The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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He stepped out, his bearing extremely composed; his massive head, with its drooping moustache and wings of white hair, very upright, under an excessively large top hat; his glance firm, a little angry. He had been driven into this!
“Mrs. Jolyon Forsyte at home?”
“Oh, yes sir!—what name shall I say, if you please, sir?”
Old Jolyon could not help twinkling at the little maid as he gave his name. She seemed to him such a funny little toad!
And he followed her through the dark hall, into a small double, drawing-room, where the furniture was covered in chintz, and the little maid placed him in a chair.
“They’re all in the garden, sir; if you’ll kindly take a seat, I’ll tell them.”
Old Jolyon sat down in the chintz-covered chair, and looked around him. The whole place seemed to him, as he would have expressed it, pokey; there was a certain—he could not tell exactly what—air of shabbiness, or rather of making two ends meet, about everything. As far as he could see, not a single piece of furniture was worth a five-pound note. The walls, distempered rather a long time ago, were decorated with watercolour sketches; across the ceiling meandered a long crack.
These little houses were all old, second-rate concerns; he should hope the rent was under a hundred a year; it hurt him more than he could have said, to think of a Forsyte—his own son living in such a place.
The little maid came back. Would he please to go down into the garden?
Old Jolyon marched out through the French windows. In descending the steps he noticed that they wanted painting.
Young Jolyon, his wife, his two children, and his dog Balthasar, were all out there under a pear-tree.
This walk towards them was the most courageous act of old Jolyon’s life; but no muscle of his face moved, no nervous gesture betrayed him. He kept his deep-set eyes steadily on the enemy.
In those two minutes he demonstrated to perfection all that unconscious soundness, balance, and vitality of fibre that made, of him and so many others of his class the core of the nation. In the unostentatious conduct of their own affairs, to the neglect of everything else, they typified the essential individualism, born in the Briton from the natural isolation of his country’s life.
The dog Balthasar sniffed round the edges of his trousers; this friendly and cynical mongrel—offspring of a liaison between a Russian poodle and a fox-terrier—had a nose for the unusual.
The strange greetings over, old Jolyon seated himself in a wicker chair, and his two grandchildren, one on each side of his knees, looked at him silently, never having seen so old a man.
They were unlike, as though recognising the difference set between them by the circumstances of their births. Jolly, the child of sin, pudgy-faced, with his tow-coloured hair brushed off his forehead, and a dimple in his chin, had an air of stubborn amiability, and the eyes of a Forsyte; little Holly, the child of wedlock, was a dark-skinned, solemn soul, with her mother’s, grey and wistful eyes.
The dog Balthasar, having walked round the three small flowerbeds, to show his extreme contempt for things at large, had also taken a seat in front of old Jolyon, and, oscillating a tail curled by Nature tightly over his back, was staring up with eyes that did not blink.
Even in the garden, that sense of things being pokey haunted old Jolyon; the wicker chair creaked under his weight; the garden-beds looked “daverdy.” on the far side, under the smut-stained wall, cats had made a path.
While he and his grandchildren thus regarded each other with the peculiar scrutiny, curious yet trustful, that passes between the very young and the very old, young Jolyon watched his wife.
The colour had deepened in her thin, oval face, with its straight brows, and large, grey eyes. Her hair, brushed in fine, high curves back from her forehead, was going grey, like his own, and this greyness made the sudden vivid colour in her cheeks painfully pathetic.
The look on her face, such as he had never seen there before, such as she had always hidden from him, was full of secret resentments, and longings, and fears. Her eyes, under their twitching brows, stared painfully. And she was silent.
Jolly alone sustained the conversation; he had many possessions, and was anxious that his unknown friend with extremely large moustaches, and hands all covered with blue veins, who sat with legs crossed like his own father (a habit he was himself trying to acquire), should know it; but being a Forsyte, though not yet quite eight years old, he made no mention of the thing at the moment dearest to his heart—a camp of soldiers in a shopwindow, which his father had promised to buy. No doubt it seemed to him too precious; a tempting of Providence to mention it yet.
And the sunlight played through the leaves on that little party of the three generations grouped tranquilly under the pear-tree, which had long borne no fruit.
Old Jolyon’s furrowed face was reddening patchily, as old men’s faces redden in the sun. He took one of Jolly’s hands in his own; the boy climbed on to his knee; and little Holly, mesmerized by this sight, crept up to them; the sound of the dog Balthasar’s scratching arose rhythmically.
Suddenly young Mrs. Jolyon got up and hurried indoors. A minute later her husband muttered an excuse, and followed. Old Jolyon was left alone with his grandchildren.
And Nature with her quaint irony began working in him one of her strange revolutions, following her cyclic laws into the depths of his heart. And that tenderness for little children, that passion for the beginnings of life which had once made him forsake his son and follow June, now worked in him to forsake June and follow these littler things. Youth, like a flame, burned ever in his breast, and to youth he turned, to the round little limbs, so reckless, that wanted care,
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