Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âCan she marry him?â
âYou will see.â
âI want to know his name, Cary.â
âGuess it.â
âIs it anyone in this neighbourhood?â
âYes, in Briarfield parish.â
âThen it is some person unworthy of her. I donât know a soul in Briarfield parish her equal.â
âGuess.â
âImpossible. I suppose she is under a delusion, and will plunge into some absurdity, after all.â
Caroline smiled.
âDo you approve the choice?â asked Moore.
âQuite, quite.â
âThen I am puzzled; for the head which owns this bounteous fall of hazel curls is an excellent little thinking machine, most accurate in its working. It boasts a correct, steady judgment, inherited from âmamma,â I suppose.â
âAnd I quite approve, and mamma was charmed.â
âââMammaâ charmedâ âMrs. Pryor! It canât be romantic, then?â
âIt is romantic, but it is also right.â
âTell me, Caryâ âtell me out of pity; I am too weak to be tantalized.â
âYou shall be tantalizedâ âit will do you no harm; you are not so weak as you pretend.â
âI have twice this evening had some thoughts of falling on the floor at your feet.â
âYou had better not. I shall decline to help you up.â
âAnd worshipping you downright. My mother was a Roman Catholic. You look like the loveliest of her pictures of the Virgin. I think I will embrace her faith and kneel and adore.â
âRobert, Robert, sit still; donât be absurd. I will go to Hortense if you commit extravagances.â
âYou have stolen my senses. Just now nothing will come into my mind but les litanies de la sainte ViĂšrge. Rose cĂ©leste, reine des anges!â
âTour dâivoire, maison dâorâ âis not that the jargon? Well, sit down quietly, and guess your riddle.â
âBut âmammaâ charmedâ âthereâs the puzzle.â
âIâll tell you what mamma said when I told her. âDepend upon it, my dear, such a choice will make the happiness of Miss Keeldarâs life.âââ
âIâll guess once, and no more. It is old Helstone. She is going to be your aunt.â
âIâll tell my uncle; Iâll tell Shirley!â cried Caroline, laughing gleefully. âGuess again, Robert; your blunders are charming.â
âIt is the parsonâ âHall.â
âIndeed, no; he is mine, if you please.â
âYours! Ay, the whole generation of women in Briarfield seem to have made an idol of that priest. I wonder why; he is bald, sand-blind, gray-haired.â
âFanny will be here to fetch me before you have solved the riddle, if you donât make haste.â
âIâll guess no moreâ âI am tired; and then I donât care. Miss Keeldar may marry le grand Turc for me.â
âMust I whisper?â
âThat you must, and quickly. Here comes Hortense; come near, a little nearer, my own Lina. I care for the whisper more than the words.â
She whispered. Robert gave a start, a flash of the eye, a brief laugh. Miss Moore entered, and Sarah followed behind, with information that Fanny was come. The hour of converse was over.
Robert found a moment to exchange a few more whispered sentences. He was waiting at the foot of the staircase as Caroline descended after putting on her shawl.
âMust I call Shirley a noble creature now?â he asked.
âIf you wish to speak the truth, certainly.â
âMust I forgive her?â
âForgive her? Naughty Robert! Was she in the wrong, or were you?â
âMust I at length love her downright, Cary?â
Caroline looked keenly up, and made a movement towards him, something between the loving and the petulant.
âOnly give the word, and Iâll try to obey you.â
âIndeed, you must not love her; the bare idea is perverse.â
âBut then she is handsome, peculiarly handsome. Hers is a beauty that grows on you. You think her but graceful when you first see her; you discover her to be beautiful when you have known her for a year.â
âIt is not you who are to say these things. Now, Robert, be good.â
âO Cary, I have no love to give. Were the goddess of beauty to woo me, I could not meet her advances. There is no heart which I can call mine in this breast.â
âSo much the better; you are a great deal safer without. Good night.â
âWhy must you always go, Lina, at the very instant when I most want you to stay?â
âBecause you most wish to retain when you are most certain to lose.â
âListen; one other word. Take care of your own heartâ âdo you hear me?â
âThere is no danger.â
âI am not convinced of that. The Platonic parson, for instance.â
âWhoâ âMalone?â
âCyril Hall. I owe more than one twinge of jealousy to that quarter.â
âAs to you, you have been flirting with Miss Mann. She showed me the other day a plant you had given her.â âFanny, I am ready.â
XXXVI Written in the SchoolroomLouis Mooreâs doubts respecting the immediate evacuation of Fieldhead by Mr. Sympson turned out to be perfectly well founded. The very next day after the grand quarrel about Sir Philip Nunnely a sort of reconciliation was patched up between uncle and niece. Shirley, who could never find it in her heart to be or to seem inhospitable (except in the single instance of Mr. Donne), begged the whole party to stay a little longer. She begged in such earnest it was evident she wished it for some reason. They took her at her word. Indeed, the uncle could not bring himself to leave her quite unwatchedâ âat full liberty to marry Robert Moore as soon as that gentleman should be able (Mr. Sympson piously prayed this might never be the case) to reassert his supposed pretensions to her hand. They all stayed.
In his first rage against all the house of Moore, Mr. Sympson had so conducted himself towards Mr. Louis that that gentlemanâ âpatient of labour or suffering, but intolerant of coarse insolenceâ âhad promptly resigned his post, and could now be induced to resume and retain it only till such time as the family should quit Yorkshire. Mrs. Sympsonâs entreaties prevailed with him thus far; his own attachment to his pupil constituted an additional motive for concession; and probably he had a third motive, stronger than either of the other two. Probably he would have found it very hard indeed to leave Fieldhead just now.
Things went on for some time pretty smoothly. Miss Keeldarâs health was reestablished; her spirits resumed
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