Ragged Trousered Philanthropists by Robert Tressell (fiction novels to read .txt) 📕
Another answer is that `The Philanthropists' is not a treatise oressay, but a novel. My main object was to write a readable story fullof human interest and based on the happenings of everyday life, thesubject of Socialism being treated incidentally.
This was the task I set myself. To what extent I have succeeded isfor others to say; but whatever their verdict, the work possesses atleast one merit - that of being true. I have invented nothing. Thereare no scenes or incidents in the story that I have not eitherwitnessed myself or had conclusive evidence of. As far as I dared Ilet th
Read free book «Ragged Trousered Philanthropists by Robert Tressell (fiction novels to read .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Robert Tressell
- Performer: -
Read book online «Ragged Trousered Philanthropists by Robert Tressell (fiction novels to read .txt) 📕». Author - Robert Tressell
eight o’clock.
`There’s a bloater I want’s cooked,’ he said.
`All right,’ replied Bert. `Put it over there on the dresser along of
Philpot’s and mine.’
Slyme took the bloater from his food basket, but as he was about to
put it in the place indicated, he observed that his was rather a
larger one than either of the other two. This was an important
matter. After they were cooked it would not be easy to say which was
which: he might possibly be given one of the smaller ones instead of
his own. He took out his pocket knife and cut off the tail of the
large bloater.
`‘Ere it is, then,’ he said to Bert. `I’ve cut the tail of mine so as
you’ll know which it is.’
It was now about twenty minutes past seven and all the other men
having been started at work, Crass washed his hands under the tap.
Then he went into the kitchen and having rigged up a seat by taking
two of the drawers out of the dresser and placing them on the floor
about six feet apart and laying a plank across, he sat down in front
of the fire, which was now burning brightly under the pail, and,
lighting his pipe, began to smoke. The boy went into the scullery and
began washing up the cups and jars for the men to drink out of.
Bert was a lean, undersized boy about fifteen years of age and about
four feet nine inches in height. He had light brown hair and hazel
grey eyes, and his clothes were of many colours, being thickly
encrusted with paint, the result of the unskillful manner in which he
did his work, for he had only been at the trade about a year. Some of
the men had nicknamed him `the walking paintshop’, a title which Bert
accepted good-humouredly.
This boy was an orphan. His father had been a railway porter who had
worked very laboriously for twelve or fourteen hours every day for
many years, with the usual result, namely, that he and his family
lived in a condition of perpetual poverty. Bert, who was their only
child and not very robust, had early shown a talent for drawing, so
when his father died a little over a year ago, his mother readily
assented when the boy said that he wished to become a decorator. It
was a nice light trade, and she thought that a really good painter,
such as she was sure he would become, was at least always able to earn
a good living. Resolving to give the boy the best possible chance,
she decided if possible to place him at Rushton’s, that being one of
the leading firms in the town. At first Mr Rushton demanded ten
pounds as a premium, the boy to be bound for five years, no wages the
first year, two shillings a week the second, and a rise of one
shilling every year for the remainder of the term. Afterwards, as a
special favour - a matter of charity, in fact, as she was a very poor
woman - he agreed to accept five pounds.
This sum represented the thrifty savings of years, but the poor woman
parted with it willingly in order that the boy should become a skilled
workman. So Bert was apprenticed - bound for five years - to Rushton
& Co.
For the first few months his life had been spent in the paintshop at
the yard, a place that was something between a cellar and a stable.
There, surrounded by the poisonous pigments and materials of the
trade, the youthful artisan worked, generally alone, cleaning the
dirty paint-pots brought in by the workmen from finished `jobs’
outside, and occasionally mixing paint according to the instructions
of Mr Hunter, or one of the sub-foremen.
Sometimes he was sent out to carry materials to the places where the
men were working - heavy loads of paint or white lead - sometimes
pails of whitewash that his slender arms had been too feeble to carry
more than a few yards at a time.
Often his fragile, childish figure was seen staggering manfully along,
bending beneath the weight of a pair of steps or a heavy plank.
He could manage a good many parcels at once: some in each hand and
some tied together with string and slung over his shoulders.
Occasionally, however, there were more than he could carry; then they
were put into a handcart which he pushed or dragged after him to the
distant jobs.
That first winter the boy’s days were chiefly spent in the damp,
evil-smelling, stone-flagged paintshop, without even a fire to warm
the clammy atmosphere.
But in all this he had seen no hardship. With the unconsciousness of
boyhood, he worked hard and cheerfully. As time went on, the goal of
his childish ambition was reached - he was sent out to work with the
men! And he carried the same spirit with him, always doing his best
to oblige those with whom he was working.
He tried hard to learn, and to be a good boy, and he succeeded, fairly
well.
He soon became a favourite with Owen, for whom he conceived a great
respect and affection, for he observed that whenever there was any
special work of any kind to be done it was Owen who did it. On such
occasions, Bert, in his artful, boyish way, would scheme to be sent to
assist Owen, and the latter whenever possible used to ask that the boy
might be allowed to work with him.
