The Iliad by Homer (book club recommendations txt) ๐
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The Iliad is one of the oldest works of Western literature, dating back to classical antiquity. Homerโs epic poem belongs in a collection called the Epic Cycle, which includes the Odyssey. It was originally written in ancient Greek and utilized a dactylic hexameter rhyme scheme. Although this rhyme scheme sounds beautiful in its native language, in modern English it can sound awkward and, as Eric McMillan humorously describes it, resembles โpumpkins rolling on a barn floor.โ William Cullen Bryant avoided this problem by converting his translation into blank verse.
This epic poem begins with the Achaean army sacking the city of Chryse and capturing two maidens as prizes of war. One of the maidens, Chryseis, is given to Agamemnon, the leader of the Achaeans, and the other maiden, Briseis, was given to the armyโs best warrior, Achilles. Chryseisโ father, the cityโs priest, prays to the god Apollo and asks for a plague on the Achaean army. To stop this plague, Agamemnon returns Chryseis to her father, but then orders Achilles to give him Briseis as compensation. Achilles refuses.
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- Author: Homer
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I have chosen blank verse for this reason among others, that it enabled me to keep more closely to the original in my rendering, without any sacrifice either of ease or of spirit in the expression. The use of rhyme in a translation is a constant temptation to petty infidelities, and to the employment of expressions which have an air of constraint, and do not the most adequately convey the thought. I had my reasons also for not adopting the ballad measure, which some have thought to allow the nearest approach to the manner of Homer. There are, it is true, certain affinities between the style of Homer and that of the old ballad poems of Great Britain. Both were the productions of a rude age; both were composed to be sung to public audiences; and this gave occasion to certain characteristics in which they resemble each other. But the Homeric poems, as it seems to me, are beyond the popular ballads of any modern nation in reach of thought and in richness of phraseology; and if I had adopted that form of poetry there would have been, besides the disadvantage of rhyme, a temptation to make the version conform in style and spirit to the old ballads of our own literature, in a degree which the original does not warrant, and which, as I think, would lead to some sacrifice of its dignity. I did not adopt the hexameter verse, principally for the reason that in our language it is confessedly an imperfect form of versification, the true rhythm of which it is difficult for those whose ear is accustomed only to our ordinary metres to perceive. I found that I could not possibly render the Greek hexameters line for line, like Voss in his marvellous German version, in which he has not only done this, but generally preserved the pauses in the very part of the line in which Homer placed them. We have so many short words in English, and so few of the connective particles which are lavishly used by Homer, that often when I reached the end of the Greek line I found myself only in the middle of my line in English. This difficulty of subduing the thoughtโ โby compression or expansion of phraseโ โto the limits it must fill would alone have been sufficient to deter me from attempting a translation in hexameters. I therefore fell back upon blank verse, which has been the vehicle of some of the noblest poetry in our language; both because it seemed to me by the flexibility of its construction best suited to a narrative poem, and because, while it enabled me to give the sense of my author more perfectly than any other form of verse, it allowed me also to avoid in a greater degree the appearance of constraint which is too apt to belong to a translation.
I make no apology for employing in my version the names Jupiter, Juno, Venus, and others of Latin origin, for Zeus, Hera, Aphrodite, and other Greek names of the deities of whom Homer speaks. The names which I have adopted have been naturalized in our language for centuries, and some of them, as Mercury, Vulcan, and Dian, have even been provided with English terminations. I was translating from Greek into English, and I therefore translated the names of the gods, as well as the other parts of the poem.
In explanation of what may appear to some readers an unauthorized abridgment of the famous simile of the moon and stars at the end of the Eighth Book, I will mention here, by way of noteโ โthe only one which I shall have occasion to makeโ โthat in translating I have omitted two lines of the text, which the best critics regard as not properly belonging to it, but as transferred by some interpolator from another simile in the Sixteenth Book, where they are found in their proper place.
In the intimate acquaintance with the Iliad which the work of translation has given me, an impression has been revived which was made upon my mind when in my boyhood I first read that poem in an English version. I recollect very well the eager curiosity with which I seized upon the translation of Pope when it came within my reach, and with what avidity I ran through the pages which rendered into our language what was acknowledged to be the greatest production of poetic genius that the world had seen. I read with
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