Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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Thus it seemed to be decreed by fate that Georgy was to domineer over everybody with whom he came in contact, and that friends, relatives, and domestics were all to bow the knee before the little fellow. It must be owned that he accommodated himself very willingly to this arrangement. Most people do so. And Georgy liked to play the part of master and perhaps had a natural aptitude for it.
In Russell Square everybody was afraid of Mr. Osborne, and Mr. Osborne was afraid of Georgy. The boy’s dashing manners, and offhand rattle about books and learning, his likeness to his father (dead unreconciled in Brussels yonder) awed the old gentleman and gave the young boy the mastery. The old man would start at some hereditary feature or tone unconsciously used by the little lad, and fancy that George’s father was again before him. He tried by indulgence to the grandson to make up for harshness to the elder George. People were surprised at his gentleness to the boy. He growled and swore at Miss Osborne as usual, and would smile when George came down late for breakfast.
Miss Osborne, George’s aunt, was a faded old spinster, broken down by more than forty years of dullness and coarse usage. It was easy for a lad of spirit to master her. And whenever George wanted anything from her, from the jam-pots in her cupboards to the cracked and dry old colours in her paintbox (the old paintbox which she had had when she was a pupil of Mr. Smee and was still almost young and blooming), Georgy took possession of the object of his desire, which obtained, he took no further notice of his aunt.
For his friends and cronies, he had a pompous old schoolmaster, who flattered him, and a toady, his senior, whom he could thrash. It was dear Mrs. Todd’s delight to leave him with her youngest daughter, Rosa Jemima, a darling child of eight years old. The little pair looked so well together, she would say (but not to the folks in “the Square,” we may be sure)—“Who knows what might happen? Don’t they make a pretty little couple?” the fond mother thought.
The broken-spirited, old, maternal grandfather was likewise subject to the little tyrant. He could not help respecting a lad who had such fine clothes and rode with a groom behind him. Georgy, on his side, was in the constant habit of hearing coarse abuse and vulgar satire levelled at John Sedley by his pitiless old enemy, Mr. Osborne. Osborne used to call the other the old pauper, the old coal-man, the old bankrupt, and by many other such names of brutal contumely. How was little George to respect a man so prostrate? A few months after he was with his paternal grandfather, Mrs. Sedley died. There had been little love between her and the child. He did not care to show much grief. He came down to visit his mother in a fine new suit of mourning, and was very angry that he could not go to a play upon which he had set his heart.
The illness of that old lady had been the occupation and perhaps the safeguard of Amelia. What do men know about women’s martyrdoms? We should go mad had we to endure the hundredth part of those daily pains which are meekly borne by many women. Ceaseless slavery meeting with no reward; constant gentleness and kindness met by cruelty as constant; love, labour, patience, watchfulness, without even so much as the acknowledgement of a good word; all this, how many of them have to bear in quiet, and appear abroad with cheerful faces as if they felt nothing. Tender slaves that they are, they must needs be hypocrites and weak.
From her chair Amelia’s mother had taken to her bed, which she had never left, and from which Mrs. Osborne herself was never absent except when she ran to see George. The old lady grudged her even those rare visits; she, who had been a kind, smiling, good-natured mother once, in the days of her prosperity, but whom poverty and infirmities had broken down. Her illness or estrangement did not affect Amelia. They rather enabled her to support the other calamity under which she was suffering, and from the thoughts of which she was kept by the ceaseless calls of the invalid. Amelia bore her harshness quite gently; smoothed the uneasy pillow; was always ready with a soft answer to the watchful, querulous voice; soothed the sufferer with
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