Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âââHardly, sir,â said I; âwe have no disguises. Will you permit me to intimate that any further observations you have to make may as well be addressed to me? Henceforward I stand between Miss Keeldar and all annoyance.â
âââYou! What have you to do with Miss Keeldar?â
âââTo protect, watch over, serve her.â
âââYou, sirâ âyou, the tutor?â
âââNot one word of insult, sir,â interposed she; ânot one syllable of disrespect to Mr. Moore in this house.â
âââDo you take his part?â
âââHis part? oh yes!â
âShe turned to me with a sudden fond movement, which I met by circling her with my arm. She and I both rose.
âââGood Ged!â was the cry from the morning-gown standing quivering at the door. Ged, I think, must be the cognomen of Mr. Sympsonâs Lares. When hard pressed he always invokes this idol.
âââCome forward, uncle; you shall hear all.â âTell him all, Louis.â
âââI dare him to speakâ âthe beggar! the knave! the specious hypocrite! the vile, insinuating, infamous menial!â âStand apart from my niece, sir. Let her go!â
âShe clung to me with energy. âI am near my future husband,â she said. âWho dares touch him or me?â
âââHer husband!â He raised and spread his hands. He dropped into a seat.
âââA while ago you wanted much to know whom I meant to marry. My intention was then formed, but not mature for communication. Now it is ripe, sun-mellowed, perfect. Take the crimson peachâ âtake Louis Moore!â
âââButâ (savagely) âyou shall not have him; he shall not have you.â
âââI would die before I would have another. I would die if I might not have him.â
âHe uttered words with which this page shall never be polluted.
âShe turned white as death; she shook all over; she lost her strength. I laid her down on the sofa; just looked to ascertain that she had not faintedâ âof which, with a divine smile, she assured me. I kissed her; and then, if I were to perish, I cannot give a clear account of what happened in the course of the next five minutes. She has sinceâ âthrough tears, laughter, and tremblingâ âtold me that I turned terrible, and gave myself to the demon. She says I left her, made one bound across the room; that Mr. Sympson vanished through the door as if shot from a cannon. I also vanished, and she heard Mrs. Gill scream.
âMrs. Gill was still screaming when I came to my senses. I was then in another apartmentâ âthe oak parlour, I think. I held Sympson before me crushed into a chair, and my hand was on his cravat. His eyes rolled in his head; I was strangling him, I think. The housekeeper stood wringing her hands, entreating me to desist. I desisted that moment, and felt at once as cool as stone. But I told Mrs. Gill to fetch the Red-House Inn chaise instantly, and informed Mr. Sympson he must depart from Fieldhead the instant it came. Though half frightened out of his wits, he declared he would not. Repeating the former order, I added a commission to fetch a constable. I said, âYou shall go, by fair means or foul.â
âHe threatened prosecution; I cared for nothing. I had stood over him once before, not quite so fiercely as now, but full as austerely. It was one night when burglars attempted the house at Sympson Grove, and in his wretched cowardice he would have given a vain alarm, without daring to offer defence. I had then been obliged to protect his family and his abode by mastering himselfâ âand I had succeeded. I now remained with him till the chaise came. I marshalled him to it, he scolding all the way. He was terribly bewildered, as well as enraged. He would have resisted me, but knew not how. He called for his wife and daughters to come. I said they should follow him as soon as they could prepare. The smoke, the fume, the fret of his demeanour was inexpressible, but it was a fury incapable of producing a deed. That man, properly handled, must ever remain impotent. I know he will never touch me with the law. I know his wife, over whom he tyrannizes in trifles, guides him in matters of importance. I have long since earned her undying motherâs gratitude by my devotion to her boy. In some of Henryâs ailments I have nursed himâ âbetter, she said, than any woman could nurse. She will never forget that. She and her daughters quitted me today, in mute wrath and consternation; but she respects me. When Henry clung to my neck as I lifted him into the carriage and placed him by her side, when I arranged her own wrapping to make her warm, though she turned her head from me, I saw the tears start to her eyes. She will but the more zealously advocate my cause because she has left me in anger. I am glad of thisâ ânot for my own sake, but for that of my life and idolâ âmy Shirley.â
Once again he writes, a week after:â â
âI am now at Stilbroâ. I have taken up my temporary abode with a friendâ âa professional man, in whose business I can be useful. Every day I ride over to Fieldhead. How long will it be before I can call that place my home, and its mistress mine? I am not easy, not tranquil; I am tantalized, sometimes tortured. To see her now, one would think she had never pressed her cheek to my shoulder, or clung to me with tenderness or trust. I feel unsafe; she renders me miserable. I am shunned when I visit her; she withdraws from my reach. Once this day I lifted her face, resolved to get a full look down her deep, dark eyes. Difficult to describe what I read there! Pantheress! beautiful forest-born! wily, tameless, peerless nature! She gnaws her chain; I see the white teeth working at the steel! She has dreams of her wild woods and pinings after virgin freedom. I wish Sympson would come again, and oblige her again to entwine her arms about
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