful little Niobe, and said:
“That’s rather a good thing.”
He could see, then, that she was struggling to preserve her composure.
“I didn’t want to startle you; is this one of your haunts?”
“Yes.”
“A
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