The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Soames, the unconscious ironist, fixed his gaze on Bosinney’s tie, which was far from being in the perpendicular; he was unshaven too, and his dress not remarkable for order. Architecture appeared to have exhausted his regularity.
“Won’t it look like a barrack?” he inquired.
He did not at once receive a reply.
“I can see what it is,” said Bosinney, “you want one of Littlemaster’s houses—one of the pretty and commodious sort, where the servants will live in garrets, and the front door be sunk so that you may come up again. By all means try Littlemaster, you’ll find him a capital fellow, I’ve known him all my life!”
Soames was alarmed. He had really been struck by the plans, and the concealment of his satisfaction had been merely instinctive. It was difficult for him to pay a compliment. He despised people who were lavish with their praises.
He found himself now in the embarrassing position of one who must pay a compliment or run the risk of losing a good thing. Bosinney was just the fellow who might tear up the plans and refuse to act for him; a kind of grown-up child!
This grown-up childishness, to which he felt so superior, exercised a peculiar and almost mesmeric effect on Soames, for he had never felt anything like it in himself.
“Well,” he stammered at last, “it’s—it’s, certainly original.”
He had such a private distrust and even dislike of the word “original” that he felt he had not really given himself away by this remark.
Bosinney seemed pleased. It was the sort of thing that would please a fellow like that! And his success encouraged Soames.
“It’s—a big place,” he said.
“Space, air, light,” he heard Bosinney murmur, “you can’t live like a gentleman in one of Littlemaster’s—he builds for manufacturers.”
Soames made a deprecating movement; he had been identified with a gentleman; not for a good deal of money now would he be classed with manufacturers. But his innate distrust of general principles revived. What the deuce was the good of talking about regularity and self-respect? It looked to him as if the house would be cold.
“Irene can’t stand the cold!” he said.
“Ah!” said Bosinney sarcastically. “Your wife? She doesn’t like the cold? I’ll see to that; she shan’t be cold. Look here!” he pointed, to four marks at regular intervals on the walls of the court. “I’ve given you hot-water pipes in aluminium casings; you can get them with very good designs.”
Soames looked suspiciously at these marks.
“It’s all very well, all this,” he said, “but what’s it going to cost?”
The architect took a sheet of paper from his pocket:
“The house, of course, should be built entirely of stone, but, as I thought you wouldn’t stand that, I’ve compromised for a facing. It ought to have a copper roof, but I’ve made it green slate. As it is, including metal work, it’ll cost you eight thousand five hundred.”
“Eight thousand five hundred?” said Soames. “Why, I gave you an outside limit of eight!”
“Can’t be done for a penny less,” replied Bosinney coolly.
“You must take it or leave it!”
It was the only way, probably, that such a proposition could have been made to Soames. He was nonplussed. Conscience told him to throw the whole thing up. But the design was good, and he knew it—there was completeness about it, and dignity; the servants’ apartments were excellent too. He would gain credit by living in a house like that—with such individual features, yet perfectly well-arranged.
He continued poring over the plans, while Bosinney went into his bedroom to shave and dress.
The two walked back to Montpellier Square in silence, Soames watching him out of the corner of his eye.
The Buccaneer was rather a good-looking fellow—so he thought—when he was properly got up.
Irene was bending over her flowers when the two men came in.
She spoke of sending across the Park to fetch June.
“No, no,” said Soames, “we’ve still got business to talk over!”
At lunch he was almost cordial, and kept pressing Bosinney to eat. He was pleased to see the architect in such high spirits, and left him to spend the afternoon with Irene, while he stole off to his pictures, after his Sunday habit. At teatime he came down to the drawing-room, and found them talking, as he expressed it, nineteen to the dozen.
Unobserved in the doorway, he congratulated himself that things were taking the right turn. It was lucky she and Bosinney got on; she seemed to be falling into line with the idea of the new house.
Quiet meditation among his pictures had decided him to spring the five hundred if necessary; but he hoped that the afternoon might have softened Bosinney’s estimates. It was so
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