Bashan and I by Thomas Mann (best black authors .TXT) ๐
Description
In Bashan and I (sometime referred to as Man and Dog), Thomas Mann, the Nobel Prize-winning author of The Magic Mountain and Death in Venice, writes in the most remarkable way of the unique relation that links a dog with his master. These memoirs read as a novel, and describe in fierce detail the behavior, feelings and psychology of Mannโs dog Bashan, and of Mann himself. Mann tells how he acquired Bashan, details traits of his character, and describes how they go on harmless and bucolic hunts.
Written in 1918 at the end of the First World War, Bashan and I is an ode to life, to nature, to simple joys, and to a dog.
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- Author: Thomas Mann
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According to the daylight-saving law, the time might be half-past seven when I take my walk; in reality it is half-past six. With arms crossed behind my back I stroll through the tender sunshine down the poplar-lined avenue, barred by the long shadows of the trees. From here I cannot see the river, but its broad and even flow is audible. There is a soft whispering in the trees, the penetrating twittering, fluting, chirping, and sob-like trill of the songbirds fills the air. Under the moist blue heavens an aeroplane coming from the east, a stark mechanical bird with a roaring voice, now swelling, and now softly ebbing away, steers its independent way across land and river, and Bashan delights my eye with beautiful leaps at full length to and fro across the low fence of the grass plot to the left.
Bashan is jumping because he actually knows that I take pleasure in his jumping. Often by means of calls and knockings upon the fence, have I encouraged him in it and praised him when he had fulfilled my wishes. And now, too, he comes after almost every jump so that I may tell him that he is a daring and elegant fence-vaulter, at which he also ventures a jump or two towards my face and beslobbers my thrust-out, defensive arm with the slaver of his mouth. These exercises, however, he likewise intends to be a kind of gymnastic morning toilet, for he smooths his ruffled coat by means of these athletic movements and rids himself of the straws which had disfigured it.
It is good thus to go walking in the morning, the senses rejuvenated, the spirit purged by the healing bath and long Lethean draught of the night. You look upon the day that lies before you, regard it with strong, serene confidence, but you hesitate lazily to begin itโ โyou are master of an unusually free and unburdened span of time lying between the dream and the day, your reward for the good use you have made of your time. The illusion that you are leading a life that is constant, simple, undissipated and benignly introspective, the illusion that you belong utterly to yourself, renders you happy. Man is disposed to regard his case or condition of the moment, be this glad or troubled, peaceful or passionate, for the true, essential, and permanent aspect of his life, and above all is in fancy inclined to elevate every happy ex tempore to a radiant rule and an unbreakable habit, whereas he is really condemned to live by improvisation, from hand to mouth, so to speak.
So, drawing in deep breaths of the morning air, you believe in your freedom and in your worth, though you ought to be aware, and at heart are aware, that the world is holding its snares ready to entangle you in them, and that in all probability you will again be lying in bed until nine tomorrow morning, because you had got into it at two the night before, heated, befogged, and full of passionate debate.โ โโ โฆ Well, so be it. Today you are the man of sobriety and the dew-clad early hour, the right royal lord of that mad hunter yonder who is just making another jump across the fence out of sheer joy that you are apparently content to live this day with him and not waste it upon the world you have left behind you.
We follow the tree-lined avenue for about five minutes, to that point where it ceases to be a road and becomes a coarse desert of gravel parallel to the course of the river. We turn our backs upon this and strike into a broad, finely-gravelled street which, like the poplar-lined road, is equipped with a cycle-path, but is still void of houses. This leads to the right, between low-lying allotments of wooded land, towards the declivity which bounds our riverbanksโ โBashanโs field of action towards the east.
We cross another street of an equally futuristic nature, which runs openly between the woods and the meadows, and which, farther up in the direction of the city and the tram-stop, is lined with a compact mass of flats. A slanting pebble path leads us to a prettily arranged dingle, almost like a kurgarten to the eye, but
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