Soldiers’ Pay by William Faulkner (digital e reader txt) 📕
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Soldiers’ Pay is William Faulkner’s first published novel. It begins with a train journey on which two American soldiers, Joe Gilligan and Julian Lowe, are returning from the First World War. They meet a scarred, lethargic, and withdrawn fighter pilot, Donald Mahon, who was presumed dead by his family. The novel continues to focus on Mahon and his slow deterioration, and the various romantic complications that arise upon his return home.
Faulkner drew inspiration for this novel from his own experience of the First World War. In the spring of 1918, he moved from his hometown, Oxford, Mississippi, to Yale and worked as an accountant until meeting a Canadian Royal Air Force pilot who encouraged him to join the R.A.F. He then traveled to Toronto, pretended to be British (he affected a British accent and forged letters from British officers and a made-up Reverend), and joined the R.A.F. in the hopes of becoming a hero. But the war ended before he was able to complete his flight training, and, like Julian Lowe, he never witnessed actual combat. Upon returning to Mississippi, he began fabricating various heroic stories about his time in the air force (like narrowly surviving a plane crash with broken legs and metal plates under the skin), and proudly strode around Oxford in his uniform.
Faulkner was encouraged to write Soldiers’ Pay by his close friend and fellow writer Sherwood Anderson, whom Faulkner met in New Orleans. Anderson wrote in his Memoirs that he went “personally to Horace Liveright”—Soldiers’ Pay was originally published by Boni & Liveright—“to plead for the book.”
Though the novel was a commercial failure at the time of its publication, Faulkner’s subsequent fame has ensured its long-term success.
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- Author: William Faulkner
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“All right. Uncle Joe should be done with his caller by now.” He rose and they faced each other across the broken meal. She did not rise.
“Well?” she said.
“After you, ma’am,” he replied with mock deference.
“I have changed my mind. I think I’ll wait here and talk to Emmy, if you don’t object.”
“Why Emmy?”
“Why not Emmy?”
“Ah, I see. You can feel fairly safe with Emmy: she probably won’t want to put her hands on you. That’s it, isn’t it?” She glanced briefly at him. “What you really mean is, that you will stay if I am going out of the room, don’t you?”
“Suit yourself.” She became oblivious of him, breaking a biscuit upon a plate and dripping water upon it from a glass. Jones moved fatly in his borrowed trousers, circling the table again. As he approached she turned slightly in her chair, extending her hand. He felt its slim bones in his fat moist palm, its nervous ineffectual flesh. Not good for anything. Useless. But beautiful with lack of character. Beautiful hand. Its very fragility stopped him like a stone barrier.
“Oh, Emmy,” she called sweetly, “come here, darling. I have something to show you.”
Emmy regarded them balefully from the door and Jones said quickly: “Will you fetch me my trousers, Miss Emmy?”
Emmy glanced from one to the other ignoring the girl’s mute plea. (Oho, Emmy has fish of her own to fry, thought Jones.) Emmy vanished and he put his hands on the girl’s shoulders.
“Now what will you do? Call the reverend?”
She looked at him across her shoulder from beyond an inaccessible barrier. His anger grew and his hands wantonly crushed her dress.
“Don’t ruin my clothes, please,” she said icily. “Here, if you must.” She raised her face and Jones felt shame, but his boyish vanity would not let him stop now. Her face a prettiness of shallow characterless planes blurred into his, her mouth was motionless and impersonal, unresisting and cool. Her face from a blur became again a prettiness of characterless shallowness icy and remote, and Jones, ashamed of himself and angry with her therefore, said with heavy irony: “Thanks.”
“Not at all. If you got any pleasure from it you are quite welcome.” She rose. “Let me pass, please.”
He stood awkwardly aside. Her frigid polite indifference was unbearable. What a fool he had been! He had ruined everything.
“Miss Saunders,” he blurted, “I—forgive me: I don’t usually act that way, I swear I don’t.”
She spoke over her shoulder. “You don’t have to, I suppose? I imagine you are usually quite successful with us?”
“I am very sorry. But I don’t blame you. … One hates to convict oneself of stupidity.”
After a while hearing no further sound of movement he looked up. She was like a flower stalk or a young tree relaxed against the table: there was something so fragile, so impermanent since robustness and strength were unnecessary, yet strong withal as a poplar is strong through very absence of strength, about her; you knew that she lived, that her clear delicate being was nourished by sunlight and honey until even digestion was a beautiful function … as he watched something like a shadow came over her, somewhere between her eyes and her petulant pretty mouth, in the very clear relaxation of her body, that caused him to go quickly to her. She stared into his unblinking goat’s eyes as his hands sliding across her arms met at the small of her back, and Jones did not know the door had opened until she jerked her mouth from his and twisted slimly from his clasp.
The rector loomed in the door, staring into the room as if he did not recognize it. He has never seen us at all, Jones knew, then seeing the divine’s face he said: “He’s ill.”
The rector spoke. “Cecily—”
“What is it, Uncle Joe?” she replied in sharp terror, going to him. “Aren’t you well?”
The divine balanced his huge body with a hand on either side of the doorway.
“Cecily, Donald’s coming home,” he said.
IIIThere was that subtle effluvia of antagonism found inevitably in a room where two young “pretty” women are, and they sat examining each other with narrow care. Mrs. Powers temporarily engaged in an unself-conscious accomplishment and being among strangers as well, was rather oblivious of it; but Cecily, never having been engaged in an unself-conscious action of any kind and being among people whom she knew, examined the other closely with that attribute women have for gaining correct instinctive impressions of another’s character, clothes, morals, etc. Jones’ yellow stare took the newcomer at intervals, returning, however, always to Cecily, who ignored him.
The rector tramped heavily back and forth. “Sick?” he boomed. “Sick? But we’ll cure him. Get him home here with good food and rest and attention and we’ll have him well in a week. Eh, Cecily?”
“Oh, Uncle Joe! I can’t believe it yet. That he is really safe.” She rose as the rector passed her chair and sort of undulated into his arms, like a slim wave. It was beautiful.
“Here’s the medicine for him, Mrs. Powers,” he said with heavy gallantry, embracing Cecily, speaking over her head toward the contemplative pallor of the other woman’s quiet watching face. “There, there, don’t cry,” he added, kissing her. The audience watched this, Mrs. Powers with speculative detached interest and Jones with morose speculation.
“It’s because I am so happy—for you, dear Uncle Joe,” she answered. She turned graceful as a flower stalk against the rector’s black bulk. “And we owe it all to Mrs.—Mrs. Powers,” she continued in her slightly rough voice, like a tangle of golden wires, “she was so kind to bring him back to us.” Her glance swept past Jones and flickered like a knife toward the other woman. (Damn little fool thinks I have tried to vamp him, Mrs. Powers thought.) Cecily moved toward her with studied impulse. “May I kiss you? do you mind?”
It was like kissing a silken
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