Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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The boys were standing about the chaise as Moore entered it; but for them he had no farewell. To Mr. Yorke he only said, âYou have a good riddance of me. That was an unlucky shot for you, Yorke; it turned Briarmains into an hospital. Come and see me at the cottage soon.â
He drew up the glass; the chaise rolled away. In half an hour he alighted at his own garden wicket. Having paid the driver and dismissed the vehicle, he leaned on that wicket an instant, at once to rest and to muse.
âSix months ago I passed out at this gate,â said he, âa proud, angry, disappointed man. I come back sadder and wiser; weakly enough, but not worried. A cold, gray, yet quiet world lies roundâ âa world where, if I hope little, I fear nothing. All slavish terrors of embarrassment have left me. Let the worst come, I can work, as Joe Scott does, for an honourable living; in such doom I yet see some hardship but no degradation. Formerly, pecuniary ruin was equivalent in my eyes to personal dishonour. It is not so now; I know the difference. Ruin is an evil, but one for which I am prepared; the day of whose coming I know, for I have calculated. I can yet put it off six monthsâ ânot an hour longer. If things by that time alter, which is not probable; if fetters, which now seem indissoluble, should be loosened from our trade (of all things the most unlikely to happen), I might conquer in this long struggle yetâ âI mightâ âgood God! what might I not do? But the thought is a brief madness; let me see things with sane eyes. Ruin will come, lay her axe to my fortuneâs roots, and hew them down. I shall snatch a sapling, I shall cross the sea, and plant it in American woods. Louis will go with me. Will none but Louis go? I cannot tellâ âI have no right to ask.â
He entered the house.
It was afternoon, twilight yet out of doorsâ âstarless and moonless twilight; for though keenly freezing with a dry, black frost, heaven wore a mask of clouds congealed and fast locked. The milldam too was frozen. The Hollow was very still. Indoors it was already dark. Sarah had lit a good fire in the parlour; she was preparing tea in the kitchen.
âHortense,â said Moore, as his sister bustled up to help him off with his cloak, âI am pleased to come home.â
Hortense did not feel the peculiar novelty of this expression coming from her brother, who had never before called the cottage his home, and to whom its narrow limits had always heretofore seemed rather restrictive than protective. Still, whatever contributed to his happiness pleased her, and she expressed herself to that effect.
He sat down, but soon rose again. He went to the window; he came back to the fire.
âHortense!â
âMon frĂšre?â
âThis little parlour looks very clean and pleasantâ âunusually bright, somehow.â
âIt is true, brother; I have had the whole house thoroughly and scrupulously cleaned in your absence.â
âSister, I think on this first day of your return home you ought to have a friend or so to tea, if it were only to see how fresh and spruce you have made the little place.â
âTrue, brother. If it were not late I might send for Miss Mann.â
âSo you might; but it really is too late to disturb that good lady, and the evening is much too cold for her to come out.â
âHow thoughtful in you, dear GĂ©rard! We must put it off till another day.â
âI want someone today, dear sisterâ âsome quiet guest, who would tire neither of us.â
âMiss Ainley?â
âAn excellent person, they say; but she lives too far off. Tell Harry Scott to step up to the rectory with a request from you that Caroline Helstone should come and spend the evening with you.â
âWould it not be better tomorrow, dear brother?â
âI should like her to see the place as it is just now; its brilliant cleanliness and perfect neatness are so much to your credit.â
âIt might benefit her in the way of example.â
âIt might and must; she ought to come.â
He went into the kitchen.
âSarah, delay tea half an hour.â He then commissioned her to dispatch Harry Scott to the rectory, giving her a twisted note hastily scribbled in pencil by himself, and addressed âMiss Helstone.â
Scarcely had Sarah time to get impatient under the fear of damage to her toast already prepared when the messenger returned, and with him the invited guest.
She entered through the kitchen, quietly tripped up Sarahâs stairs to take off her bonnet and furs, and came down as quietly, with her beautiful curls nicely smoothed, her graceful merino dress and delicate collar all trim and spotless, her gay little workbag in her hand. She lingered to exchange a few kindly words with Sarah, and to look at the new tortoiseshell kitten basking on the kitchen hearth, and to speak to the canary-bird, which a sudden blaze from the fire had startled on its perch; and then she betook herself to the parlour.
The gentle salutation, the friendly welcome, were interchanged in such tranquil sort as befitted cousins meeting; a sense of pleasure, subtle and quiet as a perfume, diffused itself through the room; the newly-kindled lamp burnt up bright; the tray and the singing urn were brought in.
âI am pleased to come home,â repeated Mr. Moore.
They assembled round the table. Hortense chiefly talked. She congratulated Caroline on the evident improvement in her health. Her colour and her plump cheeks were returning, she remarked. It was true. There was an obvious change in Miss Helstone. All about her seemed elastic; depression, fear, forlornness, were withdrawn. No longer crushed, and saddened, and slow, and drooping, she looked like one who had
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