Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) 📕
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Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway “has never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.” Hemingway famously responded: “Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”
Besides his writing style, Hemingway’s most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story “Out of Season.” Hemingway later said of the story: “I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.”
This collection comprises all of the public domain stories published in Hemingway’s short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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“Come on, kid,” he’d say, stepping up and down on his toes in front of the jock’s dressing room, “let’s get moving.”
Then we’d start off jogging around the infield once, maybe, with him ahead, running nice, and then turn out the gate and along one of those roads with all the trees along both sides of them that run out from San Siro. I’d go ahead of him when we hit the road and I could run pretty stout and I’d look around and he’d be jogging easy just behind me and after a little while I’d look around again and he’d begun to sweat. Sweating heavy and he’d just be dogging it along with his eyes on my back, but when he’d catch me looking at him he’d grin and say, “Sweating plenty?” When my old man grinned, nobody could help but grin too. We’d keep right on running out toward the mountains and then my old man would yell, “Hey, Joe!” and I’d look back and he’d be sitting under a tree with a towel he’d had around his waist wrapped around his neck.
I’d come back and sit down beside him and he’d pull a rope out of his pocket and start skipping rope out in the sun with the sweat pouring off his face and him skipping rope out in the white dust with the rope going cloppetty, cloppetty, clop, clop, clop, and the sun hotter, and him working harder up and down a patch of the road. Say, it was a treat to see my old man skip rope, too. He could whirr it fast or lop it slow and fancy. Say, you ought to have seen wops look at us sometimes, when they’d come by, going into town walking along with big white steers hauling the cart. They sure looked as though they thought the old man was nuts. He’d start the rope whirring till they’d stop dead still and watch him, then give the steers a cluck and a poke with the goad and get going again.
When I’d sit watching him working out in the hot sun I sure felt fond of him. He sure was fun and he done his work so hard and he’d finish up with a regular whirring that’d drive the sweat out on his face like water and then sling the rope at the tree and come over and sit down with me and lean back against the tree with the towel and a sweater wrapped around his neck.
“Sure is hell keeping it down, Joe,” he’d say and lean back and shut his eyes and breathe long and deep, “it ain’t like when you’re a kid.” Then he’d get up before he started to cool and we’d jog along back to the stables. That’s the way it was keeping down to weight. He was worried all the time. Most jocks can just about ride off all they want to. A jock loses about a kilo every time he rides, but my old man was sort of dried out and he couldn’t keep down his kilos without all that running.
I remember once at San Siro, Regoli, a little wop, that was riding for Buzoni, came out across the paddock going to the bar for something cool; and flicking his boots with his whip, after he’d just weighed in and my old man had just weighed in too, and came out with the saddle under his arm looking red-faced and tired and too big for his silks and he stood there looking at young Regoli standing up to the outdoors bar, cool and kid-looking, and I says, “What’s the matter, Dad?” cause I thought maybe Regoli had bumped him or something and he just looked at Regoli and said, “Oh, to hell with it,” and went on to the dressing room.
Well, it would have been all right, maybe, if we’d stayed in Milan and ridden at Milan and Torino, ’cause if there ever were any easy courses, it’s those two. “Pianola, Joe,” my old man said when he dismounted in the winning stall after what the wops thought was a hell of a steeplechase. I asked him once. “This course rides itself. It’s the pace you’re going at, that makes riding the jumps dangerous, Joe. We ain’t going any pace here, and they ain’t any really bad jumps either. But it’s the pace always—not the jumps that makes the trouble.”
San Siro was the swellest course I’d ever seen but the old man said it was a dog’s life. Going back and forth between Mirafiore and San Siro and riding just about every day in the week with a train ride every other night.
I was nuts about the horses, too. There’s something about it, when they come out and go up the track to the post. Sort of dancy and tight looking with the jock keeping a tight hold on them and maybe easing off a little and letting them run a little going up. Then once they were at the barrier it got me worse than anything. Especially at San Siro with that big green infield and the mountains way off and the fat wop starter with his big whip and the jocks fiddling them around and then the barrier snapping up and that bell going off and them all getting off in a bunch and then commencing to
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