The Castle of Otranto by Horace Walpole (e textbook reader txt) 📕
Description
The Castle of Otranto is considered to be the first “Gothic” novel—that is, containing a combination of tropes, like hidden passages, haunted paintings, mysterious sounds, skeletal ghosts, ancestral curses, and unexplained deaths, that essentially invented the genre later made famous by authors like Edgar Allan Poe, Bram Stoker, or Henry James. Walpole made a point of creating a novel that blends supernatural elements with more realistic depictions of characters and events.
The plot centers around Manfred, the lord of Otranto Castle, who has just witnessed the death of his son under mysterious circumstances, just as his son was about to be married. Manfred is thrust into a galloping and melodramatic series of events that lean heavily on the supernatural.
Walpole initially published The Castle of Otranto under a pseudonym, claiming that his work was a translation of an ancient Italian manuscript. This framing, along with the purposely archaic writing style, gives the supernatural airs of the novel a decidedly authentic flavor. In later editions Walpole acknowledges his authorship.
Otranto remains a fast-paced and familiar read, thanks to the variety of recognizable tropes it introduced and made popular.
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- Author: Horace Walpole
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“My child,” said Frederic, “it matters not for me whither I am carried. A few minutes will place me beyond danger; but while I have eyes to dote on thee, forsake me not, dear Isabella! This brave knight—I know not who he is—will protect thy innocence. Sir, you will not abandon my child, will you?”
Theodore, shedding tears over his victim, and vowing to guard the Princess at the expense of his life, persuaded Frederic to suffer himself to be conducted to the castle. They placed him on a horse belonging to one of the domestics, after binding up his wounds as well as they were able. Theodore marched by his side; and the afflicted Isabella, who could not bear to quit him, followed mournfully behind.
IVThe sorrowful troop no sooner arrived at the castle, than they were met by Hippolita and Matilda, whom Isabella had sent one of the domestics before to advertise of their approach. The ladies causing Frederic to be conveyed into the nearest chamber, retired, while the surgeons examined his wounds. Matilda blushed at seeing Theodore and Isabella together; but endeavoured to conceal it by embracing the latter, and condoling with her on her father’s mischance. The surgeons soon came to acquaint Hippolita that none of the Marquis’s wounds were dangerous; and that he was desirous of seeing his daughter and the Princesses.
Theodore, under pretence of expressing his joy at being freed from his apprehensions of the combat being fatal to Frederic, could not resist the impulse of following Matilda. Her eyes were so often cast down on meeting his, that Isabella, who regarded Theodore as attentively as he gazed on Matilda, soon divined who the object was that he had told her in the cave engaged his affections. While this mute scene passed, Hippolita demanded of Frederic the cause of his having taken that mysterious course for reclaiming his daughter; and threw in various apologies to excuse her Lord for the match contracted between their children.
Frederic, however incensed against Manfred, was not insensible to the courtesy and benevolence of Hippolita: but he was still more struck with the lovely form of Matilda. Wishing to detain them by his bedside, he informed Hippolita of his story. He told her that, while prisoner to the infidels, he had dreamed that his daughter, of whom he had learned no news since his captivity, was detained in a castle, where she was in danger of the most dreadful misfortunes: and that if he obtained his liberty, and repaired to a wood near Joppa, he would learn more. Alarmed at this dream, and incapable of obeying the direction given by it, his chains became more grievous than ever. But while his thoughts were occupied on the means of obtaining his liberty, he received the agreeable news that the confederate Princes who were warring in Palestine had paid his ransom. He instantly set out for the wood that had been marked in his dream.
For three days he and his attendants had wandered in the forest without seeing a human form: but on the evening of the third they came to a cell, in which they found a venerable hermit in the agonies of death. Applying rich cordials, they brought the fainting man to his speech.
“My sons,” said he, “I am bounden to your charity—but it is in vain—I am going to my eternal rest—yet I die with the satisfaction of performing the will of heaven. When first I repaired to this solitude, after seeing my country become a prey to unbelievers—it is alas! above fifty years since I was witness to that dreadful scene! St. Nicholas appeared to me, and revealed a secret, which he bade me never disclose to mortal man, but on my deathbed. This is that tremendous hour, and ye are no doubt the chosen warriors to whom I was ordered to reveal my trust. As soon as ye have done the last offices to this wretched corse, dig under the seventh tree on the left hand of this poor cave, and your pains will—Oh! good heaven receive my soul!” With those words the devout man breathed his last.
“By break of day,” continued Frederic, “when we had committed the holy relics to earth, we dug according to direction. But what was our astonishment when about the depth of six feet we discovered an enormous sabre—the very weapon yonder in the court. On the blade, which was then partly out of the scabbard, though since closed by our efforts in removing it, were written the following lines—no; excuse me, Madam,” added the Marquis, turning to Hippolita; “if I forbear to repeat them: I respect your sex and rank, and would not be guilty of offending your ear with sounds injurious to aught that is dear to you.”
He paused. Hippolita trembled. She did not doubt but Frederic was destined by heaven to accomplish the fate that seemed to threaten her house. Looking with anxious fondness at Matilda, a silent tear stole down her cheek: but recollecting herself, she said—
“Proceed, my Lord; heaven does nothing in vain; mortals must receive its divine behests with lowliness and submission. It is our part to deprecate its wrath, or bow to its decrees. Repeat the sentence, my Lord; we listen resigned.”
Frederic was grieved that he had proceeded so far. The dignity and patient firmness of Hippolita penetrated him with respect, and the tender silent affection with which the Princess and her daughter regarded each other, melted him almost to tears. Yet apprehensive that his forbearance to obey would be more alarming, he repeated in a faltering and low voice the following lines:
“Where’er a casque that suits this sword is found,
With perils is thy daughter compass’d round;
Alfonso’s blood alone can save the maid,
And quiet a long restless Prince’s shade.”
“What is there in these lines,” said Theodore
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