Bert’s regard for Owen was equalled in intensity by his dislike of
Crass, who was in the habit of jeering at the boy’s aspirations.
`There’ll be plenty of time for you to think about doin’ fancy work
after you’ve learnt to do plain painting,’ he would say.
This morning, when he had finished washing up the cups and mugs, Bert
returned with them to the kitchen.
`Now let’s see,’ said Crass, thoughtfully, `You’ve put the tea in the
pail, I s’pose.’
`Yes.’
`And now you want a job, don’t you?’
`Yes,’ replied the boy.
`Well, get a bucket of water and that old brush and a swab, and go and
wash off the old whitewash and colouring orf the pantry ceiling and
walls.’
`All right,’ said Bert. When he got as far as the door leading into
the scullery he looked round and said:
`I’ve got to git them three bloaters cooked by breakfast time.’
`Never mind about that,’ said Crass. `I’ll do them.’
Bert got the pail and the brush, drew some water from the tap, got a
pair of steps and a short plank, one end of which he rested on the
bottom shelf of the pantry and the other on the steps, and proceeded
to carry out Crass’s instructions.
It was very cold and damp and miserable in the pantry, and the candle
only made it seem more so. Bert shivered: he would like to have put
his jacket on, but that was out of the question at a job like this.
He lifted the bucket of water on to one of the shelves and, climbing
up on to the plank, took the brush from the water and soaked about a
square yard of the ceiling; then he began to scrub it with the brush.
He was not very skilful yet, and as he scrubbed the water ran down
over the stock of the brush, over his hand and down his uplifted arm,
wetting the turned-up sleeves of his shirt. When he had scrubbed it
sufficiently he rinsed it off as well as he could with the brush, and
then, to finish with, he thrust his hand into the pail of water and,
taking out the swab, wrung the water out of it and wiped the part of
the ceiling that he had washed. Then he dropped it back into the
pail, and shook his numbed fingers to restore the circulation. Then
he peeped into the kitchen, where Crass was still seated by the fire,
smoking and toasting one of the bloaters at the end of a pointed
stick. Bert wished he would go upstairs, or anywhere, so that he
himself might go and have a warm at the fire.
`‘E might just as well ‘ave let me do them bloaters,’ he muttered to
himself, regarding Crass malignantly through the crack of the door.
`This is a fine job to give to anybody - a cold mornin’ like this.’
He shifted the pail of water a little further along the shelf and went
on with the work.
A little later, Crass, still sitting by the fire, heard footsteps
approaching along the passage. He started up guiltily and, thrusting
the hand holding his pipe into his apron pocket, retreated hastily
into the scullery. He thought it might be Hunter, who was in the
habit of turning up at all sorts of unlikely times, but it was only
Easton.
`I’ve got a bit of bacon I want the young ‘un to toast for me,’ he
said as Crass came back.
`You can do it yourself if you like,’ replied Crass affably, looking
at his watch. `It’s about ten to eight.’
Easton had been working for Rushton & Co. for a fortnight, and had
been wise enough to stand Crass a drink on several occasions: he was
consequently in that gentleman’s good books for the time being.
`How are you getting on in there?’ Crass asked, alluding to the work
Easton and Owen were doing in the drawing-room. `You ain’t fell out
with your mate yet, I s’pose?’
`No; ‘e ain’t got much to say this morning; ‘is cough’s pretty bad. I
can generally manage to get on orl right with anybody, you know,’
Easton added.
`Well, so can I as a rule, but I get a bit sick listening to that
bloody fool. Accordin’ to ‘im, everything’s wrong. One day it’s
religion, another it’s politics, and the next it’s something else.’
`Yes, it is a bit thick; too much of it,’ agreed Easton, `but I don’t
take no notice of the bloody fool: that’s the best way.’
`Of course, we know that things is a bit bad just now,’ Crass went on,
`but if the likes of ‘im could ‘ave their own way they’d make ‘em a
bloody sight worse.’
`That’s just what I say,’ replied Easton.
`I’ve got a pill ready for ‘im, though, next time ‘e start yappin’,’
Crass continued as he drew a small piece of printed paper from his
waistcoat pocket. `Just read that; it’s out of the Obscurer.’
Easton took the newspaper cutting and read it: `Very good,’ he
remarked as he handed it back.
`Yes, I think that’ll about shut ‘im up. Did yer notice the other day
when we was talking about poverty and men bein’ out of work, ‘ow ‘e
dodged out of answerin’ wot I said about machinery bein’ the cause of
it? ‘e never answered me! Started talkin’ about something else.’
`Yes, I remember ‘e never answered it,’ said Easton, who had really no
recollection of the incident at all.
`I mean to tackle ‘im about it at breakfast-time. I don’t see why ‘e
should be allowed to get out of it like that. There was a bloke down
at the “Cricketers” the other night talkin’ about the same thing - a
chap as takes a interest in politics and the like, and ‘e said the
very same as me. Why, the number of men what’s been throwed out of
work by all this ‘ere new-fangled machinery is something chronic!’
Comments (0)