Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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Young Georgy lorded over this soft and yielding nature; and the contrast of its simplicity and delicacy with the coarse pomposity of the dull old man with whom he next came in contact made him lord over the latter too. If he had been a Prince Royal he could not have been better brought up to think well of himself.
Whilst his mother was yearning after him at home, and I do believe every hour of the day, and during most hours of the sad lonely nights, thinking of him, this young gentleman had a number of pleasures and consolations administered to him, which made him for his part bear the separation from Amelia very easily. Little boys who cry when they are going to school cry because they are going to a very uncomfortable place. It is only a few who weep from sheer affection. When you think that the eyes of your childhood dried at the sight of a piece of gingerbread, and that a plum cake was a compensation for the agony of parting with your mamma and sisters, oh my friend and brother, you need not be too confident of your own fine feelings.
Well, then, Master George Osborne had every comfort and luxury that a wealthy and lavish old grandfather thought fit to provide. The coachman was instructed to purchase for him the handsomest pony which could be bought for money, and on this George was taught to ride, first at a riding-school, whence, after having performed satisfactorily without stirrups, and over the leaping-bar, he was conducted through the New Road to Regent’s Park, and then to Hyde Park, where he rode in state with Martin the coachman behind him. Old Osborne, who took matters more easily in the City now, where he left his affairs to his junior partners, would often ride out with Miss O. in the same fashionable direction. As little Georgy came cantering up with his dandified air and his heels down, his grandfather would nudge the lad’s aunt and say, “Look, Miss O.” And he would laugh, and his face would grow red with pleasure, as he nodded out of the window to the boy, as the groom saluted the carriage, and the footman saluted Master George. Here too his aunt, Mrs. Frederick Bullock (whose chariot might daily be seen in the Ring, with bullocks or emblazoned on the panels and harness, and three pasty-faced little Bullocks, covered with cockades and feathers, staring from the windows) Mrs. Frederick Bullock, I say, flung glances of the bitterest hatred at the little upstart as he rode by with his hand on his side and his hat on one ear, as proud as a lord.
Though he was scarcely eleven years of age, Master George wore straps and the most beautiful little boots like a man. He had gilt spurs, and a gold-headed whip, and a fine pin in his handkerchief, and the neatest little kid gloves which Lamb’s Conduit Street could furnish. His mother had given him a couple of neckcloths, and carefully hemmed and made some little shirts for him; but when her Samuel came to see the widow, they were replaced by much finer linen. He had little jewelled buttons in the lawn shirt fronts. Her humble presents had been put aside—I believe Miss Osborne had given them to the coachman’s boy. Amelia tried to think she was pleased at the change. Indeed, she was happy and charmed to see the boy looking so beautiful.
She had had a little black profile of him done for a shilling, and this was hung up by the side of another portrait over her bed. One day the boy came on his accustomed visit, galloping down the little street at Brompton, and bringing, as usual, all the inhabitants to the windows to admire his splendour, and with great eagerness and a look of triumph in his face, he pulled a case out of his greatcoat—it was a natty white greatcoat, with a cape and a velvet collar—pulled out a red morocco case, which he gave her.
“I bought it with my own money, Mamma,” he said. “I thought you’d like it.”
Amelia opened the case, and giving a little cry of delighted affection, seized the boy and embraced him a hundred times. It was a miniature of himself, very prettily done (though not half handsome enough, we may be sure, the widow thought). His grandfather had wished to have a picture of him by an artist whose works, exhibited in a shopwindow, in Southampton Row, had caught the old gentleman’s eye; and George, who had plenty of money, bethought him of asking the painter how much a copy of the little portrait would cost, saying that he would pay for it out of his own money and that he wanted to give it to his mother.
The pleased painter executed it for a small price, and old Osborne himself, when he heard of the incident, growled out his satisfaction and gave the boy twice as many sovereigns as he paid for the miniature.
But what was the grandfather’s pleasure compared to Amelia’s ecstacy? That proof of the boy’s affection charmed her so that she thought no child in the world was like hers for goodness. For long weeks after, the thought of his love made her happy. She slept better with the picture under her pillow, and how many many times did she kiss it and
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