The Surprising Adventures of Baron Munchausen by Rudolph Erich Raspe (top ten books of all time .txt) 📕

of trifling differences on the title page, identical with the third, fourth, and sixth) is also that which has been followed in the present reprint down to the conclusion of chapter twenty, where it ends with the words “the great quadrangle.” The supplement treating of Munchausen’s extraordinary flight on the back of an eagle over France to Gibraltar, South and North America, the Polar Regions, and back to England is derived from the seventh edition of 1793, which has a new subtitle:⁠—“Gulliver reviv’d, or the Vice of Lying properly exposed.” The preface to this enlarged edition also informs the reader that the last four editions had met with extraordinary success, and that the supplementary chapters, all, that is, with the exception of chapters II, III, IV, V and VI, which are ascribed to Baron Munchausen himself, were the production of another pen, written, however, in the Baron’s manner. To the same ingenious person the public was indebted for the engravings with which the book was embellished. The seventh was the last edition by which the classic text of Munchausen was seriously modified. Even before this important consummation had been arrived at, a sequel, which was within a fraction as long as the original work (it occupies pp. 163⁠–⁠299 of this volume), had appeared under the title, “A Sequel to the Adventures of Baron Munchausen.⁠ ⁠… Humbly dedicated to Mr. Bruce the Abyssinian traveller, as the Baron conceives that it may be some service to him, previous to his making another journey into Abyssinia. But if this advice does not delight Mr. Bruce, the Baron is willing to fight him on any terms he pleases.” This work was issued separately. London, 1792, 8vo.

Such is the history of the book during the first eight or constructive years of its existence, beyond which it is necessary to trace it, until at least we have touched upon the long-vexed question of its authorship.

Munchausen’s travels have in fact been ascribed to as many different hands as those of Odysseus. But (as in most other respects) it differs from the more ancient fabulous narrative in that its authorship has been the subject of but little controversy. Many people have entertained erroneous notions as to its authorship, which they have circulated with complete assurance; but they have not felt it incumbent upon them to support their own views or to combat those of other people. It has, moreover, been frequently stated with equal confidence and inaccuracy that the authorship has never been settled. An early and persistent version of the genesis of the travels was that they took their origin from the rivalry in fabulous tales of three accomplished students at Göttingen University, Bürger, Kästner, and Lichtenberg; another ran that Gottfried August Bürger, the German poet and author of Lenore, had at a later stage of his career met Baron Munchausen in Pyrmont and taken down the stories from his own lips. Percy in his anecdotes attributes the Travels to a certain Mr. M. (Munchausen also began with an M) who was imprisoned at Paris during the Reign of Terror. Southey in his Omniana conjectured, from the coincidences between two of the tales and two in a Portuguese periodical published in 1730, that the English fictions must have been derived from the Portuguese. William West the bookseller and numerous followers have stated that Munchausen owed its first origin to Bruce’s Travels, and was written for the purpose of burlesquing that unfairly treated work. Pierer boldly stated that it was a successful anonymous satire upon the English government of the day, while Meusel with equal temerity affirmed in his Lexikon that the book was a translation of the “well-known Munchausen lies” executed from a (nonexistent) German original by Rudolph Erich Raspe. A writer in the Gentleman’s Magazine for 1856 calls the book the joint production of Bürger and Raspe.

Of all the conjectures, of which these are but a selection, the most accurate from a German point of view is that the book was the work of Bürger, who was the first to dress the Travels in a German garb, and was for a long time almost universally credited with the sole proprietorship. Bürger himself appears neither to have claimed nor disclaimed the distinction. There is, however, no doubt whatever that the book first appeared in English in 1785, and that Bürger’s German version did not see the light until 1786. The first German edition (though in reality printed at Göttingen) bore the imprint London, and was stated to be derived from an English source; but this was, reasonably enough, held to be merely a measure of precaution in case the actual Baron Munchausen (who was a well-known personage in Göttingen) should be stupid enough to feel aggrieved at being made the butt of a gross caricature. In this way the discrepancy of dates mentioned above might easily have been obscured, and Bürger might still have been credited with a work which has proved a better protection against oblivion than Lenore, had it not been for the officious sensitiveness of his self-appointed biographer, Karl von Reinhard. Reinhard, in an answer to an attack made upon his hero for bringing out Munchausen as a potboiler in German and English simultaneously, definitely stated in the Berlin Gesellschafters of November 1824, that the real author of the original work was that disreputable genius, Rudolph Erich Raspe, and that the German work was merely a free translation made by Bürger from the fifth edition of the English work. Bürger, he stated, was well aware of, but was too high-minded to disclose the real authorship.

Taking Reinhard’s solemn asseveration in conjunction with the ascertained facts of Raspe’s career, his undoubted acquaintance with the Baron Munchausen of real life and the first appearance of the work in 1785, when Raspe was certainly in England, there seems to be little difficulty in accepting his authorship as a positive fact. There is no difficulty whatever, in