The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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His universal comment was: “What can they expect? I have it myself, if I’m not careful!”
When he went to Soames’ that evening he felt that life was hard on him: There was Emily with a bad toe, and Rachel gadding about in the country; he got no sympathy from anybody; and Ann, she was ill—he did not believe she would last through the summer; he had called there three times now without her being able to see him! And this idea of Soames’, building a house, that would have to be looked into. As to the trouble with Irene, he didn’t know what was to come of that—anything might come of it!
He entered 62, Montpellier Square with the fullest intentions of being miserable. It was already half-past seven, and Irene, dressed for dinner, was seated in the drawing-room. She was wearing her gold-coloured frock—for, having been displayed at a dinner-party, a soiree, and a dance, it was now to be worn at home—and she had adorned the bosom with a cascade of lace, on which James’s eyes riveted themselves at once.
“Where do you get your things?” he said in an aggravated voice. “I never see Rachel and Cicely looking half so well. That rose-point, now—that’s not real!”
Irene came close, to prove to him that he was in error.
And, in spite of himself, James felt the influence of her deference, of the faint seductive perfume exhaling from her. No self-respecting Forsyte surrendered at a blow; so he merely said: He didn’t know—he expected she was spending a pretty penny on dress.
The gong sounded, and, putting her white arm within his, Irene took him into the dining-room. She seated him in Soames’ usual place, round the corner on her left. The light fell softly there, so that he would not be worried by the gradual dying of the day; and she began to talk to him about himself.
Presently, over James came a change, like the mellowing that steals upon a fruit in the sun; a sense of being caressed, and praised, and petted, and all without the bestowal of a single caress or word of praise. He felt that what he was eating was agreeing with him; he could not get that feeling at home; he did not know when he had enjoyed a glass of champagne so much, and, on inquiring the brand and price, was surprised to find that it was one of which he had a large stock himself, but could never drink; he instantly formed the resolution to let his wine merchant know that he had been swindled.
Looking up from his food, he remarked:
“You’ve a lot of nice things about the place. Now, what did you give for that sugar-sifter? Shouldn’t wonder if it was worth money!”
He was particularly pleased with the appearance of a picture, on the wall opposite, which he himself had given them:
“I’d no idea it was so good!” he said.
They rose to go into the drawing-room, and James followed Irene closely.
“That’s what I call a capital little dinner,” he murmured, breathing pleasantly down on her shoulder; “nothing heavy—and not too Frenchified. But I can’t get it at home. I pay my cook sixty pounds a year, but she can’t give me a dinner like that!”
He had as yet made no allusion to the building of the house, nor did he when Soames, pleading the excuse of business, betook himself to the room at the top, where he kept his pictures.
James was left alone with his daughter-in-law. The glow of the wine, and of an excellent liqueur, was still within him. He felt quite warm towards her. She was really a taking little thing; she listened to you, and seemed to understand what you were saying; and, while talking, he kept examining her figure, from her bronze-coloured shoes to the waved gold of her hair. She was leaning back in an Empire chair, her shoulders poised against the top—her body, flexibly straight and unsupported from the hips, swaying when she moved, as though giving to the arms of a lover. Her lips were smiling, her eyes half-closed.
It may have been a recognition of danger in the very charm of her attitude, or a twang of digestion, that caused a sudden dumbness to fall on James. He did not remember ever having been quite alone with Irene before. And, as he looked at her, an odd feeling crept over him, as though he had come across something strange and foreign.
Now what was she thinking about—sitting back like that?
Thus when he spoke it was in a sharper voice, as if he had been awakened from a pleasant dream.
“What d’you do with yourself all day?” he said. “You never come round to Park Lane!”
She seemed to be making very lame excuses, and James did not look at her. He did not want to believe that she was really avoiding them—it would mean too much.
“I expect the fact is, you haven’t time,” he said; “You’re always about with June. I expect you’re useful to her with her young man, chaperoning, and one thing and another. They tell me she’s never at home now; your Uncle Jolyon he doesn’t like it, I fancy, being left so much alone as he is. They tell me she’s always hanging about for this young Bosinney; I suppose he comes here every day. Now, what do you think of him? D’you think he knows his own mind? He seems to me a poor thing. I should say the grey mare was the better horse!”
The colour deepened in Irene’s face; and James watched her suspiciously.
“Perhaps you don’t quite understand Mr. Bosinney,” she said.
“Don’t understand him!” James hummed out: “Why not?—you can see he’s one of these artistic chaps. They say he’s clever—they all think they’re clever. You
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