The Count of Monte Cristo by Alexandre Dumas (best book club books .TXT) 📕

Danglars, accompanied by her daughter, entered, escorted by Lucien Debray, who assiduously conducted them to their seats.

“Ha, ha,” said Château-Renaud, “here come some friends of yours, viscount! What are you looking at there? don’t you see they are trying to catch your eye?”

Albert turned round, just in time to receive a gracious wave of the fan from the baroness; as for Mademoiselle Eugénie, she scarcely vouchsafed to waste the glances of her large black eyes even upon the business of the stage.

“I tell you what, my dear fellow,” said Château-Renaud, “I cannot imagine what objection you can possibly have to Mademoiselle Danglars⁠—that is, setting aside her want of ancestry and somewhat inferior rank, which by the way I don’t think you care very much about. Now, barring all that, I mean to say she is a deuced fine girl!”

“Handsome, certainly,” replied Albert, “but not to my taste, which I confess, inclines to something softer, gentler, and more feminine.”

“Ah, well,” exclaimed Château-Renaud, who because he had seen his thirtieth summer fancied himself duly warranted in assuming a sort of paternal air with his more youthful friend, “you young people are never satisfied; why, what would you have more? your parents have chosen you a bride built on the model of Diana, the huntress, and yet you are not content.”

“No, for that very resemblance affrights me; I should have liked something more in the manner of the Venus of Milo or Capua; but this chase-loving Diana, continually surrounded by her nymphs, gives me a sort of alarm lest she should some day bring on me the fate of Actaeon.”

And, indeed, it required but one glance at Mademoiselle Danglars to comprehend the justness of Morcerf’s remark. She was beautiful, but her beauty was of too marked and decided a character to please a fastidious taste; her hair was raven black, but its natural waves seemed somewhat rebellious; her eyes, of the same color as her hair, were surmounted by well-arched brows, whose great defect, however, consisted in an almost habitual frown, while her whole physiognomy wore that expression of firmness and decision so little in accordance with the gentler attributes of her sex⁠—her nose was precisely what a sculptor would have chosen for a chiselled Juno. Her mouth, which might have been found fault with as too large, displayed teeth of pearly whiteness, rendered still more conspicuous by the brilliant carmine of her lips, contrasting vividly with her naturally pale complexion. But that which completed the almost masculine look Morcerf found so little to his taste, was a dark mole, of much larger dimensions than these freaks of nature generally are, placed just at the corner of her mouth; and the effect tended to increase the expression of self-dependence that characterized her countenance.

The rest of Mademoiselle Eugénie’s person was in perfect keeping with the head just described; she, indeed, reminded one of Diana, as Château-Renaud observed, but her bearing was more haughty and resolute.

As regarded her attainments, the only fault to be found with them was the same that a fastidious connoisseur might have found with her beauty, that they were somewhat too erudite and masculine for so young a person. She was a perfect linguist, a first-rate artist, wrote poetry, and composed music; to the study of the latter she professed to be entirely devoted, following it with an indefatigable perseverance, assisted by a schoolfellow⁠—a young woman without fortune whose talent promised to develop into remarkable powers as a singer. It was rumored that she was an object of almost paternal interest to one of the principal composers of the day, who excited her to spare no pains in the cultivation of her voice, which might hereafter prove a source of wealth and independence. But this counsel effectually decided Mademoiselle Danglars never to commit herself by being seen in public with one destined for a theatrical life; and acting upon this principle, the banker’s daughter, though perfectly willing to allow Mademoiselle Louise d’Armilly (that was the name of the young virtuosa) to practice with her through the day, took especial care not to be seen in her company. Still, though not actually received at the Hôtel Danglars in the light of an acknowledged friend, Louise was treated with far more kindness and consideration than is usually bestowed on a governess.

The curtain fell almost immediately after the entrance of Madame Danglars into her box, the band quitted the orchestra for the accustomed half-hour’s interval allowed between the acts, and the audience were left at liberty to promenade the salon or lobbies, or to pay and receive visits in their respective boxes.

Morcerf and Château-Renaud were amongst the first to avail themselves of this permission. For an instant the idea struck Madame Danglars that this eagerness on the part of the young viscount arose from his impatience to join her party, and she whispered her expectations to her daughter, that Albert was hurrying to pay his respects to them. Mademoiselle Eugénie, however, merely returned a dissenting movement of the head, while, with a cold smile, she directed the attention of her mother to an opposite box on the first circle, in which sat the Countess G⁠⸺, and where Morcerf had just made his appearance.

“So we meet again, my travelling friend, do we?” cried the countess, extending her hand to him with all the warmth and cordiality of an old acquaintance; “it was really very good of you to recognize me so quickly, and still more so to bestow your first visit on me.”

“Be assured,” replied Albert, “that if I had been aware of your arrival in Paris, and had known your address, I should have paid my respects to you before this. Allow me to introduce my friend, Baron de Château-Renaud, one of the few true gentlemen now to be found in France, and from whom I have just learned that you were a spectator of the races in the Champ-de-Mars, yesterday.”

Château-Renaud bowed to the countess.

“So you were at the races, baron?” inquired the countess