Tractatus Logico-Philosophicus by Ludwig Wittgenstein (i want to read a book .txt) 📕
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Ludwig Wittgenstein is considered by many to be one of the most important philosophers of the 20th century. He was born in Vienna to an incredibly rich family, but he gave away his inheritance and spent his life alternating between academia and various other roles, including serving as an officer during World War I and a hospital porter during World War II. When in academia Wittgenstein was taught by Bertrand Russell, and he himself taught at Cambridge.
He began laying the groundwork for Tractatus Logico-Philosophicus while in the trenches, and published it after the end of the war. It has since come to be considered one of the most important works of 20th century philosophy. After publishing it, Wittgenstein concluded that it had solved all philosophical problems—so he never published another book-length work in his lifetime.
The book itself is divided into a series of short, self-evident statements, followed by sub-statements elucidating on their parent statement, sub-sub-statements, and so on. These statements explore the nature of philosophy, our understanding of the world around us, and how language fits in to it all. These views later came to be known as “Logical Atomism.”
This translation, while credited to C. K. Ogden, is actually mostly the work of F. P. Ramsey, one of Ogden’s students. Ramsey completed the translation when he was just 19 years of age. The translation was personally revised and approved by Wittgenstein himself, who, though he was Austrian, had spent much of his life in England.
Much of the Tractatus’ meaning is complex and difficult to unpack. It is still being interpreted and explored to this day.
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- Author: Ludwig Wittgenstein
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The essential business of language is to assert or deny facts. Given the syntax of language, the meaning of a sentence is determined as soon as the meaning of the component words is known. In order that a certain sentence should assert a certain fact there must, however the language may be constructed, be something in common between the structure of the sentence and the structure of the fact. This is perhaps the most fundamental thesis of Mr. Wittgenstein’s theory. That which has to be in common between the sentence and the fact cannot, he contends, be itself in turn said in language. It can, in his phraseology, only be shown, not said, for whatever we may say will still need to have the same structure.
The first requisite of an ideal language would be that there should be one name for every simple, and never the same name for two different simples. A name is a simple symbol in the sense that it has no parts which are themselves symbols. In a logically perfect language nothing that is not simple will have a simple symbol. The symbol for the whole will be a “complex,” containing the symbols for the parts. (In speaking of a “complex” we are, as will appear later, sinning against the rules of philosophical grammar, but this is unavoidable at the outset. “Most propositions and questions that have been written about philosophical matters are not false but senseless. We cannot, therefore, answer questions of this kind at all, but only state their senselessness. Most questions and propositions of the philosophers result from the fact that we do not understand the logic of our language. They are of the same kind as the question whether the Good is more or less identical than the Beautiful” (4.003).) What is complex in the world is a fact. Facts which are not compounded of other facts are what Mr. Wittgenstein calls Sachverhalte, whereas a fact which may consist of two or more facts is a Tatsache: thus, for example “Socrates is wise” is a Sachverhalt, as well as a Tatsache, whereas “Socrates is wise and Plato is his pupil” is a Tatsache but not a Sachverhalte.
He compares linguistic expression to projection in geometry. A geometrical figure may be projected in many ways: each of these ways corresponds to a different language, but the projective properties of the original figure remain unchanged whichever of these ways may be adopted. These projective properties correspond to that which in his theory the proposition and the fact must have in common, if the proposition is to assert the fact.
In certain elementary ways this is, of course, obvious. It is impossible, for example, to make a statement about two men (assuming for the moment that the men may be treated as simples), without employing two names, and if you are going to assert a relation between the two men it will be necessary that the sentence in which you make the assertion shall establish a relation between the two names. If we say “Plato loves Socrates,” the word “loves” which occurs between the word “Plato” and the word “Socrates” establishes a certain relation between these two words, and it is owing to this fact that our sentence is able to assert a relation between the persons named by the words “Plato” and “Socrates.” “We must not say, the complex sign ‘aRb’ says ‘a stands in relation R to b’ ”; but we must say, “That ‘a’ stands in a certain relation to ‘b’ says that aRb” (3.1432).
Mr. Wittgenstein begins his theory of Symbolism with the statement (2.1): “We make to ourselves pictures of facts.” A picture, he says, is a model of the reality, and to the objects in the reality correspond the elements of the picture: the picture itself is a fact. The fact that things have a certain relation to each other is represented by the fact that in the picture its elements have a certain relation to one another. “In the picture and the pictured there must be something identical in order that the one can be a picture of the other at all. What the picture must have in common with reality in order to be able to represent it after its manner—rightly or falsely—is its form of representation” (2.161, 2.17).
We speak of a logical picture of a reality when we wish to imply only so much resemblance as is essential to its being a picture in any sense, that is to say, when we wish to imply no more than identity of logical form. The logical picture of a fact, he says, is a Gedanke. A picture can correspond or
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