Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) ๐
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Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway โhas never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.โ Hemingway famously responded: โPoor Faulkner. Does he really think big emotions come from big words? He thinks I donโt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.โ
Besides his writing style, Hemingwayโs most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story โOut of Season.โ Hemingway later said of the story: โI had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.โ
This collection comprises all of the public domain stories published in Hemingwayโs short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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On the white below George dipped and rose and dipped out of sight. The rush and the sudden swoop as he dropped down a steep undulation in the mountain side plucked Nickโs mind out and left him only the wonderful flying, dropping sensation in his body. He rose to a slight up-run and then the snow seemed to drop out from under him as he went down, down, faster and faster in a rush down the last, long steep slope. Crouching so he was almost sitting back on his skis, trying to keep the center of gravity low, the snow driving like a sandstorm, he knew the pace was too much. But he held it. He would not let go and spill. Then a patch of soft snow, left in a hollow by the wind, spilled him and he went over and over in a clashing of skis, feeling like a shot rabbit, then stuck, his legs crossed, his skis sticking straight up and his nose and ears jammed full of snow.
George stood a little further down the slope, knocking the snow from his wind jacket with big slaps.
โYou took a beauty, Mike,โ he called to Nick. โThatโs lousy soft snow. It bagged me the same way.โ
โWhatโs it like over the khud?โ Nick kicked his skis around as he lay on his back and stood up.
โYouโve got to keep to your left. Itโs a good fast drop with a Christy at the bottom on account of a fence.โ
โWait a sec and weโll take it together.โ
โNo, you come on and go first. I like to see you take the khuds.โ
Nick Adams came up past George, big back and blond head still faintly snowy, then his skis started slipping at the edge and he swooped down, hissing in the crystalline powder snow and seeming to float up and drop down as he went up and down the billowing khuds. He held to his left and at the end, as he rushed toward the fence, keeping his knees locked tight together and turning his body like tightening a screw brought his skis sharply around to the right in a smother of snow and slowed into a loss of speed parallel to the hillside and the wire fence.
He looked up the hill. George was coming down in telemark position, kneeling; one leg forward and bent, the other trailing; his sticks hanging like some insectโs thin legs, kicking up puffs of snow as they touched the surface and finally the whole kneeling, trailing figure coming around in a beautiful right curve, crouching, the legs shot forward and back, the body leaning out against the swing, the sticks accenting the curve like points of light, all in a wild cloud of snow.
โI was afraid to Christy,โ George said, โthe snow was too deep. You made a beauty.โ
โI canโt telemark with my leg,โ Nick said.
Nick held down the top strand of the wire fence with his ski and George slid over. Nick followed him down to the road. They thrust bent-kneed along the road into a pine forest. The road became polished ice, stained orange and a tobacco yellow from the teams hauling logs. The skiers kept to the stretch of snow along the side. The road dipped sharply to a stream and then ran straight uphill. Through the woods they could see a long, low-eaved, weather-beaten building. Through the trees it was a faded yellow. Closer the window frames were painted green. The paint was peeling. Nick knocked his clamps loose with one of his ski sticks and kicked off the skis.
โWe might as well carry them up here,โ he said.
He climbed the steep road with the skis on his shoulder, kicking his heel nails into the icy footing. He heard George breathing and kicking in his heels just behind him. They stacked the skis against the side of the inn and slapped the snow off each otherโs trousers, stamped their boots clean, and went in.
Inside it was quite dark. A big porcelain stove shone in the corner of the room. There was a low ceiling. Smooth benches back of dark, wine-stained tables were along each side of the rooms. Two Swiss sat over their pipes and two decies of cloudy new wine next to the stove. The boys took off their jackets and sat against the wall on the other side of the stove. A voice in the next room stopped singing and a girl in a blue apron came in through the door to see what they wanted to drink.
โA bottle of Sion,โ Nick said. โIs that all right, Gidge?โ
โSure,โ said George. โYou know more about wine than I do. I like any of it.โ
The girl went out.
โThereโs nothing really can touch skiing, is there?โ Nick said. โThe way it feels when you first drop off on a long run.โ
โHuh,โ said George. โItโs too swell to talk about.โ
The girl brought the wine in and they had trouble with the cork. Nick finally opened it. The girl went out and they heard her singing in German in the next room.
โThose specks of cork in it donโt matter,โ said Nick.
โI wonder if sheโs got any cake.โ
โLetโs find out.โ
The girl came in and Nick noticed that her apron covered swellingly her pregnancy. I wonder why I didnโt see that when she first came in, he thought.
โWhat were you singing?โ he asked her.
โOpera, German opera.โ She did not care to discuss the subject. โWe have some apple strudel if you want it.โ
โShe isnโt so cordial, is she?โ said George.
โOh, well. She doesnโt know us and she thought
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