The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“Bless us! Well, old man, you are brown!” Just as he would; and the sense of expectation—of something wanted—bubbled unextinguished in little Jon. Then, with a long, shy look he saw his mother, in a blue dress, with a blue motor scarf over her cap and hair, smiling. He jumped as high as ever he could, twined his legs behind her back, and hugged. He heard her gasp, and felt her hugging back. His eyes, very dark blue just then, looked into hers, very dark brown, till her lips closed on his eyebrow, and, squeezing with all his might, he heard her creak and laugh, and say:
“You are strong, Jon!”
He slid down at that, and rushed into the hall, dragging her by the hand.
While he was eating his jam beneath the oak tree, he noticed things about his mother that he had never seemed to see before, her cheeks for instance were creamy, there were silver threads in her dark goldy hair, her throat had no knob in it like Bella’s, and she went in and out softly. He noticed, too, some little lines running away from the corners of her eyes, and a nice darkness under them. She was ever so beautiful, more beautiful than Da or Mademoiselle, or Auntie June or even Auntie Holly, to whom he had taken a fancy; even more beautiful than Bella, who had pink cheeks and came out too suddenly in places. This new beautifulness of his mother had a kind of particular importance, and he ate less than he had expected to.
When tea was over his father wanted him to walk round the gardens. He had a long conversation with his father about things in general, avoiding his private life—Sir Lamorac, the Austrians, and the emptiness he had felt these last three days, now so suddenly filled up. His father told him of a place called Glensofantrim, where he and his mother had been; and of the little people who came out of the ground there when it was very quiet. Little Jon came to a halt, with his heels apart.
“Do you really believe they do, Daddy?”
“No, Jon, but I thought you might.”
“Why?”
“You’re younger than I; and they’re fairies.” Little Jon squared the dimple in his chin.
“I don’t believe in fairies. I never see any.”
“Ha!” said his father.
“Does Mum?”
His father smiled his funny smile.
“No; she only sees Pan.”
“What’s Pan?”
“The Goaty God who skips about in wild and beautiful places.”
“Was he in Glensofantrim?”
“Mum said so.”
Little Jon took his heels up, and led on.
“Did you see him?”
“No; I only saw Venus Anadyomene.”
Little Jon reflected; Venus was in his book about the Greeks and Trojans. Then Anna was her Christian and Dyomene her surname?
But it appeared, on inquiry, that it was one word, which meant rising from the foam.
“Did she rise from the foam in Glensofantrim?”
“Yes; every day.”
“What is she like, Daddy?”
“Like Mum.”
“Oh! Then she must be …” but he stopped at that, rushed at a wall, scrambled up, and promptly scrambled down again. The discovery that his mother was beautiful was one which he felt must absolutely be kept to himself. His father’s cigar, however, took so long to smoke, that at last he was compelled to say:
“I want to see what Mum’s brought home. Do you mind, Daddy?”
He pitched the motive low, to absolve him from unmanliness, and was a little disconcerted when his father looked at him right through, heaved an important sigh, and answered:
“All right, old man, you go and love her.”
He went, with a pretence of slowness, and then rushed, to make up. He entered her bedroom from his own, the door being open. She was still kneeling before a trunk, and he stood close to her, quite still.
She knelt up straight, and said:
“Well, Jon?”
“I thought I’d just come and see.”
Having given and received another hug, he mounted the window-seat, and tucking his legs up under him watched her unpack. He derived a pleasure from the operation such as he had not yet known, partly because she was taking out things which looked suspicious, and partly because he liked to look at her. She moved differently from anybody else, especially from Bella; she was certainly the refinedest-looking person he had ever seen. She finished
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