The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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There, attracted by light from a room never lighted, James was standing with his dun-coloured camelhair shawl folded about him, so that his arms were not free and his silvered head looked cut off from his fashionably trousered legs as if by an expanse of desert. He stood, inimitably stork-like, with an expression as if he saw before him a frog too large to swallow.
“What’s all this?” he said. “Tell your father? You never tell me anything.”
The moment found Emily without reply. It was Winifred who went up to him, and, laying one hand on each of his swathed, helpless arms, said:
“Monty’s not gone bankrupt, Father. He’s only come back.”
They all three expected something serious to happen, and were glad she had kept that grip of his arms, but they did not know the depth of root in that shadowy old Forsyte. Something wry occurred about his shaven mouth and chin, something scratchy between those long silvery whiskers. Then he said with a sort of dignity: “He’ll be the death of me. I knew how it would be.”
“You mustn’t worry, Father,” said Winifred calmly. “I mean to make him behave.”
“Ah!” said James. “Here, take this thing off, I’m hot.” They unwound the shawl. He turned, and walked firmly to the dining-room.
“I don’t want any soup,” he said to Warmson, and sat down in his chair. They all sat down too, Winifred still in her hat, while Warmson laid the fourth place. When he left the room, James said: “What’s he brought back?”
“Nothing, Father.”
James concentrated his eyes on his own image in a tablespoon. “Divorce!” he muttered; “rubbish! What was I about? I ought to have paid him an allowance to stay out of England. Soames you go and propose it to him.”
It seemed so right and simple a suggestion that even Winifred was surprised when she said: “No, I’ll keep him now he’s back; he must just behave—that’s all.”
They all looked at her. It had always been known that Winifred had pluck.
“Out there!” said James elliptically, “who knows what cutthroats! You look for his revolver! Don’t go to bed without. You ought to have Warmson to sleep in the house. I’ll see him myself tomorrow.”
They were touched by this declaration, and Emily said comfortably: “That’s right, James, we won’t have any nonsense.”
“Ah!” muttered James darkly, “I can’t tell.”
The advent of Warmson with fish diverted conversation.
When, directly after dinner, Winifred went over to kiss her father good night, he looked up with eyes so full of question and distress that she put all the comfort she could into her voice.
“It’s all right, Daddy, dear; don’t worry. I shan’t need anyone—he’s quite bland. I shall only be upset if you worry. Good night, bless you!”
James repeated the words, “Bless you!” as if he did not quite know what they meant, and his eyes followed her to the door.
She reached home before nine, and went straight upstairs.
Dartie was lying on the bed in his dressing-room, fully redressed in a blue serge suit and pumps; his arms were crossed behind his head, and an extinct cigarette drooped from his mouth.
Winifred remembered ridiculously the flowers in her window-boxes after a blazing summer day; the way they lay, or rather stood—parched, yet rested by the sun’s retreat. It was as if a little dew had come already on her burnt-up husband.
He said apathetically: “I suppose you’ve been to Park Lane. How’s the old man?”
Winifred could not help the bitter answer: “Not dead.”
He winced, actually he winced.
“Understand, Monty,” she said, “I will not have him worried. If you aren’t going to behave yourself, you may go back, you may go anywhere. Have you had dinner?”
“No.”
“Would you like some?”
He shrugged his shoulders.
“Imogen offered me some. I didn’t want any.”
Imogen! In the plenitude of emotion Winifred had forgotten her.
“So you’ve seen her? What did she say?”
“She gave me a kiss.”
With mortification Winifred saw his dark sardonic face relaxed. “Yes!” she thought, “he cares for her, not for me a bit.”
Dartie’s eyes were moving from side to side.
“Does she know about me?” he said.
It flashed through Winifred that here was the weapon she needed. He minded their knowing!
“No. Val knows. The others don’t; they only know you went away.”
She heard him sigh with relief.
“But they shall know,” she said firmly, “if you give me cause.”
“All right!” he muttered, “hit me! I’m down!”
Winifred went up to the bed. “Look here, Monty! I don’t want to hit you. I don’t want to hurt you. I shan’t allude to anything. I’m not going to worry. What’s the use?” She was silent a moment. “I can’t stand any more, though, and I won’t! You’d better know. You’ve made me suffer. But I used to be fond of you. For the sake of that. …” She met the heavy-lidded gaze of his brown eyes with the downward stare of her green-grey eyes; touched his hand suddenly, turned her back, and went into her room.
She sat there a long time before her glass, fingering her rings, thinking of this subdued dark man, almost a stranger to her, on the bed in the other room; resolutely not “worrying,” but gnawed by jealousy of what he had been through, and now and again just visited by pity.
XIV Outlandish NightSoames doggedly let the spring come—no easy task for one conscious that time was flying, his birds in the bush no nearer the hand, no issue from the web anywhere visible. Mr. Polteed reported nothing, except that his watch went on—costing a lot of money. Val and his cousin were gone to the war, whence came news more favourable; Dartie was behaving himself so far; James had retained his health; business prospered almost terribly—there was nothing to worry Soames except that he was “held up,” could make no step in any direction.
He did not exactly avoid Soho, for he could not afford to let them think that he had “piped off,” as James
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