The Mayor of Casterbridge by Thomas Hardy (books under 200 pages .txt) 📕
Description
Like many of Hardy’s novels, The Mayor of Casterbridge is set in the fictional county of Wessex in the mid 1800s. It begins with Michael Henchard, a young hay-trusser, drunk on rum, auctioning off his wife and baby daughter at a village fair. The next day, overcome with remorse, Henchard resolves to turn his life around. When we meet Henchard eighteen years later, temperance and hard work have made him wealthy and respectable. However, he cannot escape his past. His secret guilt, his pride, and his impulsive temper all serve to sabotage his good name.
The Mayor of Casterbridge was published in 1886, first as a magazine serial and then later that year as a book. It is perhaps most noteworthy for the psychological portrait of Michael Henchard, a tragic character who remains sympathetic while simultaneously being deeply flawed. Typical of other Hardy novels, it also vividly depicts life in the rural countryside at that time.
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- Author: Thomas Hardy
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“It never rains but it pours!” said Henchard. His keenly excited interest in his new friend the Scotchman was now eclipsed by this event, and Donald Farfrae saw so little of him during the rest of the day that he wondered at the suddenness of his employer’s moods.
In the meantime Elizabeth had reached the inn. Her mother, instead of taking the note with the curiosity of a poor woman expecting assistance, was much moved at sight of it. She did not read it at once, asking Elizabeth to describe her reception, and the very words Mr. Henchard used. Elizabeth’s back was turned when her mother opened the letter. It ran thus:—
Meet me at eight o’clock this evening, if you can, at the Ring on the Budmouth road. The place is easy to find. I can say no more now. The news upsets me almost. The girl seems to be in ignorance. Keep her so till I have seen you.
M. H.
He said nothing about the enclosure of five guineas. The amount was significant; it may tacitly have said to her that he bought her back again. She waited restlessly for the close of the day, telling Elizabeth-Jane that she was invited to see Mr. Henchard; that she would go alone. But she said nothing to show that the place of meeting was not at his house, nor did she hand the note to Elizabeth.
XIThe Ring at Casterbridge was merely the local name of one of the finest Roman Amphitheatres, if not the very finest, remaining in Britain.
Casterbridge announced old Rome in every street, alley, and precinct. It looked Roman, bespoke the art of Rome, concealed dead men of Rome. It was impossible to dig more than a foot or two deep about the town fields and gardens without coming upon some tall soldier or other of the Empire, who had lain there in his silent unobtrusive rest for a space of fifteen hundred years. He was mostly found lying on his side, in an oval scoop in the chalk, like a chicken in its shell; his knees drawn up to his chest; sometimes with the remains of his spear against his arm, a fibula or brooch of bronze on his breast or forehead, an urn at his knees, a jar at his throat, a bottle at his mouth; and mystified conjecture pouring down upon him from the eyes of Casterbridge street boys and men, who had turned a moment to gaze at the familiar spectacle as they passed by.
Imaginative inhabitants, who would have felt an unpleasantness at the discovery of a comparatively modern skeleton in their gardens, were quite unmoved by these hoary shapes. They had lived so long ago, their time was so unlike the present, their hopes and motives were so widely removed from ours, that between them and the living there seemed to stretch a gulf too wide for even a spirit to pass.
The Amphitheatre was a huge circular enclosure, with a notch at opposite extremities of its diameter north and south. From its sloping internal form it might have been called the spittoon of the Jötuns. It was to Casterbridge what the ruined Coliseum is to modern Rome, and was nearly of the same magnitude. The dusk of evening was the proper hour at which a true impression of this suggestive place could be received. Standing in the middle of the arena at that time there by degrees became apparent its real vastness, which a cursory view from the summit at noonday was apt to obscure. Melancholy, impressive, lonely, yet accessible from every part of the town, the historic circle was the frequent spot for appointments of a furtive kind. Intrigues were arranged there; tentative meetings were there experimented after divisions and feuds. But one kind of appointment—in itself the most common of any—seldom had place in the Amphitheatre: that of happy lovers.
Why, seeing that it was preeminently an airy, accessible, and sequestered spot for interviews, the cheerfullest form of those occurrences never took kindly to the soil of the ruin, would be a curious inquiry. Perhaps it was because its associations had about them something sinister. Its history proved that. Apart from the sanguinary nature of the games originally played therein, such incidents attached to its past as these: that for scores of years the town-gallows had stood at one corner; that in 1705 a woman who had murdered her husband was half-strangled and then burnt there in the presence of ten thousand spectators. Tradition reports that at a certain stage of the burning her heart burst and leapt out of her body, to the terror of them all, and that not one of those ten thousand people ever cared particularly for hot roast after that. In addition to these old tragedies, pugilistic encounters almost to the death had come off down to recent dates in that secluded arena, entirely invisible to the outside world save by climbing to the top of the enclosure, which few townspeople in the daily round of their lives ever took the trouble to do. So that, though close to the turnpike-road, crimes might be perpetrated there unseen at midday.
Some boys had latterly tried to impart gaiety to the ruin by using the central arena as a cricket-ground. But the game usually languished for the aforesaid reason—the dismal privacy which the earthen circle enforced, shutting out every appreciative passer’s vision, every commendatory remark from outsiders—everything, except the sky; and to play at games in such circumstances was like acting to an empty house. Possibly, too, the boys were timid, for some old people said that at certain moments in the summer time, in broad daylight, persons sitting with a book or dozing in the arena had, on lifting their eyes, beheld the slopes lined with a gazing legion of Hadrian’s soldiery as if watching the gladiatorial combat; and had heard the roar of their excited voices; that the scene would remain but
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