In a Glass Darkly by J. Sheridan Le Fanu (10 best novels of all time TXT) 📕
Description
In a Glass Darkly is a collection of five short stories, presented as posthumous papers of cases of the “metaphysical” doctor Dr. Martin Hesselius. First appearing in “Green Tea,” originally published in 1869, Dr. Hesselius became one of the first literary occult detectives.
J. Sheridan Le Fanu often made revisions to his work and re-released several under new names, including two from In a Glass Darkly: “The Familiar,” a revised version of “The Watcher,” published in 1851, and “Mr. Justice Harbottle,” a revised version of “An Account of Some Strange Disturbances in Aungier Street,” published in 1853.
Most notably, this collection includes what is likely Sheridan Le Fanu’s most famous work, “Carmilla.” A young countess turned vampire, Countess Mircalla uses the anagram of her name, Carmilla, to disguise herself in order to prey on unsuspecting young women. “Carmilla” would heavily influence Bram Stoker’s Dracula, which would later become the prototypical vampire archetype.
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- Author: J. Sheridan Le Fanu
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“When I wakened from the swoon I fell into on seeing him,” said Barton, continuing as if he had not heard the question, “it was slowly, very slowly—I was lying by the margin of a broad lake, with misty hills all round, and a soft, melancholy, rose-coloured light illuminated it all. It was unusually sad and lonely, and yet more beautiful than any earthly scene. My head was leaning on the lap of a girl, and she was singing a song, that told, I know not how—whether by words or harmonies—of all my life—all that is past, and all that is still to come; and with the song the old feelings that I thought had perished within me came back, and tears flowed from my eyes—partly for the song and its mysterious beauty, and partly for the unearthly sweetness of her voice; and yet I knew the voice—oh! how well; and I was spellbound as I listened and looked at the solitary scene, without stirring, almost without breathing—and, alas! alas! without turning my eyes toward the face that I knew was near me, so sweetly powerful was the enchantment that held me. And so, slowly, the song and scene grew fainter, and fainter, to my senses, till all was dark and still again. And then I awoke to this world, as you saw, comforted, for I knew that I was forgiven much.” Barton wept again long and bitterly.
From this time, as we have said, the prevailing tone of his mind was one of profound and tranquil melancholy. This, however, was not without its interruptions. He was thoroughly impressed with the conviction that he was to experience another and a final visitation, transcending in horror all he had before experienced. From this anticipated and unknown agony, he often shrank in such paroxysms of abject terror and distraction, as filled the whole household with dismay and superstitious panic. Even those among them who affected to discredit the theory of preternatural agency, were often in their secret souls visited during the silence of night with qualms and apprehensions, which they would not have readily confessed; and none of them attempted to dissuade Barton from the resolution on which he now systematically acted, of shutting himself up in his own apartment. The window-blinds of this room were kept jealously down; and his own man was seldom out of his presence, day or night, his bed being placed in the same chamber.
This man was an attached and respectable servant; and his duties, in addition to those ordinarily imposed upon valets, but which Barton’s independent habits generally dispensed with, were to attend carefully to the simple precautions by means of which his master hoped to exclude the dreaded intrusion of the “Watcher.” And, in addition to attending to those arrangements, which amounted merely to guarding against the possibility of his master’s being, through any unscreened window or open door, exposed to the dreaded influence, the valet was never to suffer him to be alone—total solitude, even for a minute, had become to him now almost as intolerable as the idea of going abroad into the public ways—it was an instinctive anticipation of what was coming.
IX RequiescatIt is needless to say, that under these circumstances, no steps were taken toward the fulfilment of that engagement into which he had entered. There was quite disparity enough in point of years, and indeed of habits, between the young lady and Captain Barton, to have precluded anything like very vehement or romantic attachment on her part. Though grieved and anxious, therefore, she was very far from being heartbroken.
Miss Montague, however, devoted much of her time to the patient but fruitless attempt to cheer the unhappy invalid. She read for him, and conversed with him; but it was apparent that whatever exertions he made, the endeavour to escape from the one ever waking fear that preyed upon him, was utterly and miserably unavailing.
Young ladies are much given to the cultivation of pets; and among those who shared the favour of Miss Montague was a fine old owl, which the gardener, who caught him napping among the ivy of a ruined stable, had dutifully presented to that young lady.
The caprice which regulates such preferences was manifested in the extravagant favour with which this grim and ill-favoured bird was at once distinguished by his mistress; and, trifling as this whimsical circumstance may seem, I am forced to mention it, inasmuch as it is connected, oddly enough, with the concluding scene of the story.
Barton, so far from sharing in this liking for the new favourite, regarded it from the first with an antipathy as violent as it was utterly unaccountable. Its very vicinity was unsupportable to him. He seemed to hate and dread it with a vehemence absolutely laughable, and which to those who have never witnessed the exhibition of antipathies of this kind, would seem all but incredible.
With these few words of preliminary explanation, I shall proceed to state the particulars of the last scene in this strange series of incidents. It was almost two o’clock one winter’s night, and Barton was, as usual at that hour, in his bed; the servant we have mentioned occupied a smaller bed in the same room, and a light was burning. The man was on a sudden aroused by his master, who said—
“I can’t get it out of my head that that accursed bird has got out somehow, and is lurking in some corner of the room. I have been dreaming about him. Get up, Smith, and look about; search for him. Such hateful dreams!”
The servant rose, and examined the chamber, and while engaged in so doing, he heard the well-known sound, more like a long-drawn gasp than a hiss, with which these birds from their secret haunts affright the quiet of the night.
This ghostly indication of its proximity—for the sound proceeded from the passage upon which Barton’s chamber-door opened—determined the search of the servant, who, opening the door, proceeded a
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