Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) ๐
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Daniel Deronda, published in 1876, was George Eliotโs last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolenโs family was well-off. She lived in comfort and was indulged and pampered. But the familyโs fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugoโs natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish cultureโand in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Danielโs kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Danielโs attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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Had Grandcourt the least conception of what was going on in the breast of his wife? He conceived that she did not love him; but was that necessary? She was under his power, and he was not accustomed to soothe himself, as some cheerfully-disposed persons are, with the conviction that he was very generally and justly beloved. But what lay quite away from his conception was, that she could have any special repulsion for him personally. How could she? He himself knew what personal repulsion wasโ โnobody better; his mind was much furnished with a sense of what brutes his fellow-creatures were, both masculine and feminine; what odious familiarities they had, what smirks, what modes of flourishing their handkerchiefs, what costume, what lavender water, what bulging eyes, and what foolish notions of making themselves agreeable by remarks which were not wanted. In this critical view of mankind there was an affinity between him and Gwendolen before their marriage, and we know that she had been attractingly wrought upon by the refined negations he presented to her. Hence he understood her repulsion for Lush. But how was he to understand or conceive her present repulsion for Henleigh Grandcourt? Some men bring themselves to believe, and not merely maintain, the nonexistence of an external world; a few others believe themselves objects of repulsion to a woman without being told so in plain language. But Grandcourt did not belong to this eccentric body of thinkers. He had all his life had reason to take a flattering view of his own attractiveness, and to place himself in fine antithesis to the men who, he saw at once, must be revolting to a woman of taste. He had no idea of moral repulsion, and could not have believed, if he had been told it, that there may be a resentment and disgust which will gradually make beauty more detestable than ugliness, through exasperation at that outward virtue in which hateful things can flaunt themselves or find a supercilious advantage.
How, then, could Grandcourt divine what was going on in Gwendolenโs breast?
For their behavior to each other scandalized no observerโ โnot even the foreign maid, warranted against seasickness; nor Grandcourtโs own experienced valet: still less the picturesque crew, who regarded them as a model couple in high life. Their companionship consisted chiefly in a well-bred silence. Grandcourt had no humorous observations at which Gwendolen could refuse to smile, no chitchat to make small occasions of dispute. He was perfectly polite in arranging an additional garment over her when needful, and in handing her any object that he perceived her to need, and she could not fall into the vulgarity of accepting or rejecting such politeness rudely.
Grandcourt put up his telescope and said, โThereโs a plantation of sugar-canes at the foot of that rock; should you like to look?โ
Gwendolen said, โYes, please,โ remembering that she must try and interest herself in sugar-canes as something outside her personal affairs. Then Grandcourt would walk up and down and smoke for a long while, pausing occasionally to point out a sail on the horizon, and at last would seat himself and look at Gwendolen with his narrow immovable gaze, as if she were part of the complete yacht; while she, conscious of being looked at was exerting her ingenuity not to meet his eyes. At dinner he would remark that the fruit was getting stale, and they must put in somewhere for more; or, observing that she did not drink the wine, he asked her if she would like any other kind better. A lady was obliged to respond to these things suitably; and even if she had not shrunk from quarrelling on other grounds, quarreling with Grandcourt was impossible; she might as well have made angry remarks to a dangerous serpent ornamentally coiled in her cabin without invitation. And what sort of dispute could a woman of any pride and dignity begin on a yacht?
Grandcourt had intense satisfaction in leading his wife captive after this fashion; it gave their life on a small scale a royal representation and publicity in which everything familiar was got rid of, and everybody must do what was expected of them whatever might be their private protestโ โthe protest (kept strictly private) adding to the piquancy of despotism.
To Gwendolen, who even in the freedom of her maiden time, had had very faint glimpses of any heroism or sublimity, the medium that now thrust itself everywhere before her view was this husband and her relation to him. The beings closest to us, whether in love or hate, are often virtually our interpreters of the world, and some feather-headed gentleman or lady whom in passing we regret to take as legal tender for a human being, may be acting as a melancholy theory of life in the minds of those who live with themโ โlike a piece of yellow and wavy glass that distorts form and makes color an affliction. Their trivial sentences, their petty standards, their low suspicions, their loveless ennui, may be making somebody elseโs life no better than a promenade through a pantheon of ugly idols. Gwendolen had that kind of window before her, affecting
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