Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Perhaps Lydgate and she had never felt so far off each other before; but there were strong reasons for not deferring his revelation, even if he had not already begun it by that abrupt announcement; indeed some of the angry desire to rouse her into more sensibility on his account which had prompted him to speak prematurely, still mingled with his pain in the prospect of her pain. But he waited till the tray was gone, the candles were lit, and the evening quiet might be counted on: the interval had left time for repelled tenderness to return into the old course. He spoke kindly.
“Dear Rosy, lay down your work and come to sit by me,” he said, gently, pushing away the table, and stretching out his arm to draw a chair near his own.
Rosamond obeyed. As she came towards him in her drapery of transparent faintly tinted muslin, her slim yet round figure never looked more graceful; as she sat down by him and laid one hand on the elbow of his chair, at last looking at him and meeting his eyes, her delicate neck and cheek and purely cut lips never had more of that untarnished beauty which touches as in springtime and infancy and all sweet freshness. It touched Lydgate now, and mingled the early moments of his love for her with all the other memories which were stirred in this crisis of deep trouble. He laid his ample hand softly on hers, saying—
“Dear!” with the lingering utterance which affection gives to the word. Rosamond too was still under the power of that same past, and her husband was still in part the Lydgate whose approval had stirred delight. She put his hair lightly away from his forehead, then laid her other hand on his, and was conscious of forgiving him.
“I am obliged to tell you what will hurt you, Rosy. But there are things which husband and wife must think of together. I dare say it has occurred to you already that I am short of money.”
Lydgate paused; but Rosamond turned her neck and looked at a vase on the mantelpiece.
“I was not able to pay for all the things we had to get before we were married, and there have been expenses since which I have been obliged to meet. The consequence is, there is a large debt at Brassing—three hundred and eighty pounds—which has been pressing on me a good while, and in fact we are getting deeper every day, for people don’t pay me the faster because others want the money. I took pains to keep it from you while you were not well; but now we must think together about it, and you must help me.”
“What can—I—do, Tertius?” said Rosamond, turning her eyes on him again. That little speech of four words, like so many others in all languages, is capable by varied vocal inflections of expressing all states of mind from helpless dimness to exhaustive argumentative perception, from the completest self-devoting fellowship to the most neutral aloofness. Rosamond’s thin utterance threw into the words “What can—I—do!” as much neutrality as they could hold. They fell like a mortal chill on Lydgate’s roused tenderness. He did not storm in indignation—he felt too sad a sinking of the heart. And when he spoke again it was more in the tone of a man who forces himself to fulfil a task.
“It is necessary for you to know, because I have to give security for a time, and a man must come to make an inventory of the furniture.”
Rosamond colored deeply. “Have you not asked papa for money?” she said, as soon as she could speak.
“No.”
“Then I must ask him!” she said, releasing her hands from Lydgate’s, and rising to stand at two yards’ distance from him.
“No, Rosy,” said Lydgate, decisively. “It is too late to do that. The inventory will be begun tomorrow. Remember it is a mere security: it will make no difference: it is a temporary affair. I insist upon it that your father shall not know, unless I choose to tell him,” added Lydgate, with a more peremptory emphasis.
This certainly was unkind, but Rosamond had thrown him back on evil expectation as to what she would do in the way of quiet steady disobedience. The unkindness seemed unpardonable to her: she was not given to weeping and disliked it, but now her chin and lips began to tremble and the tears welled up. Perhaps it was not possible for Lydgate, under the double stress of outward material difficulty and of his own proud resistance to humiliating consequences, to imagine fully what this sudden trial was to a young creature who had known nothing but indulgence, and whose dreams had all been of new indulgence, more exactly to her taste. But he did wish to spare her as much as he could, and her tears cut him to the heart. He could not speak again immediately; but Rosamond did not go on sobbing: she tried to conquer her agitation and wiped away her tears, continuing to look before her at the mantelpiece.
“Try not to grieve, darling,” said Lydgate, turning his eyes up towards her. That she had chosen to move away from him in this moment of her trouble made everything harder to say, but he must absolutely go on. “We must brace ourselves to do what is necessary. It is I who have been in fault: I ought to have seen that I could not afford to live in this way. But many things have told against me in my practice, and it really just now has ebbed to a low point. I may recover it, but in the meantime we must pull up—we must change our way of living. We shall weather it. When I have given
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