Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI put this question suddenly and promptly.
âââDid you think I should take him?â
âââI thought you might.â
âââOn what grounds, may I ask?â
âââConformity of rank, age, pleasing contrast of temperâ âfor he is mild and amiableâ âharmony of intellectual tastes.â
âââA beautiful sentence! Let us take it to pieces. âConformity of rank.â He is quite above me. Compare my grange with his palace, if you please. I am disdained by his kith and kin. âSuitability of age.â We were born in the same year; consequently he is still a boy, while I am a womanâ âten years his senior to all intents and purposes. âContrast of temper.â Mild and amiable, is he; Iâ âwhat? Tell me.â
âââSister of the spotted, bright, quick, fiery leopard.â
âââAnd you would mate me with a kidâ âthe millennium being yet millions of centuries from mankind; being yet, indeed, an archangel high in the seventh heaven, uncommissioned to descend? Unjust barbarian! âHarmony of intellectual tastes.â He is fond of poetry, and I hate itâ ââ
âââDo you? That is news.â
âââI absolutely shudder at the sight of metre or at the sound of rhyme whenever I am at the priory or Sir Philip at Fieldhead. Harmony, indeed! When did I whip up syllabub sonnets or string stanzas fragile as fragments of glass? and when did I betray a belief that those penny-beads were genuine brilliants?â
âââYou might have the satisfaction of leading him to a higher standard, of improving his tastes.â
âââLeading and improving! teaching and tutoring! bearing and forbearing! Pah! my husband is not to be my baby. I am not to set him his daily lesson and see that he learns it, and give him a sugarplum if he is good, and a patient, pensive, pathetic lecture if he is bad. But it is like a tutor to talk of the âsatisfaction of teaching.â I suppose you think it the finest employment in the world. I donât. I reject it. Improving a husband! No. I shall insist upon my husband improving me, or else we part.â
âââGod knows it is needed!â
âââWhat do you mean by that, Mr. Moore?â
âââWhat I say. Improvement is imperatively needed.â
âââIf you were a woman you would school monsieur, votre mari, charmingly. It would just suit you; schooling is your vocation.â
âââMay I ask whether, in your present just and gentle mood, you mean to taunt me with being a tutor?â
âââYes, bitterly; and with anything else you pleaseâ âany defect of which you are painfully conscious.â
âââWith being poor, for instance?â
âââOf course; that will sting you. You are sore about your poverty; you brood over that.â
âââWith having nothing but a very plain person to offer the woman who may master my heart?â
âââExactly. You have a habit of calling yourself plain. You are sensitive about the cut of your features because they are not quite on an Apollo pattern. You abase them more than is needful, in the faint hope that others may say a word in their behalfâ âwhich wonât happen. Your face is nothing to boast of, certainlyâ ânot a pretty line nor a pretty tint to be found therein.â
âââCompare it with your own.â
âââIt looks like a god of Egyptâ âa great sand-buried stone head; or rather I will compare it to nothing so lofty. It looks like Tartar. You are my mastiffâs cousin. I think you as much like him as a man can be like a dog.â
âââTartar is your dear companion. In summer, when you rise early, and run out into the fields to wet your feet with the dew, and freshen your cheek and uncurl your hair with the breeze, you always call him to follow you. You call him sometimes with a whistle that you learned from me. In the solitude of your wood, when you think nobody but Tartar is listening, you whistle the very tunes you imitated from my lips, or sing the very songs you have caught up by ear from my voice. I do not ask whence flows the feeling which you pour into these songs, for I know it flows out of your heart, Miss Keeldar. In the winter evenings Tartar lies at your feet. You suffer him to rest his head on your perfumed lap; you let him couch on the borders of your satin raiment. His rough hide is familiar with the contact of your hand. I once saw you kiss him on that snow-white beauty spot which stars his broad forehead. It is dangerous to say I am like Tartar; it suggests to me a claim to be treated like Tartar.â
âââPerhaps, sir, you can extort as much from your penniless and friendless young orphan girl, when you find her.â
âââOh could I find her such as I image her! Something to tame first, and teach afterwards; to break in, and then to fondle. To lift the destitute proud thing out of poverty; to establish power over and then to be indulgent to the capricious moods that never were influenced and never indulged before; to see her alternately irritated and subdued about twelve times in the twenty-four hours; and perhaps, eventually, when her training was accomplished, to behold her the exemplary and patient mother of about a dozen children, only now and then lending little Louis a cordial cuff by way of paying the interest of the vast debt she owes his father. Ohâ (I went on), âmy orphan girl would give me many a kiss; she would watch on the threshold for my coming home of an evening; she would run into my arms; she would keep my hearth as bright as she would make it warm. God bless the sweet idea! Find her I must.â
âHer eyes emitted an eager flash, her lips opened; but she reclosed them, and impetuously turned away.
âââTell me, tell me where she is, Miss Keeldar!â
âAnother movement, all haughtiness and fire and impulse.
âââI must know. You can tell me; you shall tell me.â
âââI never will.â
âShe turned to leave me. Could I now let her part as she had always parted from me? No. I had gone too far not to finish; I had come too
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