The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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It had been one of those real devoted wooings which books and people praise, when the lover is at length rewarded for hammering the iron till it is malleable, and all must be happy ever after as the wedding bells.
Soames walked eastwards, mousing doggedly along on the shady side.
The house wanted doing, up, unless he decided to move into the country, and build.
For the hundredth time that month he turned over this problem. There was no use in rushing into things! He was very comfortably off, with an increasing income getting on for three thousand a year; but his invested capital was not perhaps so large as his father believed—James had a tendency to expect that his children should be better off than they were. “I can manage eight thousand easily enough,” he thought, “without calling in either Robertson’s or Nicholl’s.”
He had stopped to look in at a picture shop, for Soames was an amateur of pictures, and had a little room in No. 62, Montpellier Square, full of canvases, stacked against the wall, which he had no room to hang. He brought them home with him on his way back from the City, generally after dark, and would enter this room on Sunday afternoons, to spend hours turning the pictures to the light, examining the marks on their backs, and occasionally making notes.
They were nearly all landscapes with figures in the foreground, a sign of some mysterious revolt against London, its tall houses, its interminable streets, where his life and the lives of his breed and class were passed. Every now and then he would take one or two pictures away with him in a cab, and stop at Jobson’s on his way into the City.
He rarely showed them to anyone; Irene, whose opinion he secretly respected and perhaps for that reason never solicited, had only been into the room on rare occasions, in discharge of some wifely duty. She was not asked to look at the pictures, and she never did. To Soames this was another grievance. He hated that pride of hers, and secretly dreaded it.
In the plate-glass window of the picture shop his image stood and looked at him.
His sleek hair under the brim of the tall hat had a sheen like the hat itself; his cheeks, pale and flat, the line of his clean-shaven lips, his firm chin with its greyish shaven tinge, and the buttoned strictness of his black cutaway coat, conveyed an appearance of reserve and secrecy, of imperturbable, enforced composure; but his eyes, cold—grey, strained—looking, with a line in the brow between them, examined him wistfully, as if they knew of a secret weakness.
He noted the subjects of the pictures, the names of the painters, made a calculation of their values, but without the satisfaction he usually derived from this inward appraisement, and walked on.
No. 62 would do well enough for another year, if he decided to build! The times were good for building, money had not been so dear for years; and the site he had seen at Robin Hill, when he had gone down there in the spring to inspect the Nicholl mortgage—what could be better! Within twelve miles of Hyde Park Corner, the value of the land certain to go up, would always fetch more than he gave for it; so that a house, if built in really good style, was a first-class investment.
The notion of being the one member of his family with a country house weighed but little with him; for to a true Forsyte, sentiment, even the sentiment of social position, was a luxury only to be indulged in after his appetite for more material pleasure had been satisfied.
To get Irene out of London, away from opportunities of going about and seeing people, away from her friends and those who put ideas into her head! That was the thing! She was too thick with June! June disliked him. He returned the sentiment. They were of the same blood.
It would be everything to get Irene out of town. The house would please her, she would enjoy messing about with the decoration, she was very artistic!
The house must be in good style, something that would always be certain to command a price, something unique, like that last house of Parkes, which had a tower; but Parkes had himself said that his architect was ruinous. You never knew where you were with those fellows; if they had a name they ran you into no end of expense and were conceited into the bargain.
And a common architect was no good—the memory of Parkes’ tower precluded the employment of a common architect.
This was why he had thought of Bosinney. Since the dinner at Swithin’s he had made enquiries, the result of which had been meagre, but encouraging: “One of the new school.”
“Clever?”
“As clever as you like—a bit—a bit up in the air!”
He had not been able to discover what houses Bosinney had built, nor what his charges were. The impression he gathered was that he would be able to make his own terms. The more he reflected on the idea, the more he liked it. It would be keeping the thing in the family, with Forsytes almost an instinct; and he would be able to get “favoured-nation,” if not nominal terms—only fair, considering the chance to Bosinney of displaying his talents, for this house must be no common edifice.
Soames reflected complacently on the work it would be sure to bring the young man; for, like every Forsyte, he could be a thorough
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