Bashan and I by Thomas Mann (best black authors .TXT) 📕
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In Bashan and I (sometime referred to as Man and Dog), Thomas Mann, the Nobel Prize-winning author of The Magic Mountain and Death in Venice, writes in the most remarkable way of the unique relation that links a dog with his master. These memoirs read as a novel, and describe in fierce detail the behavior, feelings and psychology of Mann’s dog Bashan, and of Mann himself. Mann tells how he acquired Bashan, details traits of his character, and describes how they go on harmless and bucolic hunts.
Written in 1918 at the end of the First World War, Bashan and I is an ode to life, to nature, to simple joys, and to a dog.
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- Author: Thomas Mann
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He is a short-haired setter—if you will not take this designation too sternly and strictly, but with a grain of salt. For Bashan cannot really claim to be a setter such as are described in books—a setter in accordance with the most meticulous laws and decrees. He is perhaps a trifle too small for this—for he is somewhat under the size of a full-fledged setter. And then his legs are not quite straight, but somewhat disposed to bend outward, a condition of things which would also be scarcely in accordance with the ideal of a Simon-pure breed.
The slight disposition to dewlaps or “wattles,” that is, to those folds of skin about the neck which are capable of lending a dog such a dignified expression, becomes him admirably, though it is certain that this feature would also be objected to as a flaw by implacable experts on breeding, for I am told that in this species of dog the skin should lie close and firm about the throat.
Bashan’s colouring is very beautiful. His coat is a rusty brown in the ground colour, striped with black. But there are also considerable mixtures of white. These predominate on the chest, the paws, and the belly. His entire nose, which is very short, seems to be painted black. This black and rusty brown makes a pretty velvety pattern on his broad skull as well as on his cool earlaps. One of his most edifying external features is the whorl, tuft or tassel into which the white hair on his chest twists itself and which sticks out like the spike on certain ancient armour. To be sure, one of his rather arbitrary glories—the colour of his hair—might also appear a dubious point to those who rate racial laws higher than the values of personality. It is possible that the classic setter should be monochrome or decorated with shaded or toned spots, and not, like Bashan, with tiger-like stripes. But the most emphatic warning against classifying Bashan in any rigid or ironclad category, is a certain drooping manner of the hirsute appendages about the corners of his mouth and the underside of his jaws, features which might not incorrectly be designated as a kind of bristling moustache and goatee—features which, if you will rivet your eye upon them from near or far, will remind you of a griffon or an Airedale terrier!
But what odds?—setter or pointer or terrier—Bashan is a fine and handsome animal. Look at him as he leans rigidly against my knee and looks up at me with a profound and concentrated devotion! His eye, ah, his eye! is beautiful, soft, and wise, even though a trifle glassy and protuberant. The iris is a rusty brown—of the same colour as his coat, though it forms only a small ring in consequence of the tremendous expanse of the black mirrors of the pupils. On the outer periphery the colour blends into the white of the eye, swimming in it, as it were. The expression of his face, an expression of reasonable cheerfulness, proclaims the fine masculinity of his moral nature, which is reflected physically in the structure of his body. The vaulted chest, beneath whose smooth, supple, and clinging skin the ribs show powerfully, the drawn-in haunches, the nervous, clear-veined legs, the strong and well-shaped paws—all proclaim a brave heart and much virile virtue—proclaim peasant blood—hunting blood. Yes, there can be no doubt of it—the hunter and the tracker dominate prodigiously in Bashan’s education. He is a bona-fide setter—if you must know—even though he may not owe his existence to some snobbish bit of blue-blooded inbreeding. And this perhaps is what I would imply by the rather confused and unrelated words which I address to him whilst patting him on the shoulder-blade.
He stands and stares, listening intently to the tone of my voice. He finds that this tone is full of accents which decidedly approve of his existence, something which I am at pains to emphasise in my speech. And suddenly, with an upward lunge of the head and a swift opening and shutting of his jaws, he makes a snap towards my face, as though he intended to bite off my nose, a bit of pantomime that is obviously meant to be an answer to my remarks and which invariably throws me backward in a sudden recoil, laughing—as Bashan well knows. He intends this to be a kind of air-kiss, half tenderness, half mischievousness—a manoeuvre which has been peculiar to him from puppyhood on—I had never observed it in the case of any of his predecessors. Moreover, he at once begs pardon for the liberty he has taken by waggings, short abrupt bows and an embarrassed air. And then we pass out of the garden-gate into the open.
We are now
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