The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“They’re naughty to shout at me,” she flashed.
“They think you don’t live here,” he said.
Later he found her at the gate calling shrilly and imperiously:
“My name is Anna, Anna Lensky, and I live here, because Mr. Brangwen’s my father now. He is, yes he is. And I live here.”
This pleased Brangwen very much. And gradually, without knowing it herself, she clung to him, in her lost, childish, desolate moments, when it was good to creep up to something big and warm, and bury her little self in his big, unlimited being. Instinctively he was careful of her, careful to recognize her and to give himself to her disposal.
She was difficult of her affections. For Tilly, she had a childish, essential contempt, almost dislike, because the poor woman was such a servant. The child would not let the serving-woman attend to her, do intimate things for her, not for a long time. She treated her as one of an inferior race. Brangwen did not like it.
“Why aren’t you fond of Tilly?” he asked.
“Because—because—because she looks at me with her eyes bent.”
Then gradually she accepted Tilly as belonging to the household, never as a person.
For the first weeks, the black eyes of the child were forever on the watch. Brangwen, good-humoured but impatient, spoiled by Tilly, was an easy blusterer. If for a few minutes he upset the household with his noisy impatience, he found at the end the child glowering at him with intense black eyes, and she was sure to dart forward her little head, like a serpent, with her biting:
“Go away.”
“I’m not going away,” he shouted, irritated at last. “Go yourself—hustle—stir thysen—hop.” And he pointed to the door. The child backed away from him, pale with fear. Then she gathered up courage, seeing him become patient.
“We don’t live with you,” she said, thrusting forward her little head at him. “You—you’re—you’re a bomakle.”
“A what?” he shouted.
Her voice wavered—but it came.
“A bomakle.”
“Ay, an’ you’re a comakle.”
She meditated. Then she hissed forwards her head.
“I’m not.”
“Not what?”
“A comakle.”
“No more am I a bomakle.”
He was really cross.
Other times she would say:
“My mother doesn’t live here.”
“Oh, ay?”
“I want her to go away.”
“Then want’s your portion,” he replied laconically.
So they drew nearer together. He would take her with him when he went out in the trap. The horse ready at the gate, he came noisily into the house, which seemed quiet and peaceful till he appeared to set everything awake.
“Now then, Topsy, pop into thy bonnet.”
The child drew herself up, resenting the indignity of the address.
“I can’t fasten my bonnet myself,” she said haughtily.
“Not man enough yet,” he said, tying the ribbons under her chin with clumsy fingers.
She held up her face to him. Her little bright-red lips moved as he fumbled under her chin.
“You talk—nonsents,” she said, reechoing one of his phrases.
“That face shouts for th’ pump,” he said, and taking out a big red handkerchief, that smelled of strong tobacco, began wiping round her mouth.
“Is Kitty waiting for me?” she asked.
“Ay,” he said. “Let’s finish wiping your face—it’ll pass wi’ a cat-lick.”
She submitted prettily. Then, when he let her go, she began to skip, with a curious flicking up of one leg behind her.
“Now my young buck-rabbit,” he said. “Slippy!”
She came and was shaken into her coat, and the two set off. She sat very close beside him in the gig, tucked tightly, feeling his big body sway, against her, very splendid. She loved the rocking of the gig, when his big, live body swayed upon her, against her. She laughed, a poignant little shrill laugh, and her black eyes glowed.
She was curiously hard, and then passionately tenderhearted. Her mother was ill, the child stole about on tiptoe in the bedroom for hours, being nurse, and doing the thing thoughtfully and diligently. Another day, her mother was unhappy. Anna would stand with her legs apart, glowering, balancing on the sides of her slippers. She laughed when the goslings wriggled in Tilly’s hand, as the pellets of food were rammed down their throats with a skewer, she laughed nervously. She was hard and imperious with the animals, squandering no love, running about amongst them like a cruel mistress.
Summer came, and hay-harvest, Anna was a brown elfish mite dancing about. Tilly always marvelled over her, more than she loved her.
But always in the child was some anxious connection with the mother. So long as Mrs. Brangwen was all right, the little girl played about and took very little notice of her. But corn-harvest went by, the autumn drew on, and the mother, the later months of her pregnancy beginning, was strange and detached, Brangwen began to knit his brows, the old, unhealthy uneasiness, the unskinned susceptibility came on the child again. If she went to the fields with her father, then, instead of playing about carelessly, it was:
“I want to go home.”
“Home, why tha’s nobbut this minute come.”
“I want to go home.”
“What for? What ails thee?”
“I want my mother.”
“Thy mother! Thy mother none wants thee.”
“I want to go home.”
There would be tears in a moment.
“Can ter find t’road, then?”
And he watched her scudding, silent and intent, along the hedge-bottom, at a steady, anxious pace, till she turned and was gone through the gateway. Then he saw her two fields off, still pressing forward, small and urgent. His face was clouded as he turned to plough up the stubble.
The year drew on, in the hedges the berries shone red and twinkling above bare twigs, robins were seen, great droves of birds dashed like spray from the fallow, rooks appeared, black and flapping down to earth, the ground was cold as he pulled the turnips, the roads were churned deep in mud. Then the turnips were pitted and work was slack.
Inside the house it was dark, and quiet. The child flitted uneasily round, and now and again came her plaintive, startled cry:
“Mother!”
Mrs. Brangwen was heavy and unresponsive, tired, lapsed back. Brangwen went on working out of doors.
At evening, when he came in to milk, the child would run behind him.
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