The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“Who?”
“I,” said Soames.
She had been changing her frock, and was still imperfectly clothed; a striking figure before her glass. There was a certain magnificence about her arms, shoulders, hair, which had darkened since he first knew her, about the turn of her neck, the silkiness of her garments, her dark-lashed, grey-blue eyes—she was certainly as handsome at forty as she had ever been. A fine possession, an excellent housekeeper, a sensible and affectionate enough mother. If only she weren’t always so frankly cynical about the relations between them! Soames, who had no more real affection for her than she had for him, suffered from a kind of English grievance in that she had never dropped even the thinnest veil of sentiment over their partnership. Like most of his countrymen and women, he held the view that marriage should be based on mutual love, but that when from a marriage love had disappeared, or, been found never to have really existed—so that it was manifestly not based on love—you must not admit it. There it was, and the love was not—but there you were, and must continue to be! Thus you had it both ways, and were not tarred with cynicism, realism, and immorality like the French. Moreover, it was necessary in the interests of property. He knew that she knew that they both knew there was no love between them, but he still expected her not to admit in words or conduct such a thing, and he could never understand what she meant when she talked of the hypocrisy of the English. He said:
“Whom have you got at the Shelter next week?”
Annette went on touching her lips delicately with salve—he always wished she wouldn’t do that.
“Your sister Winifred, and the Car-r-digans”—she took up a tiny stick of black—“and Prosper Profond.”
“That Belgian chap? Why him?”
Annette turned her neck lazily, touched one eyelash, and said:
“He amuses Winifred.”
“I want someone to amuse Fleur; she’s restive.”
“R-restive?” repeated Annette. “Is it the first time you see that, my friend? She was born r-restive, as you call it.”
Would she never get that affected roll out of her r’s?
He touched the dress she had taken off, and asked:
“What have you been doing?”
Annette looked at him, reflected in her glass. Her just-brightened lips smiled, rather full, rather ironical.
“Enjoying myself,” she said.
“Oh!” answered Soames glumly. “Ribbandry, I suppose.”
It was his word for all that incomprehensible running in and out of shops that women went in for. “Has Fleur got her summer dresses?”
“You don’t ask if I have mine.”
“You don’t care whether I do or not.”
“Quite right. Well, she has; and I have mine—terribly expensive.”
“H’m!” said Soames. “What does that chap Profond do in England?”
Annette raised the eyebrows she had just finished.
“He yachts.”
“Ah!” said Soames; “he’s a sleepy chap.”
“Sometimes,” answered Annette, and her face had a sort of quiet enjoyment. “But sometimes very amusing.”
“He’s got a touch of the tar-brush about him.”
Annette stretched herself.
“Tar-brush?” she said. “What is that? His mother was Arménienne.”
“That’s it, then,” muttered Soames. “Does he know anything about pictures?”
“He knows about everything—a man of the world.”
“Well, get someone for Fleur. I want to distract her. She’s going off on Saturday to Val Dartie and his wife; I don’t like it.”
“Why not?”
Since the reason could not be explained without going into family history, Soames merely answered:
“Racketing about. There’s too much of it.”
“I like that little Mrs. Val; she is very quiet and clever.”
“I know nothing of her except—This thing’s new.” And Soames took up a creation from the bed.
Annette received it from him.
“Would you hook me?” she said.
Soames hooked. Glancing once over her shoulder into the glass, he saw the expression on her face, faintly amused, faintly contemptuous, as much as to say: “Thanks! You will never learn!” No, thank God, he wasn’t a Frenchman! He finished with a jerk, and the words: “It’s too low here.” And he went to the door, with the wish to get away from her and go down to Fleur again.
Annette stayed a powder-puff, and said with startling suddenness:
“Que tu es grossier!”
He knew the expression—he had reason to. The first time she had used it he had thought it meant “What a grocer you are!” and had not known whether to be relieved or not when better informed. He resented the word—he was not coarse! If he was coarse, what was that chap in the room beyond his, who made those horrible noises in the morning when he cleared his throat, or those people in the Lounge who thought it well-bred to say nothing but what the whole world could hear at the top of their voices—quacking inanity! Coarse, because he had said her dress was low! Well, so it was! He went out without reply.
Coming into the Lounge from the far end, he at once saw Fleur where he had left her. She sat with crossed knees, slowly balancing a foot in silk stocking and grey shoe, sure sign that she was dreaming. Her eyes showed it too—they went off like that sometimes. And then, in a moment, she would come to life, and be as quick and restless as a monkey. And she knew so much, so self-assured, and not yet nineteen. What was that odious word? Flapper! Dreadful young creatures—squealing and squawking and showing their legs! The worst of them bad dreams, the best of them powdered angels! Fleur was not a flapper, not one of those slangy, ill-bred young females. And yet she was frighteningly self-willed, and
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