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the real way, Müller!” His cheeks flushed; drops of warm, pleasant perspiration came from the pores of his body, and his heart beat soundly and evenly.

“The fact is, Müller,” philosophized Sergey, expanding his chest so that the ribs under his thin, tight skin were outlined clearly⁠—“the fact is, that there is a nineteenth exercise⁠—to hang by the neck motionless. That is called execution. Do you understand, Müller? They take a live man, let us say Sergey Golovin, they swaddle him as a doll and they hang him by the neck until he is dead. It is a foolish exercise, Müller, but it can’t be helped⁠—we have to do it.”

He bent over on the right side and repeated:

“We have to do it, Müller.”

IX Dreadful Solitude

Under the same ringing of the clock, separated from Sergey and Musya by only a few empty cells, but yet so painfully desolate and alone in the whole world as though no other soul existed, poor Vasily Kashirin was passing the last hours of his life in terror and in anguish.

Perspiring, his moist shirt clinging to his body, his once curly hair disheveled, he tossed about in the cell convulsively and hopelessly, like a man suffering from an unbearable physical torture. He would sit down for awhile, then start to run again, he would press his forehead against the wall, stop and seek something with his eyes⁠—as if looking for some medicine. His expression changed as though he had two different faces. The former, the young face, had disappeared somewhere, and a new one, a terrible face that had seemed to have come out of the darkness, had taken its place.

The fear of death had come upon him all at once and taken possession of him completely and forcibly. In the morning, while facing almost certain death, he had been carefree and had scorned it, but toward evening when he was placed in a cell in solitary confinement, he was whirled and carried away by a wave of mad fear. So long as he went of his own free will to face danger and death, so long as he had death, even though it seemed terrible, in his own hands, he felt at ease. He was even cheerful; in the sensation of boundless freedom, of brave and firm conviction of his fearless will, his little, shrunken, womanish fear was drowned, leaving no trace. With an infernal machine at his girdle, he made the cruel force of dynamite his own, also its fiery death-bearing power. And as he walked along the street, amidst the bustling, plain people, who were occupied with their affairs, who were hurriedly avoiding the dangers from the horses of carriages and cars, he seemed to himself as a stranger from another, unknown world, where neither death nor fear was known.

And suddenly this harsh, wild, stupefying change. He can no longer go where he pleases, but he is led where others please. He can no longer choose the place he likes, but he is placed in a stone cage, and locked up like a thing. He can no longer choose freely, like all people, between life and death, but he will surely and inevitably be put to death. The incarnation of willpower, life and strength an instant before, he has now become a wretched image of the most pitiful weakness in the world. He has been transformed into an animal waiting to be slaughtered, a deaf-mute object which may be taken from place to place, burnt and broken. It matters not what he might say, nobody would listen to his words, and if he endeavored to shout, they would stop his mouth with a rag. Whether he can walk alone or not, they will take him away and hang him. And if he should offer resistance, struggle or lie down on the ground⁠—they will overpower him, lift him, bind him and carry him, bound, to the gallows. And the fact that this machine-like work will be performed over him by human beings like himself, lent to them a new, extraordinary and ominous aspect⁠—they seemed to him like ghosts that came to him for this one purpose, or like automatic puppets on springs. They would seize him, take him, carry him, hang him, pull him by the feet. They would cut the rope, take him down, carry him off and bury him.

From the first day of his imprisonment the people and life seemed to him to have turned into an incomprehensibly terrible world of phantoms and automatic puppets. Almost maddened with fear, he attempted to picture to himself that human beings had tongues and that they could speak, but he could not⁠—they seemed to him to be mute. He tried to recall their speech, the meaning of the words that people used in their relations with one another⁠—but he could not. Their mouths seemed to open, some sounds were heard; then they moved their feet and disappeared. And nothing more.

Thus would a man feel if he were at night alone in his house and suddenly all objects were to come to life, start to move and overpower him. And suddenly they would all begin to judge him: the cupboard, the chair, the writing-table and the divan. He would cry and toss about, entreating, calling for help, while they would speak among themselves in their own language, and then would lead him to the scaffold⁠—they, the cupboard, the chair, the writing-table and the divan. And the other objects would look on.

To Vasily Kashirin, who was condemned to death by hanging, everything now seemed like children’s playthings: his cell, the door with the peephole, the strokes of the wound-up clock, the carefully molded fortress, and especially that mechanical puppet with the gun who stamped his feet in the corridor, and the others who, frightening him, peeped into his cell through the little window and handed him the food in silence. And that which he was experiencing was not the fear of death; death was

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