The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) 📕
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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“Here I ride swift steed,
His flank flecked with rime,
Rain from his mane drips,
Horse mighty for harm;
Flames flare at each end,
Gall glows in the midst,
So fares it with Flosi’s redes
As this flaming brand flies;
And so fares it with Flosi’s redes
As this flaming brand flies.
“Then he thought he hurled the firebrand east towards the fells before him, and such a blaze of fire leapt up to meet it that he could not see the fells for the blaze. It seemed as though that man rode east among the flames and vanished there.
“After that he went to his bed, and was senseless for a long time, but at last he came to himself. He bore in mind all that had happened, and told his father, but he bade him tell it to Hjallti Skeggi’s son. So he went and told Hjallti, but he said he had seen ‘the Wolf’s Ride, and that comes ever before great tidings.’ ”
They were silent awhile; then Lessingham said suddenly, “Do you mind if we sleep in the east wing tonight?”
“What, in the Lotus Room?”
“Yes.”
“I’m too much of a lazybones tonight, dear,” she answered.
“Do you mind if I go alone, then? I shall be back to breakfast. I like my lady with me; still, we can go again when next moon wanes. My pet is not frightened, is she?”
“No!” she said, laughing. But her eyes were a little big. Her fingers played with his watch-chain. “I’d rather,” she said presently, “you went later on and took me. All this is so odd still: the House, and that; and I love it so. And after all, it is a long way and several years too, sometimes, in the Lotus Room, even though it is all over next morning. I’d rather we went together. If anything happened then, well, we’d both be done in, and it wouldn’t matter so much, would it?”
“Both be what?” said Lessingham. “I’m afraid your language is not all that might be wished.”
“Well, you taught me!” said she; and they laughed.
They sat there till the shadows crept over the lawn and up the trees, and the high rocks of the mountain shoulder beyond burned red in the evening rays. He said, “If you like to stroll a bit of way up the fell-side, Mercury is visible tonight. We might get a glimpse of him just after sunset.”
A little later, standing on the open hillside below the hawking bats, they watched for the dim planet that showed at last low down in the west between the sunset and the dark.
He said, “It is as if Mercury had a finger on me tonight, Mary. It’s no good my trying to sleep tonight except in the Lotus Room.”
Her arm tightened in his. “Mercury?” she said. “It is another world. It is too far.”
But he laughed and said, “Nothing is too far.”
They turned back as the shadows deepened. As they stood in the dark of the arched gate leading from the open fell into the garden, the soft clear notes of a spinet sounded from the house. She put up a finger. “Hark,” she said. “Your daughter playing ‘Les Barricades.’ ”
They stood listening. “She loves playing,” he whispered. “I’m glad we taught her to play.” Presently he whispered again, “ ‘Les Barricades Mystérieuses.’ What inspired Couperin with that enchanted name? And only you and I know what it really means. ‘Les Barricades Mystérieuses.’ ”
That night Lessingham lay alone in the Lotus Room. Its casements opened eastward on the sleeping woods and the sleeping bare slopes of Illgill Head. He slept soft and deep; for that was the House of Postmeridian, and the House of Peace.
In the deep and dead time of the night, when the waning moon peered over the mountain shoulder, he woke suddenly. The silver beams shone through the open window on a form perched at the foot of the bed: a little bird, black, round-headed, short-beaked, with long sharp wings, and eyes like two stars shining. It spoke and said, “Time is.”
So Lessingham got up and muffled himself in a great cloak that lay on a chair beside the bed. He said, “I am ready, my little martlet.” For that was the House of Heart’s Desire.
Surely the martlet’s eyes filled all the room with starlight. It was an old room with lotuses carved on the panels and on the bed and chairs and roof-beams; and in the glamour the carved flowers swayed like water-lilies in a lazy stream. He went to the window, and the little martlet sat on his shoulder. A chariot coloured like the halo about the moon waited by the window, poised in air, harnessed to a strange steed. A horse it seemed, but winged like an eagle, and its forelegs feathered and armed with eagle’s claws instead of hooves. He entered the chariot, and that little martlet sat on his knee.
With a whirr of wings the wild courser sprang skyward. The night about them was like the tumult of bubbles about a diver’s ears diving in a deep pool under a smooth steep rock in a mountain cataract. Time was swallowed up in speed; the world reeled; and it was but as the space between two deep breaths till that strange courser spread wide his rainbow wings and slanted down the night over a great island that slumbered on a slumbering sea, with lesser isles about it: a country of rock mountains and hill pastures and many waters, all a-glimmer in the moonshine.
They landed within a gate crowned with golden lions. Lessingham came down from the chariot, and the little black martlet circled about his head, showing him a yew avenue leading from the gates. As in a dream, he followed her.
I The Castle of Lord JussOf the rarities
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