Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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“What horror! What pain! My friends, you have left me alone! My friends, do you understand what you have done? You have left me alone. Can you conceive of leaving a human being alone? Even a serpent has its mate, even a spider has its comrade—and you have left a human being alone! You have given him a soul—and left him alone! You have given him a heart, a mind, a hand for a handshake, lips for a kiss—and you have left him alone! What shall he do now that you have left him alone?”
Thus I exclaimed in my “Diary of a Prisoner,” tormented by woeful perplexities. In my juvenile blindness, in the pain of my young, senseless heart, I still did not want to understand that the solitude, of which I complained so bitterly, like the mind, was an advantage given to man over other creatures, in order to fence around the sacred mysteries of his soul from the stranger’s gaze.
Let my serious reader consider what would have become of life if man were robbed of his right, of his duty to be alone. In the gathering of idle chatterers, amid the dull collection of transparent glass dolls, that kill each other with their sameness; in the wild city where all doors are open, and all windows are open—passersby look wearily through the glass walls and observe the same evidences of the hearth and the alcove. Only the creatures that can be alone possess a face; while those that know no solitude—the great, blissful, sacred solitude of the soul—have snouts instead of faces.
And in calling my friends “perfidious traitors” I, poor youth that I was, could not understand the wise law of life, according to which neither friendship, nor love, nor even the tenderest attachment of sister and mother, is eternal. Deceived by the lies of the poets, who proclaimed eternal friendship and love, I did not want to see that which my indulgent reader observes from the windows of his dwelling—how friends, relatives, mother and wife, in apparent despair and in tears, follow their dead to the cemetery, and after a lapse of some time return from there. No one buries himself together with the dead, no one asks the dead to make room in the coffin, and if the grief-stricken wife exclaims, in an outburst of tears, “Oh, bury me together with him!” she is merely expressing symbolically the extreme degree of her despair—one could easily convince himself of this by trying, in jest, to push her down into the grave. And those who restrain her are merely expressing symbolically their sympathy and understanding, thus lending the necessary aspect of solemn grief to the funeral custom.
Man must subject himself to the laws of life, not of death, nor to the fiction of the poets, however beautiful it may be. But can the fictitious be beautiful? Is there no beauty in the stern truth of life, in the mighty work of its wise laws, which subjects to itself with great disinterestedness the movements of the heavenly luminaries, as well as the restless linking of the tiny creatures called human beings?
IIIThus I lived sadly in my prison for five or six years.
The first redeeming ray flashed upon me when I least expected it.
Endowed with the gift of imagination, I made my former fiancée the object of all my thoughts. She became my love and my dream.
Another circumstance which suddenly revealed to me the ground under my feet was, strange as it may seem, the conviction that it was impossible to make my escape from prison.
During the first period of my imprisonment, I, as a youthful and enthusiastic dreamer, made all kinds of plans for escape, and some of them seemed to me entirely possible of realisation. Cherishing deceptive hopes, this thought naturally kept me in a state of tense alarm and hindered my attention from concentrating itself on more important and substantial matters. As soon as I despaired of one plan I created another, but of course I did not make any progress—I merely moved within a closed circle. It is hardly necessary to mention that each transition from one plan to another was accompanied by cruel sufferings, which tormented my soul, just as the eagle tortured the body of Prometheus.
One day, while staring with a weary look at the walls of my cell, I suddenly began to feel how irresistibly thick the stone was, how strong the cement which kept it together, how skilfully and mathematically this severe fortress was constructed. It is true, my first sensation was extremely painful; it was, perhaps, a horror of hopelessness.
I cannot recall what I did and how I felt during the two or three months that followed. The first note in my diary after a long period of silence does not explain very much. Briefly I state only that they made new clothes for me and that I had grown stout.
The fact is that, after all my hopes had been abandoned, the consciousness of the impossibility of my escape once for all extinguished also my painful alarm and liberated my mind, which was then already inclined to lofty contemplation and the joys of mathematics.
But the following is the day I consider as the first real day of my liberation. It was a beautiful spring morning (May 6) and the balmy, invigourating air was pouring into the open window; while walking back and forth in my cell I unconsciously glanced, at each turn, with a vague interest, at the high window, where the iron grate outlined its form sharply and distinctly against the background of the azure, cloudless sky.
“Why is the sky so beautiful through these bars?” I reflected as I walked. “Is not this the effect of the aesthetic law of contrasts, according to which azure stands out prominently beside black? Or is
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