Inflating a Dog (The Personal History, Adventures, Experiences & Observations of Peter Leroy) by Eric Kraft (e manga reader TXT) 📕
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- Author: Eric Kraft
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Only after the moonlight and Arcinella’s graceful lines had done their work did Captain Mac join us and ask, unnecessarily, “Isn’t she a beauty?”
“She is,” we breathed.
“Of course, beauty is only skin deep,” he said. We clucked and frowned as if he’d insulted our Arcinella. “I suppose you’ll want to take a look at her innards, poke her and prod her, give her a good going over.” He made it sound obscene.
“Oh, I don’t know,” said my mother, gently.
“That’s what the other people said they were planning to do, give her a good going over.”
“Other people?” asked my mother.
“The people who looked at her before you.”
“You didn’t mention anybody — ”
“They’ll be back first thing tomorrow — bringing somebody who really knows boats — ”
“Oh,” said my mother, and then, brightening, she announced, incredibly, “Peter knows boats.”
“Does he, now?” said Captain Mac.
“Some,” I said, exaggerating.
“Well, then, I expect you’ll want to get into her,” he said, with a be-my-guest gesture that, it occurs to me now when I recall it, might have been ironic and patronizing.
“Right,” I said.
I stepped aboard, made my way gingerly along the deck to the cabin, fumbled with the latch, and crouched to crawl through the opening that led below, into the dark. I found myself on a narrow planked way laid over the ribs of the hull. The air down there was dank, and it smelled of dead clams, sea water, motor oil, and gasoline. I couldn’t see much, but that didn’t really matter, since I had no idea what to look for. I spent some time running my hands over Arcinella’s engine and wiggling its wires and belts. Then I began inching forward, picking up whatever I found and putting it back down, making as much noise as I could to show that I was on the job. I’m certain that Patti and my mother wouldn’t have considered Arcinella’s innards beautiful, but I could tell that the space below decks would be a fine place for a boy to go to work.
When I came to a porthole, I looked through it and saw Patti and my mother standing on the bulkhead, side by side, gazing at the boat and talking in low tones. They had their heads together, and from the blissful looks they wore I could tell that they were praising Arcinella’s attributes and dreaming. In the moonlight, it was easy to join their dream, to sign on as lad of all work — cabin boy, waiter, busboy, it didn’t matter — and it was easy to imagine the lazy hours the lad would pass in the company of Elegant Ella’s sexy sidekick, who would probably, in her role as hostess, wear a very revealing low-cut satin gown. Even Captain Mac looked good in the moonlight, puffing on a corncob pipe, squinting with the gruff but kindly look of a simple, honest old salt. I could give all of these people what they wanted with a single word, even a wordless gesture, a thumbs-up, a nod of the head, even the right kind of smile.
I’d been below long enough. I pushed the hatch upward and rose from the hold. My mother and Patti laughed and applauded.
“Very dramatic, Peter,” said my mother.
No one said anything while I made my way back onto the bulkhead. Then, with a nervous grin, my mother asked, “Well?”
I glanced at her. I glanced at Patti. Why not? How much could possibly be wrong with the boat, after all? If she had served Captain Mac so well for so long, standing up to the demands of clamming, she should find life easy with us. I smiled and nodded, and they threw their arms around me and hugged me as if I had just given Arcinella to them as a gift. In a blissful blur, I watched my mother write a check to Captain Mac, who wished us luck and left. For a while we stood there smiling in triumph, but then, with a start, my mother said, “I haven’t made dinner.”
We got into the car and started for home. Somewhere along the way, clouds drifted in again and hid the moon, and we began to have our doubts.
Chapter 19
Morphology and Aesthetics of Clam Boats
A BOAT FOR HARVESTING CLAMS from the bays and basins of coastal waters must have a hull with a shallow draft; a deck that is flat and unobstructed; a cabin; and a hold. Those are the essentials (and they also apply to boats for harvesting scallops or oysters).
The expanse of unobstructed deck should extend entirely around the boat so that the clamdigger can work from every side, manipulating the tongs or rake on the bottom to dislodge and raise the clams. There can be no railing of the type that would prevent passengers from falling overboard or against which romantics could lean when murmuring sweet nothings and watching the moonlight play on the rippling water, since such a railing would impede the digger’s action, but there should be a low rail, just a strip of wood running around the perimeter of the deck to prevent the harvested
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