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first accented syllable in the second half-verse always carries the alliteration; and the last accented syllable alliterates only sporadically. Alternate alliteration is occasionally used as in the original. (See here, see here.)

No two accented syllables have been brought together, except occasionally after a caesural pause. (See here and see here.) Or, scientifically speaking, Sieversโ€™s C type has been avoided as not consonant with the plan of translation. Several of his types, however, constantly occur; e.g. A and a variant (/ ร— | / ร—) (/ ร— ร— | / ร—); B and a variant (ร— / | ร— /) (ร— ร— / | ร— /); a variant of D (/ ร— | / ร— ร—); E (/ ร— ร— | /). Anacrusis gives further variety to the types used in the translation.

The parallelisms of the original have been faithfully preserved. (E.g., see here and see here: โ€œLordโ€ and โ€œWielder of Gloryโ€; see here, see here, see here; see here and see here; see here and see here; see here and see here.) Occasionally, some loss has been sustained; but, on the other hand, a gain has here and there been made.

The effort has been made to give a decided flavor of archaism to the translation. All words not in keeping with the spirit of the poem have been avoided. Again, though many archaic words have been used, there are none, it is believed, which are not found in standard modern poetry.

With these preliminary remarks, it will not be amiss to give an outline of the story of the poem.

The Story

Hrothgar, king of the Danes, or Scyldings, builds a great mead hall, or palace, in which he hopes to feast his liegemen and to give them presents. The joy of king and retainers is, however, of short duration. Grendel, the monster, is seized with hateful jealousy. He cannot brook the sounds of joyance that reach him down in his fen-dwelling near the hall. Oft and anon he goes to the joyous building, bent on direful mischief. Thane after thane is ruthlessly carried off and devoured, while no one is found strong enough and bold enough to cope with the monster. For twelve years he persecutes Hrothgar and his vassals.

Over sea, a dayโ€™s voyage off, Beowulf, of the Geats, nephew of Higelac, king of the Geats, hears of Grendelโ€™s doings and of Hrothgarโ€™s misery. He resolves to crush the fell monster and relieve the aged king. With fourteen chosen companions, he sets sail for Daneland. Reaching that country, he soon persuades Hrothgar of his ability to help him. The hours that elapse before night are spent in beer-drinking and conversation. When Hrothgarโ€™s bedtime comes he leaves the hall in charge of Beowulf, telling him that never before has he given to another the absolute wardship of his palace. All retire to rest, Beowulf, as it were, sleeping upon his arms.

Grendel comes, the great march-stepper, bearing Godโ€™s anger. He seizes and kills one of the sleeping warriors. Then he advances towards Beowulf. A fierce and desperate hand-to-hand struggle ensues. No arms are used, both combatants trusting to strength and hand-grip. Beowulf tears Grendelโ€™s shoulder from its socket, and the monster retreats to his den, howling and yelling with agony and fury. The wound is fatal.

The next morning, at early dawn, warriors in numbers flock to the hall Heorot, to hear the news. Joy is boundless. Glee runs high. Hrothgar and his retainers are lavish of gratitude and of gifts.

Grendelโ€™s mother, however, comes the next night to avenge his death. She is furious and raging. While Beowulf is sleeping in a room somewhat apart from the quarters of the other warriors, she seizes one of Hrothgarโ€™s favorite counsellors, and carries him off and devours him. Beowulf is called. Determined to leave Heorot entirely purified, he arms himself, and goes down to look for the female monster. After traveling through the waters many hours, he meets her near the sea bottom. She drags him to her den. There he sees Grendel lying dead. After a desperate and almost fatal struggle with the woman, he slays her, and swims upward in triumph, taking with him Grendelโ€™s head.

Joy is renewed at Heorot. Congratulations crowd upon the victor. Hrothgar literally pours treasures into the lap of Beowulf; and it is agreed among the vassals of the king that Beowulf will be their next liege lord.

Beowulf leaves Daneland. Hrothgar weeps and laments at his departure.

When the hero arrives in his own land, Higelac treats him as a distinguished guest. He is the hero of the hour.

Beowulf subsequently becomes king of his own people, the Geats. After he has been ruling for fifty years, his own neighborhood is woefully harried by a fire-spewing dragon. Beowulf determines to kill him. In the ensuing struggle both Beowulf and the dragon are slain. The grief of the Geats is inexpressible. They determine, however, to leave nothing undone to honor the memory of their lord. A great funeral pyre is built, and his body is burnt. Then a memorial-barrow is made, visible from a great distance, that sailors afar may be constantly reminded of the prowess of the national hero of Geatland.

The poem closes with a glowing tribute to his bravery, his gentleness, his goodness of heart, and his generosity.

It is the devout desire of this translator to hasten the day when the story of Beowulf shall be as familiar to English-speaking peoples as that of the Iliad. Beowulf is our first great epic. It is an epitomized history of the life of the Teutonic races. It brings vividly before us our forefathers of pre-Alfredian eras, in their love of war, of sea, and of adventure.

My special thanks are due to Professors Francis A. March and James A. Harrison, for advice, sympathy, and assistance.

J. L. Hall.

Williamsburg, VA, Nov. 1, 1891.

Beowulf
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