Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕

this from Southampton to London, and without noting much beyond the milestones along the road. You see he was so eager to see his parents at Camberwell.

He grudged the time lost between Piccadilly and his old haunt at the Slaughters’, whither he drove faithfully. Long years had passed since he saw it last, since he and George, as young men, had enjoyed many a feast, and held many a revel there. He had now passed into the stage of old-fellow-hood. His hair was grizzled, and many a passion and feeling of his youth had grown grey in that interval. There, however, stood the old waiter at the door, in the same greasy black suit, with the same double chin and flaccid face, with the same huge bunch of seals at his fob, rattling his money in his pockets as before, and receiving the Major as if he had gone away only a week ago. “Put the Major’s things in twenty-three, that’s his room,” John said, exhibiting not the least surprise. “Roast fowl for your dinner, I suppose. You ain’t got married? They said you was married⁠—the Scotch surgeon of yours was here. No, it was Captain Humby of the thirty-third, as was quartered with the —th in Injee. Like any warm water? What do you come in a chay for⁠—ain’t the coach good enough?” And with this, the faithful waiter, who knew and remembered every officer who used the house, and with whom ten years were but as yesterday, led the way up to Dobbin’s old room, where stood the great moreen bed, and the shabby carpet, a thought more dingy, and all the old black furniture covered with faded chintz, just as the Major recollected them in his youth.

He remembered George pacing up and down the room, and biting his nails, and swearing that the Governor must come round, and that if he didn’t, he didn’t care a straw, on the day before he was married. He could fancy him walking in, banging the door of Dobbin’s room, and his own hard by⁠—

“You ain’t got young,” John said, calmly surveying his friend of former days.

Dobbin laughed. “Ten years and a fever don’t make a man young, John,” he said. “It is you that are always young⁠—no, you are always old.”

“What became of Captain Osborne’s widow?” John said. “Fine young fellow that. Lord, how he used to spend his money. He never came back after that day he was marched from here. He owes me three pound at this minute. Look here, I have it in my book. ‘April 10, 1815, Captain Osborne: £3.’ I wonder whether his father would pay me,” and so saying, John of the Slaughters’ pulled out the very morocco pocketbook in which he had noted his loan to the Captain, upon a greasy faded page still extant, with many other scrawled memoranda regarding the bygone frequenters of the house.

Having inducted his customer into the room, John retired with perfect calmness; and Major Dobbin, not without a blush and a grin at his own absurdity, chose out of his kit the very smartest and most becoming civil costume he possessed, and laughed at his own tanned face and grey hair, as he surveyed them in the dreary little toilet-glass on the dressing-table.

“I’m glad old John didn’t forget me,” he thought. “She’ll know me, too, I hope.” And he sallied out of the inn, bending his steps once more in the direction of Brompton.

Every minute incident of his last meeting with Amelia was present to the constant man’s mind as he walked towards her house. The arch and the Achilles statue were up since he had last been in Piccadilly; a hundred changes had occurred which his eye and mind vaguely noted. He began to tremble as he walked up the lane from Brompton, that well-remembered lane leading to the street where she lived. Was she going to be married or not? If he were to meet her with the little boy⁠—Good God, what should he do? He saw a woman coming to him with a child of five years old⁠—was that she? He began to shake at the mere possibility. When he came up to the row of houses, at last, where she lived, and to the gate, he caught hold of it and paused. He might have heard the thumping of his own heart. “May God Almighty bless her, whatever has happened,” he thought to himself. “Psha! she may be gone from here,” he said and went in through the gate.

The window of the parlour which she used to occupy was open, and there were no inmates in the room. The Major thought he recognized the piano, though, with the picture over it, as it used to be in former days, and his perturbations were renewed. Mr. Clapp’s brass plate was still on the door, at the knocker of which Dobbin performed a summons.

A buxom-looking lass of sixteen, with bright eyes and purple cheeks, came to answer the knock and looked hard at the Major as he leant back against the little porch.

He was as pale as a ghost and could hardly falter out the words⁠—“Does Mrs. Osborne live here?”

She looked him hard in the face for a moment⁠—and then turning white too⁠—said, “Lord bless me⁠—it’s Major Dobbin.” She held out both her hands shaking⁠—“Don’t you remember me?” she said. “I used to call you Major Sugarplums.” On which, and I believe it was for the first time that he ever so conducted himself in his life, the Major took the girl in his arms and kissed her. She began to laugh and cry hysterically, and calling out “Ma, Pa!” with all her voice, brought up those worthy people, who had already been surveying the Major from the casement of the ornamental kitchen, and were astonished to find their daughter in the little passage in the embrace of a great tall man in a blue frock-coat and white duck trousers.

“I’m an old friend,” he said⁠—not without blushing