In a Glass Darkly by J. Sheridan Le Fanu (10 best novels of all time TXT) 📕
Description
In a Glass Darkly is a collection of five short stories, presented as posthumous papers of cases of the “metaphysical” doctor Dr. Martin Hesselius. First appearing in “Green Tea,” originally published in 1869, Dr. Hesselius became one of the first literary occult detectives.
J. Sheridan Le Fanu often made revisions to his work and re-released several under new names, including two from In a Glass Darkly: “The Familiar,” a revised version of “The Watcher,” published in 1851, and “Mr. Justice Harbottle,” a revised version of “An Account of Some Strange Disturbances in Aungier Street,” published in 1853.
Most notably, this collection includes what is likely Sheridan Le Fanu’s most famous work, “Carmilla.” A young countess turned vampire, Countess Mircalla uses the anagram of her name, Carmilla, to disguise herself in order to prey on unsuspecting young women. “Carmilla” would heavily influence Bram Stoker’s Dracula, which would later become the prototypical vampire archetype.
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- Author: J. Sheridan Le Fanu
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On concluding this brief message, the stranger had, with a threatening air, got down into the outer ditch, and, seizing the hawthorn stems in his hands, seemed on the point of climbing through the fence—a feat which might have been accomplished without much difficulty.
Without, of course, awaiting this result, the girl—throwing down her treasures of thyme and rosemary—had turned and run, with the swiftness of terror, to the house. Lady L⸺ commanded her, on pain of instant dismissal, to observe an absolute silence respecting all that passed of the incident which related to Captain Barton; and, at the same time, directed instant search to be made by her men, in the garden and the fields adjacent. This measure, however, was as usual, unsuccessful, and, filled with undefinable misgivings, Lady L⸺ communicated the incident to her brother. The story, however, until long afterwards, went no further, and, of course, it was jealously guarded from Barton, who continued to amend, though slowly.
Barton now began to walk occasionally in the courtyard which I have mentioned, and which being enclosed by a high wall, commanded no view beyond its own extent. Here he, therefore, considered himself perfectly secure: and, but for a careless violation of orders by one of the grooms, he might have enjoyed, at least for some time longer, his much-prized immunity. Opening upon the public road, this yard was entered by a wooden gate, with a wicket in it, and was further defended by an iron gate upon the outside. Strict orders had been given to keep both carefully locked; but, spite of these, it had happened that one day, as Barton was slowly pacing this narrow enclosure, in his accustomed walk, and reaching the further extremity, was turning to retrace his steps, he saw the boarded wicket ajar, and the face of his tormentor immovably looking at him through the iron bars. For a few seconds he stood rivetted to the earth—breathless and bloodless—in the fascination of that dreaded gaze, and then fell helplessly insensible, upon the pavement.
There he was found a few minutes afterwards, and conveyed to his room—the apartment which he was never afterwards to leave alive. Henceforward a marked and unaccountable change was observable in the tone of his mind. Captain Barton was now no longer the excited and despairing man he had been before; a strange alteration had passed upon him—an unearthly tranquillity reigned in his mind—it was the anticipated stillness of the grave.
“Montague, my friend, this struggle is nearly ended now,” he said, tranquilly, but with a look of fixed and fearful awe. “I have, at last, some comfort from that world of spirits, from which my punishment has come. I now know that my sufferings will soon be over.”
Montague pressed him to speak on.
“Yes,” said he, in a softened voice, “my punishment is nearly ended. From sorrow, perhaps I shall never, in time or eternity, escape; but my agony is almost over. Comfort has been revealed to me, and what remains of my allotted struggle I will bear with submission—even with hope.”
“I am glad to hear you speak so tranquilly, my dear Barton,” said Montague; “peace and cheer of mind are all you need to make you what you were.”
“No, no—I never can be that,” said he mournfully. “I am no longer fit for life. I am soon to die. I am to see him but once again, and then all is ended.”
“He said so, then?” suggested Montague.
“He?—No, no: good tidings could scarcely come through him; and these were good and welcome; and they came so solemnly and sweetly—with unutterable love and melancholy, such as I could not—without saying more than is needful, or fitting, of other long-past scenes and persons—fully explain to you.” As Barton said this he shed tears.
“Come, come,” said Montague, mistaking the source of his emotions, “you must not give way. What is it, after all, but a pack of dreams and nonsense; or, at worst, the practices of a scheming rascal that enjoys his power of playing upon your nerves, and loves to exert it—a sneaking vagabond that owes you a grudge, and pays it off this way, not daring to try a more manly one.”
“A grudge, indeed, he owes me—you say rightly,” said Barton, with a sudden shudder; “a grudge as you call it. Oh, my God! when the justice of Heaven permits the Evil one to carry out a scheme of vengeance—when its execution is committed to the lost and terrible victim of sin, who owes his own ruin to the man, the very man, whom he is commissioned to pursue—then, indeed, the torments and terrors of hell are anticipated on earth. But heaven has dealt mercifully with me—hope has opened to me at last; and if death could come without the dreadful sight I am doomed to see, I would gladly close my eyes this moment upon the world. But though death is welcome, I shrink with an agony you cannot understand—an actual frenzy of terror—from the last encounter with that—that demon, who has drawn me thus to the verge of the chasm, and who is himself to plunge me down. I am to see him again—once more—but under circumstances unutterably more terrific than ever.”
As Barton thus spoke, he trembled so violently that Montague was really alarmed at the extremity of his sudden agitation, and hastened to lead him back to the topic which had before seemed to exert so tranquillizing an effect upon his mind.
“It was not a dream,” he said, after a time; “I was in a different state—I felt differently and strangely; and yet it was all as real, as clear, and vivid, as what I now see and hear—it was a reality.”
“And what did you see and hear?” urged
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