Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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There! I think the varnish has been put on very nicely.
Advance, Mr. Donne.
This gentleman turned out admirablyâ âfar better than either you or I could possibly have expected, reader. He, too, married a most sensible, quiet, ladylike little woman. The match was the making of him. He became an exemplary domestic character, and a truly active parish priest (as a pastor he, to his dying day, conscientiously refused to act). The outside of the cup and platter he burnished up with the best polishing-powder; the furniture of the altar and temple he looked after with the zeal of an upholsterer, the care of a cabinetmaker. His little school, his little church, his little parsonage, all owed their erection to him; and they did him credit. Each was a model in its way. If uniformity and taste in architecture had been the same thing as consistency and earnestness in religion, what a shepherd of a Christian flock Mr. Donne would have made! There was one art in the mastery of which nothing mortal ever surpassed Mr. Donne: it was that of begging. By his own unassisted efforts he begged all the money for all his erections. In this matter he had a grasp of plan, a scope of action quite unique. He begged of high and lowâ âof the shoeless cottage brat and the coroneted duke. He sent out begging-letters far and wideâ âto old Queen Charlotte, to the princesses her daughters, to her sons the royal dukes, to the Prince Regent, to Lord Castlereagh, to every member of the ministry then in office; and, what is more remarkable, he screwed something out of every one of these personages. It is on record that he got five pounds from the closefisted old lady Queen Charlotte, and two guineas from the royal profligate her eldest son. When Mr. Donne set out on begging expeditions, he armed himself in a complete suit of brazen mail. That you had given a hundred pounds yesterday was with him no reason why you should not give two hundred today. He would tell you so to your face, and, ten to one, get the money out of you. People gave to get rid of him. After all, he did some good with the cash. He was useful in his day and generation.
Perhaps I ought to remark that on the premature and sudden vanishing of Mr. Malone from the stage of Briarfield parish (you cannot know how it happened, reader; your curiosity must be robbed to pay your elegant love of the pretty and pleasing), there came as his successor another Irish curate, Mr. Macarthey. I am happy to be able to inform you, with truth, that this gentleman did as much credit to his country as Malone had done it discredit. He proved himself as decent, decorous, and conscientious as Peter was rampant, boisterous, andâ â(This last epithet I choose to suppress, because it would let the cat out of the bag). He laboured faithfully in the parish. The schools, both Sunday and day schools, flourished under his sway like green bay trees. Being human, of course he had his faults. These, however, were proper, steady-going, clerical faultsâ âwhat many would call virtues. The circumstance of finding himself invited to tea with a Dissenter would unhinge him for a week. The spectacle of a Quaker wearing his hat in the church, the thought of an unbaptized fellow-creature being interred with Christian ritesâ âthese things could make strange havoc in Mr. Macartheyâs physical and mental economy. Otherwise he was sane and rational, diligent and charitable.
I doubt not a justice-loving public will have remarked, ere this, that I have thus far shown a criminal remissness in pursuing, catching, and bringing to condign punishment the would-be assassin of Mr. Robert Moore. Here was a fine opening to lead my willing readers a dance, at once decorous and excitingâ âa dance of law and gospel, of the dungeon, the dock, and the âdead-thraw.â You might have liked it, reader, but I should not. I and my subject would presently have quarrelled, and then I should have broken down. I was happy to find that facts perfectly exonerated me from the attempt. The murderer was never punished, for the good reason that he was never caughtâ âthe result of the further circumstance that he was never pursued. The magistrates made a shuffling, as if they were going to rise and do valiant things; but since Moore himself, instead of urging and leading them as heretofore, lay still on his little cottage-couch, laughing in his sleeve, and sneering with every feature of his pale, foreign face, they considered better of it, and after fulfilling certain indispensable forms, prudently resolved to let the matter quietly drop, which they did.
Mr. Moore knew who had shot him, and all Briarfield knew. It was no other than Michael Hartley, the half-crazed weaver once before alluded to, a frantic Antinomian in religion, and a mad leveller in politics. The poor soul died of delirium tremens a year after the attempt on Moore, and Robert gave his wretched widow a guinea to bury him.
The winter is over and gone; spring has followed with beamy and shadowy, with flowery and showery flight. We are now in the heart of summerâ âin mid-Juneâ âthe June of 1812.
It is burning weather. The air is deep azure and red gold. It fits the time; it fits the age; it fits the present spirit of the nations. The nineteenth century wantons in its giant adolescence; the Titan boy uproots mountains in his game, and hurls rocks in his wild sport. This summer Bonaparte is in the saddle; he and his host scour Russian deserts. He has with him Frenchmen and Poles, Italians and children of the Rhine, six hundred thousand strong. He marches on old Moscow. Under old Moscowâs walls the rude Cossack waits him. Barbarian stoic! he waits without fear of the boundless ruin rolling on. He puts his trust in a snow-cloud; the wilderness, the wind, and the hailstorm are his refuge; his allies are the elementsâ âair, fire, water.
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