Short Fiction by Leonid Andreyev (fastest ebook reader TXT) π
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyevβs writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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But there was one more moment of wild terror. That was when people entered his cell. He did not even imagine that this visit meant that it was time to go to the execution; he simply saw the people and was frightened like a child.
βI will not do it! I will not do it!β he whispered inaudibly with his livid lips and silently retreated to the depth of the cell, even as in childhood he shrank when his father lifted his hand.
βWe must start.β
The people were speaking, walking around him, handing him something. He closed his eyes, he shook a littleβ βand began to dress himself slowly. His consciousness must have returned to him, for he suddenly asked the official for a cigarette. And the official generously opened his silver cigarette-case upon which was a chased figure in the style of the decadents.
X The Walls Are FallingThe unidentified man, who called himself Werner, was tired of life and struggle. There was a time when he loved life very dearly, when he enjoyed the theater, literature and social intercourse. Endowed with an excellent memory and a firm will, he had mastered several European languages and could easily pass for a German, a Frenchman or an Englishman. He usually spoke German with a Bavarian accent, but when he felt like it, he could speak like a born Berliner. He was fond of dress, his manners were excellent and he alone, of all the members of the organization, dared attend the balls given in high society, without running the risk of being recognized as an outsider.
But for a long time, altogether unnoticed by his comrades, there had ripened in his soul a dark contempt for mankind; contempt mingled with despair and painful, almost deadly fatigue. By nature rather a mathematician than a poet, he had not known until now any inspiration, any ecstasy and at times he felt like a madman, looking for the squaring of a circle in pools of human blood. The enemy against whom he struggled every day could not inspire him with respect. It was a dense net of stupidity, treachery and falsehood, vile insults and base deceptions. The last incident which seemed to have destroyed in him forever the desire to live, was the murder of the provocateur which he had committed by order of the organization. He had killed him in cold blood, but when he saw that dead, deceitful, now calm, and after all pitiful, human face, he suddenly ceased to respect himself and his work. Not that he was seized with a feeling of repentance, but he simply stopped appreciating himself. He became uninteresting to himself, unimportant, a dull stranger. But being a man of strong, unbroken willpower, he did not leave the organization. He remained outwardly the same as before, only there was something cold, yet painful in his eyes. He never spoke to anyone of this.
He possessed another rare quality: just as there are people who have never known headaches, so Werner had never known fear. When other people were afraid, he looked upon them without censure but also without any particular compassion, just as upon a rather contagious illness from which, however, he himself had never suffered. He felt sorry for his comrades, especially for Vasya Kashirin; but that was a cold, almost official pity, which even some of the judges may have felt at times.
Werner understood that the execution was not merely death, that it was something differentβ βbut he resolved to face it calmly, as something not to be considered; to live until the end as if nothing had happened and as if nothing could happen. Only in this way could he express his greatest contempt for capital punishment and preserve his last freedom of the spirit which could not be torn away from him. At the trialβ βand even his comrades who knew well his cold, haughty fearlessness would perhaps not have believed thisβ βhe thought neither of death nor of lifeβ βbut concentrated his attention deeply and coolly upon a difficult chess game which he was playing. A superior chess player, he had started this game on the first day of his imprisonment and continued it uninterruptedly. Even the sentence condemning him to death by hanging did not remove a single figure from his imaginary chessboard.
Even the knowledge that he would not be able to finish this game, did not stop him; and the morning of the last day that he was to remain on earth he started by correcting a not altogether successful move he had made on the previous day. Clasping his lowered hands between his knees, he sat for a long time motionless, then he rose and began to walk, meditating. His walk was peculiar: he leaned the upper part of his body slightly forward and stamped the ground with his heels firmly and distinctly. His steps usually left deep, plain imprints even on dry ground. He whistled softly, in one breath, a simple Italian melody, which helped his meditation.
But this time for some reason or other the thing did not work well. With an unpleasant feeling that he had made some important, even grave blunder, he went back several times and examined the game almost from the beginning. He found no blunder, yet the feeling about a blunder committed not only failed to leave him, but even grew ever more intense and unpleasant. Suddenly an unexpected and offensive thought came into his mind: Did the blunder perhaps consist in his playing chess simply because he wanted to distract his attention from the execution and thus shield himself against the fear of death which is apparently inevitable in every person condemned to death?
βNo. What for?β he answered coldly and closed calmly his imaginary chessboard. And with the same concentration with which he had played chess, he tried to give himself an account of the horror and the helplessness of his situation. As though he were going through a strict
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