Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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Every village has its idiosyncrasy, its constitution, often its own code of morality. The levity of some of the younger women in and about Trantridge was marked, and was perhaps symptomatic of the choice spirit who ruled The Slopes in that vicinity. The place had also a more abiding defect; it drank hard. The staple conversation on the farms around was on the uselessness of saving money; and smock-frocked arithmeticians, leaning on their ploughs or hoes, would enter into calculations of great nicety to prove that parish relief was a fuller provision for a man in his old age than any which could result from savings out of their wages during a whole lifetime.
The chief pleasure of these philosophers lay in going every Saturday night, when work was done, to Chaseborough, a decayed market-town two or three miles distant; and, returning in the small hours of the next morning, to spend Sunday in sleeping off the dyspeptic effects of the curious compounds sold to them as beer by the monopolizers of the once-independent inns.
For a long time Tess did not join in the weekly pilgrimages. But under pressure from matrons not much older than herself—for a field-man’s wages being as high at twenty-one as at forty, marriage was early here—Tess at length consented to go. Her first experience of the journey afforded her more enjoyment than she had expected, the hilariousness of the others being quite contagious after her monotonous attention to the poultry-farm all the week. She went again and again. Being graceful and interesting, standing moreover on the momentary threshold of womanhood, her appearance drew down upon her some sly regards from loungers in the streets of Chaseborough; hence, though sometimes her journey to the town was made independently, she always searched for her fellows at nightfall, to have the protection of their companionship homeward.
This had gone on for a month or two when there came a Saturday in September, on which a fair and a market coincided; and the pilgrims from Trantridge sought double delights at the inns on that account. Tess’s occupations made her late in setting out, so that her comrades reached the town long before her. It was a fine September evening, just before sunset, when yellow lights struggle with blue shades in hairlike lines, and the atmosphere itself forms a prospect without aid from more solid objects, except the innumerable winged insects that dance in it. Through this low-lit mistiness Tess walked leisurely along.
She did not discover the coincidence of the market with the fair till she had reached the place, by which time it was close upon dusk. Her limited marketing was soon completed; and then as usual she began to look about for some of the Trantridge cottagers.
At first she could not find them, and she was informed that most of them had gone to what they called a private little jig at the house of a hay-trusser and peat-dealer who had transactions with their farm. He lived in an out-of-the-way nook of the townlet, and in trying to find her course thither her eyes fell upon Mr. d’Urberville standing at a street corner.
“What—my Beauty? You here so late?” he said.
She told him that she was simply waiting for company homeward.
“I’ll see you again,” said he over her shoulder as she went on down the back lane.
Approaching the hay-trussers, she could hear the fiddled notes of a reel proceeding from some building in the rear; but no sound of dancing was audible—an exceptional state of things for these parts, where as a rule the stamping drowned the music. The front door being open she could see straight through the house into the garden at the back as far as the shades of night would allow; and nobody appearing to her knock, she traversed the dwelling and went up the path to the outhouse whence the sound had attracted her.
It was a windowless erection used for storage, and from the open door there floated into the obscurity a mist of yellow radiance, which at first Tess thought to be illuminated smoke. But on drawing nearer she perceived that it was a cloud of dust, lit by candles within the outhouse, whose beams upon the haze carried forward the outline of the doorway into the wide night of the garden.
When she came close and looked in she beheld indistinct forms racing up and down to the figure of the dance, the silence of their footfalls arising from their being overshoe in “scroff”—that is to say, the powdery residuum from the storage of peat and other products, the stirring of which by their turbulent feet created the nebulosity that involved the scene. Through this floating, fusty debris of peat and hay, mixed with the perspirations and warmth of the dancers, and forming together a sort of vegeto-human pollen, the muted fiddles feebly pushed their notes, in marked contrast to the spirit with which the measure was trodden out. They coughed as they danced, and laughed as they coughed. Of the rushing couples there could barely be discerned more than the high lights—the indistinctness shaping them to satyrs clasping nymphs—a multiplicity of Pans whirling a multiplicity of Syrinxes; Lotis attempting to elude Priapus, and always failing.
At intervals a couple would approach the doorway for air, and the haze no longer veiling their features, the demigods resolved themselves into the homely personalities of her own next-door neighbours. Could Trantridge in two or three short hours have metamorphosed itself thus madly!
Some Sileni of the throng sat on benches and hay-trusses by the wall; and one of them recognized her.
“The maids don’t think it respectable to dance at The Flower-de-Luce,” he explained. “They don’t like to let everybody see which be their fancy-men. Besides, the house sometimes shuts
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