Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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Father Ignaty shrugged his shoulders, which were becoming cold, and let his eyes fall on Vera’s grave. He gazed long at the short little seared stalks of grass, which had been torn from the ground somewhere in the wide windswept fields, and had failed to take root in the new soil; and he could not realize that there, under that grass, at a few feet from him, lay Vera. And this nearness seemed incomprehensible, and imbued his soul with a confusion and strange alarm. She, of whom he was accustomed to think as having forever disappeared in the dark depth of infinity, was here, close—and it was difficult to understand that nevertheless she was not, and never would be again. And it seemed to Father Ignaty that if he spoke some word, which he almost felt upon his lips, or if he made some movement, Vera would come forth from the tomb, and stand up as tall and beautiful as ever. And that not only would she arise; but that all the dead, who could be felt, so awesome in their solemn cold silence, would rise too.
Father Ignaty took off his black wide-brimmed hat, smoothed his wavy locks, and said in a whisper:
“Vera!”
He became uneasy lest he should be heard by some stranger, and stood upon the tomb and looked over the crosses. But there was no one near, and he repeated aloud:
“Vera!”
It was Father Ignaty’s old voice, dry and exacting, and it was strange that a demand made with such force remained without answer.
“Vera!”
Loud and persistently the voice called, and when it was silent for a moment it seemed as though somewhere below a vague answer resounded. And Father Ignaty looked once more around, removed his hair from his ears, and laid them on the rough prickly sod.
“Vera! Speak!”
And Father Ignaty felt with horror that something cold as the tomb penetrated his ear, and froze the brain, and that Vera spoke—but what she said was ever the same long silence. It became ever more and more alarming and terrible, and when Father Ignaty dragged his head with an effort from the ground, pale as that of a corpse, it seemed to him that the whole air trembled and vibrated with a resonant silence, as though a wild storm had arisen on that terrible sea. The silence choked him: it kept rolling backwards and forwards through his head in icy waves, and stirred his hair; it broke against his bosom, which groaned beneath the shocks. Trembling all over, casting from side to side quick, nervous glances, he slowly raised himself, and strove with torturing efforts to straighten his back and to restore the proud carriage to his trembling body. And in this he succeeded. With slow deliberation he shook the dust from his knees, put on his hat, made the sign of the cross three times over the grave, and went with even, firm gait, and yet did not recognize the well-known cemetery, and lost his way.
“Lost my way!” he laughed, and stood still at the branching paths.
He stood still for a moment, and then without thinking turned to the left, because it was impossible to stand still and wait. The silence pursued him. It rose from the green graves; the grim grey crosses breathed it; it came forth in thin suffocating streams from every pore of the ground, which was sated with corpses. Father Ignaty’s steps became quicker and quicker. Dazed, he went round the same paths again and again, he leapt the graves, stumbled against the railings, grasped the prickly tin wreaths, and the soft stuff tore to pieces in his hands. Only one thought, that of getting out, was left in his head. He rushed from side to side, and at last ran noiselessly, a tall figure, almost unrecognizable in his streaming cassock, with his hair floating on the air. More frightened than at the sight of a corpse risen from the grave, would have been anyone who had met this wild figure of a man running, leaping, waving his arms—if he had recognized his mad, distorted face, and heard the dull rattle that escaped from his open mouth.
At full run Father Ignaty jumped out upon the little square at the end of which stood the low white mortuary chapel. In the porch on a little bench there dozed an old man who looked like a pilgrim from afar, and near him two old beggar-women were flying at one another, quarrelling and scolding.
When Father Ignaty reached home, it was already getting dark, and the lamp was lit in Olga Stepanovna’s room. Without change of clothes or removing his hat, torn and dusty, he came hurriedly to his wife and fell on his knees.
“Mother—Olga—pity me!” he sobbed; “I am going out of my mind.”
He beat his head against the edge of the table, and sobbed tumultuously, painfully, as a man does who never weeps. He lifted his head, confident that in a moment a miracle would be performed, and that his wife would speak, and pity him.
“Dear!”
With his whole big body he stretched out towards his wife, and met the look of the grey eyes. In them there was neither compassion nor anger. Maybe his wife forgave and pitied him, but in those eyes there was neither pity nor forgiveness. They were dumb and silent.
And the whole desolate house was silent.
“Men May Rise on Stepping-Stones of Their Dead Selves to Higher Things”Have you ever happened to walk in a burial-ground?
Those little walled-in, quiet corners, overgrown with luscious grass, so small, and yet so ravenous, possess a peculiar dolorous poetry all their own.
Day after day thither are borne new corpses, a whole, immense, living, noisy city has been already
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