Zuleika Dobson by Max Beerbohm (i am reading a book TXT) 📕
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Max Beerbohm earned his fame as a caricaturist and essayist, and Zuleika Dobson is his only novel. Despite that, Zuleika has earned no small measure of fame, with the Modern Library ranking it 59th in its “100 Best English-Language Novels of the 20th Century.” Beerbohm’s essays were famous for their sharp wit and humor, and Zuleika follows in that tradition—Beerbohm himself called the novel “the work of a leisurely essayist amusing himself with a narrative idea.”
The novel follows Zuleika Dobson, a rather talentless woman of middling looks who nonetheless holds an almost mystical power of attraction over the men she comes in contact with. When she begins attending Oxford, she catches the eye of not just the Duke of Dorset, but of the entire male class.
Zuleika is both an easy comedy and a biting satire of Edwardian social mores and of the male-dominated Oxford student culture. Beerbohm also seems to forecast with eerie accuracy the cultural obsession with talentless celebrity that came to dominate the turn of the 21st century.
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- Author: Max Beerbohm
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“And who is that?” asked Zuleika.
A deep flush overspread the cheek of the Warden. “That,” he said, “is also a member of Judas. His name, I believe, is Noaks.”
“Is he dining with us tonight?” asked Zuleika.
“Certainly not,” said the Warden. “Most decidedly not.”
Noaks, unlike the Duke, had stopped for an ardent retrospect. He gazed till the landau was out of his short sight; then, sighing, resumed his solitary walk.
The landau was rolling into “the Broad,” over that ground which had once blackened under the fagots lit for Latimer and Ridley. It rolled past the portals of Balliol and of Trinity, past the Ashmolean. From those pedestals which intersperse the railing of the Sheldonian, the high grim busts of the Roman Emperors stared down at the fair stranger in the equipage. Zuleika returned their stare with but a casual glance. The inanimate had little charm for her.
A moment later, a certain old don emerged from Blackwell’s, where he had been buying books. Looking across the road, he saw, to his amazement, great beads of perspiration glistening on the brows of those Emperors. He trembled, and hurried away. That evening, in Common Room, he told what he had seen; and no amount of polite scepticism would convince him that it was but the hallucination of one who had been reading too much Mommsen. He persisted that he had seen what he described. It was not until two days had elapsed that some credence was accorded him.
Yes, as the landau rolled by, sweat started from the brows of the Emperors. They, at least, foresaw the peril that was overhanging Oxford, and they gave such warning as they could. Let that be remembered to their credit. Let that incline us to think more gently of them. In their lives we know, they were infamous, some of them—“nihil non commiserunt stupri, saevitiae, impietatis.” But are they too little punished, after all? Here in Oxford, exposed eternally and inexorably to heat and frost, to the four winds that lash them and the rains that wear them away, they are expiating, in effigy, the abominations of their pride and cruelty and lust. Who were lechers, they are without bodies; who were tyrants, they are crowned never but with crowns of snow; who made themselves even with the gods, they are by American visitors frequently mistaken for the Twelve Apostles. It is but a little way down the road that the two Bishops perished for their faith, and even now we do never pass the spot without a tear for them. Yet how quickly they died in the flames! To these Emperors, for whom none weeps, time will give no surcease. Surely, it is sign of some grace in them that they rejoiced not, this bright afternoon, in the evil that was to befall the city of their penance.
IIThe sun streamed through the bay-window of a “best” bedroom in the Warden’s house, and glorified the pale crayon-portraits on the wall, the dimity curtains, the old fresh chintz. He invaded the many trunks which—all painted Z. D.—gaped, in various stages of excavation, around the room. The doors of the huge wardrobe stood, like the doors of Janus’ temple in time of war, majestically open; and the sun seized this opportunity of exploring the mahogany recesses. But the carpet, which had faded under his immemorial visitations, was now almost entirely hidden from him, hidden under layers of fair fine linen, layers of silk, brocade, satin, chiffon, muslin. All the colours of the rainbow, materialised by modistes, were there. Stacked on chairs were I know not what of sachets, glove-cases, fan-cases. There were innumerable packages in silver-paper and pink ribands. There was a pyramid of bandboxes. There was a virgin forest of boot-trees. And rustling quickly hither and thither, in and out of this profusion, with armfuls of finery, was an obviously French maid. Alert, unerring, like a swallow she dipped and darted. Nothing escaped her, and she never rested. She had the air of the born unpacker—swift and firm, yet withal tender. Scarce had her arms been laden but their loads were lying lightly between shelves or tightly in drawers. To calculate, catch, distribute, seemed in her but a single process. She was one of those who are born to make chaos cosmic.
Insomuch that ere the loud chapel-clock tolled another hour all the trunks had been sent empty away. The carpet was unflecked by any scrap of silver-paper. From the mantelpiece, photographs of Zuleika surveyed the room with a possessive air. Zuleika’s pincushion, a-bristle with new pins, lay on the dimity-flounced toilet-table, and round it stood a multitude of multiform glass vessels, domed, all of them, with dull gold, on which Z. D., in zianites and diamonds, was encrusted. On a small table stood a great casket of malachite, initialled in like fashion. On another small table stood Zuleika’s library. Both books were in covers of dull gold. On the back of one cover Bradshaw, in beryls, was encrusted; on the back of the other, A.B.C. Guide, in amethysts, beryls, chrysoprases, and garnets. And Zuleika’s great cheval-glass stood ready to reflect her. Always it travelled with her, in a great case specially made for it. It was framed in ivory, and of fluted ivory were the slim columns it swung between. Of gold were its twin sconces, and four tall tapers stood in each of them.
The door opened, and the Warden, with hospitable words, left his granddaughter at the threshold.
Zuleika wandered to her mirror. “Undress me, Mélisande,” she said. Like all who are wont to appear by night before the public, she had the habit of resting towards sunset.
Presently Mélisande withdrew. Her mistress, in a white peignoir tied with a blue sash, lay in a great chintz chair, gazing out of the
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