The Souls of Black Folk by W. E. B. Du Bois (100 books to read in a lifetime .txt) 📕
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When it was first published in 1903, W. E. B Du Bois’s The Souls of Black Folk represented a seismic shift in the discussion of race in the United States. Earlier African-American authors had broken ground with memoirs and autobiographical novels—narrative works that portrayed the African-American experience through the stories of particular individuals. What Du Bois envisioned was a work that portrayed the experience of African Americans as a people.
As a professor of sociology, Du Bois naturally gravitated toward a scientific and scholarly approach. But he was also becoming, to his own surprise, a political activist, and found himself increasingly disenchanted with purely intellectual arguments when his fellow African Americans were being lynched, starved, and driven from their land. What emerged from this tension between scholarly rigor and righteous indignation was a book that became a seminal text for both sociology and for the civil rights movement.
The fourteen essays in this book weave together historical research, sociological analysis, first-hand reportage, political argument, and an enduring, aspirational belief in the possibility of America. Many of the ideas that Du Bois introduced in the book have become mainstays of modern discourse, including the “veil of race” and the concept of double consciousness. These insights, originally rooted in race, have proven resonant to a wide range of other marginalized groups and have provided a useful framework for understanding the nature of oppression and the path to liberation.
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- Author: W. E. B. Du Bois
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After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
The history of the American Negro is the history of this strife—this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
This, then, is the end of his striving: to be a co-worker in the kingdom of culture, to escape both death and isolation, to husband and use his best powers and his latent genius. These powers of body and mind have in the past been strangely wasted, dispersed, or forgotten. The shadow of a mighty Negro past flits through the tale of Ethiopia the Shadowy and of Egypt the Sphinx. Through history, the powers of single black men flash here and there like falling stars, and die sometimes before the world has rightly gauged their brightness. Here in America, in the few days since Emancipation, the black man’s turning hither and thither in hesitant and doubtful striving has often made his very strength to lose effectiveness, to seem like absence of power, like weakness. And yet it is not weakness—it is the contradiction of double aims. The double-aimed struggle of the black artisan—on the one hand to escape white contempt for a nation of mere hewers of wood and drawers of water, and on the other hand to plough and nail and dig for a poverty-stricken horde—could only result in making him a poor craftsman, for he had but half a heart in either cause. By the poverty and ignorance of his people, the Negro minister or doctor was tempted toward quackery and demagogy; and by the criticism of the other world, toward ideals that made him ashamed of his lowly tasks. The would-be black savant was confronted by the paradox that the knowledge his people needed was a twice-told tale to his white neighbors, while the knowledge which would teach the white world was Greek to his own flesh and blood. The innate love of harmony and beauty that set the ruder souls of his people a-dancing and a-singing raised but confusion and doubt in the soul of the black artist; for the beauty revealed to him was the soul-beauty of a race which his larger audience despised, and he could not articulate the message of another people. This waste of double aims, this seeking to satisfy two unreconciled ideals, has wrought sad havoc with the courage and faith and deeds of ten thousand thousand people—has sent them often wooing false gods and invoking false means of salvation,
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