The Count of Monte Cristo by Alexandre Dumas (best book club books .TXT) π
Description
Edmond DantΓ¨s is a young man about to be made captain of a cargo vessel and marry his sweetheart. But he is arrested at his pre-wedding feast, having been falsely accused of being a Bonapartist. Thrown into the notorious ChΓ’teau dβIf prison, he eventually meets an ancient inmate who teaches him language, science, and passes hints of a hidden fortune. When Edmond makes his way out of prison, he plots to reward those who stood by him (his old employer, for one), and to seek revenge on the men who betrayed him: one who wrote the letter that denounced him, one that married his fiancΓ©e in his absence, and one who knew DantΓ¨s was innocent but stood idly by and did nothing.
The Count of Monte Cristo is another of Alexandre Dumasβ thrilling adventure stories, possibly more popular even than The Three Musketeers. Originally serialized in a French newspaper over the course of a year-and-a-half, it was enormously popular after its publication in book form, and has never been out of print since. Its timeless story of adventure, historical drama, romance, revenge, and Eastern mystery has been the source of over forty movies and TV series.
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- Author: Alexandre Dumas
Read book online Β«The Count of Monte Cristo by Alexandre Dumas (best book club books .TXT) πΒ». Author - Alexandre Dumas
It was noon, and Monte Cristo had set apart one hour to be passed in the apartments of HaydΓ©e, as though his oppressed spirit could not all at once admit the feeling of pure and unmixed joy, but required a gradual succession of calm and gentle emotions to prepare his mind to receive full and perfect happiness, in the same manner as ordinary natures demand to be inured by degrees to the reception of strong or violent sensations.
The young Greek, as we have already said, occupied apartments wholly unconnected with those of the count. The rooms had been fitted up in strict accordance with Oriental ideas; the floors were covered with the richest carpets Turkey could produce; the walls hung with brocaded silk of the most magnificent designs and texture; while around each chamber luxurious divans were placed, with piles of soft and yielding cushions, that needed only to be arranged at the pleasure or convenience of such as sought repose.
HaydΓ©e had three French maids, and one who was a Greek. The first three remained constantly in a small waiting-room, ready to obey the summons of a small golden bell, or to receive the orders of the Romaic slave, who knew just enough French to be able to transmit her mistressβs wishes to the three other waiting-women; the latter had received most peremptory instructions from Monte Cristo to treat HaydΓ©e with all the deference they would observe to a queen.
The young girl herself generally passed her time in the chamber at the farther end of her apartments. This was a sort of boudoir, circular, and lighted only from the roof, which consisted of rose-colored glass. HaydΓ©e was reclining upon soft downy cushions, covered with blue satin spotted with silver; her head, supported by one of her exquisitely moulded arms, rested on the divan immediately behind her, while the other was employed in adjusting to her lips the coral tube of a rich narghile, through whose flexible pipe she drew the smoke fragrant by its passage through perfumed water. Her attitude, though perfectly natural for an Eastern woman would, in a European, have been deemed too full of coquettish straining after effect.
Her dress, which was that of the women of Epirus, consisted of a pair of white satin trousers, embroidered with pink roses, displaying feet so exquisitely formed and so delicately fair, that they might well have been taken for Parian marble, had not the eye been undeceived by their movements as they constantly shifted in and out of a pair of little slippers with upturned toes, beautifully ornamented with gold and pearls. She wore a blue and white-striped vest, with long open sleeves, trimmed with silver loops and buttons of pearls, and a sort of bodice, which, closing only from the centre to the waist, exhibited the whole of the ivory throat and upper part of the bosom; it was fastened with three magnificent diamond clasps. The junction of the bodice and drawers was entirely concealed by one of the many-colored scarves, whose brilliant hues and rich silken fringe have rendered them so precious in the eyes of Parisian belles.
Tilted on one side of her head she had a small cap of gold-colored silk, embroidered with pearls; while on the other a purple rose mingled its glowing colors with the luxuriant masses of her hair, of which the blackness was so intense that it was tinged with blue.
The extreme beauty of the countenance, that shone forth in loveliness that mocked the vain attempts of dress to augment it, was peculiarly and purely Grecian; there were the large, dark, melting eyes, the finely formed nose, the coral lips, and pearly teeth, that belonged to her race and country.
And, to complete the whole, HaydΓ©e was in the very springtide and fullness of youthful charmsβ βshe had not yet numbered more than nineteen or twenty summers.
Monte Cristo summoned the Greek attendant, and bade her inquire whether it would be agreeable to her mistress to receive his visit. HaydΓ©eβs only reply was to direct her servant by a sign to withdraw the tapestried curtain that hung before the door of her boudoir, the framework of the opening thus made serving as a sort of border to the graceful tableau presented by the young girlβs picturesque attitude and appearance.
As Monte Cristo approached, she leaned upon the elbow of the arm that held the narghile, and extending to him her other hand, said, with a smile of captivating sweetness, in the sonorous language spoken by the women of Athens and Sparta:
βWhy demand permission ere you enter? Are you no longer my master, or have I ceased to be your slave?β
Monte Cristo returned her smile.
βHaydΓ©e,β said he, βyou well know.β
βWhy do you address me so coldlyβ βso distantly?β asked the young Greek. βHave I by any means displeased you? Oh, if so, punish me as you will; but do notβ βdo not speak to me in tones and manner so formal and constrained.β
βHaydΓ©e,β replied the count, βyou know that you are now in France, and are free.β
βFree to do what?β asked the young girl.
βFree to leave me.β
βLeave you? Why should I leave you?β
βThat is not for me to say; but we are now about to mix in societyβ βto visit and be visited.β
βI donβt wish to see anybody but you.β
βAnd should you see one whom you could prefer, I would not be so unjustβ ββ
βI have never seen anyone I preferred to you, and I have never loved anyone
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