Flatland by Edwin A. Abbott (books to read to get smarter TXT) π
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Flatland is uniquely both a social critique and a primer on multi-dimensional geometry. Written in two parts in 1884 by Edwin A. Abbott, an English mathematician and theologian, it tells the story of a square living in Flatland: a two-dimensional realm. After a dream of a restrictive one-dimensional existence and the difficulties this poses, he is visited by a sphere from a three-dimensional space who wishes to enlighten him into the ways of βUpward, yet not Northward.β
Edwin A. Abbott wrote other theological fiction and non-fiction (including several biographies), but he is best remembered for Flatland. While it was mostly forgotten after publication, it received a revived interest from the 1960s onwards, and has more recently had several sequels and film adaptations. This edition of is based on the second published edition and includes its preface, which in part attempts to address some of the contemporary accusations of misogyny.
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- Author: Edwin A. Abbott
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βAnd indeed what possible purpose would be served by this illegal and unnatural excess of approximation which you call touching, when all the ends of so brutal and coarse a process are attained at once more easily and more exactly by the sense of hearing? As to your suggested danger of deception, it is nonexistent: for the voice, being the essence of oneβs being, cannot be thus changed at will. But come, suppose that I had the power of passing through solid things, so that I could penetrate my subjects, one after another, even to the number of a billion, verifying the size and distance of each by the sense of feeling: how much time and energy would be wasted in this clumsy and inaccurate method! Whereas now, in one moment of audition, I take as it were the census and statistics, local, corporeal, mental and spiritual, of every living being in Lineland. Hark, only hark!β
So saying he paused and listened, as if in an ecstasy, to a sound which seemed to me no better than a tiny chirping from an innumerable multitude of lilliputian grasshoppers.
βTruly,β replied I, βyour sense of hearing serves you in good stead, and fills up many of your deficiencies. But permit me to point out that your life in Lineland must be deplorably dull. To see nothing but a Point! Not even to be able to contemplate a Straight Line! Nay, not even to know what a Straight Line is! To see, yet be cut off from those Linear prospects which are vouchsafed to us in Flatland! Better surely to have no sense of sight at all than to see so little! I grant you I have not your discriminative faculty of hearing; for the concert of all Lineland which gives you such intense pleasure, is to me no better than a multitudinous twittering or chirping. But at least I can discern, by sight, a Line from a Point. And let me prove it. Just before I came into your kingdom, I saw you dancing from left to right, and then from right to left, with seven men and a woman in your immediate proximity on the left, and eight men and two women on your right. Is not this correct?β
βIt is correct,β said the King, βso far as the numbers and sexes are concerned, though I know not what you mean by βrightβ and βleft,β But I deny that you saw these things. For how could you see the Line, that is to say the inside, of any man? But you must have heard these things, and then dreamed that you saw them. And let me ask what you mean by those words βleftβ and βright,β I suppose it is your way of saying Northward and Southward.β
βNot so,β replied I; βbesides your motion of Northward and Southward, there is another motion which I call from right to left.β
King. Exhibit to me, if you please, this motion from left to right.
I. Nay, that I cannot do, unless you could step out of your Line altogether.
King. Out of my Line? Do you mean out of the world? Out of Space?
I. Well, yes. Out of your world. Out of your Space. For your Space is not the true Space. True Space is a Plane; but your Space is only a Line.
King. If you cannot indicate this motion from left to right by yourself moving in it, then I beg you to describe it to me in words.
I. If you cannot tell your right side from your left, I fear that no words of mine can make my meaning clear to you. But surely you cannot be ignorant of so simple a distinction.
King. I do not in the least understand you.
I. Alas! How shall I make it clear? When you move straight on, does it not sometimes occur to you that you could move in some other way, turning your eye round so as to look in the direction towards which your side is now fronting? In other words, instead of always moving in the direction of one of your extremities, do you never feel a desire to move in the direction, so to speak, of your side?
King. Never. And what do you mean? How can a manβs inside βfrontβ in any direction? Or how can a man move in the direction of his inside?
I. Well then, since words cannot explain the matter, I will try deeds, and will move gradually out of Lineland in the direction which I desire to indicate to you.
At the word I began to move my body out of Lineland. As long as any part of me remained in his dominion and in his view, the King kept exclaiming, βI see you, I see you still; you are not moving.β But when I had at last moved myself out of his Line, he cried in his shrillest voice, βShe is vanished; she is dead.β
βI am not dead,β replied I; βI am simply out of Lineland, that is to say, out of the Straight Line which you call Space, and in the true Space, where I can see things as they are. And at this moment I can see your Line, or sideβ βor inside as you are pleased to call it; and I can see also the men and women on the North and South of you, whom I will now enumerate, describing their order, their size, and the interval between each.β
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