Edgar Allan Poe is one of the primary figures of American nineteenth-century literature. His writing was heavily influenced by Romanticism ideals of emotion and feeling, and although mostly known for his Gothic-tinged horror, his tales jump between many different genres, including science-fiction, satire, humor, mystery, and even early detective fiction.
Poe mostly wrote short stories and poems, published in magazines and periodicals like the Southern Literary Messenger and Grahamās Magazine, although he also turned his hand to essays and novels (including The Narrative of Arthur Gordon Pym of Nantucket). He was one of the first American writers to pursue writing as a career, but was better received in France than in his native country. He struggled to make ends meet and resorted to work as a literary critic. His reputation suffered a further blow after his unfortunately early death in 1849 at the age of 40, when a rival not only wrote an extremely unflattering obituary, but bought the rights to his work and published a compilation with a hit piece for an introduction. This undeserved reputation took many decades to fade, but didnāt hinder praise from other notable authors including Arthur Conan Doyle and H. P. Lovecraft.
Collected here are all of Poeās short fiction stories, in order of their original magazine publication. Notable stories include āThe Gold-Bug,ā āThe Black Cat,ā āThe Fall of the House of Usher,ā āThe Masque of the Red Death,ā āThe Pit and the Pendulum,ā āThe Murders in the Rue Morgue,ā and many more.
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epub:type="z3998:persona">Oinos
Explain!
Agathos
In the beginning only, he created. The seeming creatures which are now, throughout the universe, so perpetually springing into being, can only be considered as the mediate or indirect, not as the direct or immediate results of the Divine creative power.
Oinos
Among men, my Agathos, this idea would be considered heretical in the extreme.
Agathos
Among angels, my Oinos, it is seen to be simply true.
Oinos
I can comprehend you thus farā āthat certain operations of what we term Nature, or the natural laws, will, under certain conditions, give rise to that which has all the appearance of creation. Shortly before the final overthrow of the earth, there were, I well remember, many very successful experiments in what some philosophers were weak enough to denominate the creation of animalculae.
Agathos
The cases of which you speak were, in fact, instances of the secondary creationā āand of the only species of creation which has ever been, since the first word spoke into existence the first law.
Oinos
Are not the starry worlds that, from the abyss of nonentity, burst hourly forth into the heavensā āare not these stars, Agathos, the immediate handiwork of the King?
Agathos
Let me endeavor, my Oinos, to lead you, step by step, to the conception I intend. You are well aware that, as no thought can perish, so no act is without infinite result. We moved our hands, for example, when we were dwellers on the earth, and, in so doing, gave vibration to the atmosphere which engirdled it. This vibration was indefinitely extended, till it gave impulse to every particle of the earthās air, which thenceforward, and forever, was actuated by the one movement of the hand. This fact the mathematicians of our globe well knew. They made the special effects, indeed, wrought in the fluid by special impulses, the subject of exact calculationā āso that it became easy to determine in what precise period an impulse of given extent would engirdle the orb, and impress (forever) every atom of the atmosphere circumambient. Retrograding, they found no difficulty, from a given effect, under given conditions, in determining the value of the original impulse. Now the mathematicians who saw that the results of any given impulse were absolutely endlessā āand who saw that a portion of these results were accurately traceable through the agency of algebraic analysisā āwho saw, too, the facility of the retrogradationā āthese men saw, at the same time, that this species of analysis itself, had within itself a capacity for indefinite progressā āthat there were no bounds conceivable to its advancement and applicability, except within the intellect of him who advanced or applied it. But at this point our mathematicians paused.
Oinos
And why, Agathos, should they have proceeded?
Agathos
Because there were some considerations of deep interest beyond. It was deducible from what they knew, that to a being of infinite understandingā āone to whom the perfection of the algebraic analysis lay unfoldedā āthere could be no difficulty in tracing every impulse given the airā āand the ether through the airā āto the remotest consequences at any even infinitely remote epoch of time. It is indeed demonstrable that every such impulse given the air, must, in the end, impress every individual thing that exists within the universe;ā āand the being of infinite understandingā āthe being whom we have imaginedā āmight trace the remote undulations of the impulseā ātrace them upward and onward in their influences upon all particles of an matterā āupward and onward forever in their modifications of old formsā āor, in other words, in their creation of newā āuntil he found them reflectedā āunimpressive at lastā āback from the throne of the Godhead. And not only could such a thing do this, but at any epoch, should a given result be afforded himā āshould one of these numberless comets, for example, be presented to his inspectionā āhe could have no difficulty in determining, by the analytic retrogradation, to what original impulse it was due. This power of retrogradation in its absolute fullness and perfectionā āthis faculty of referring at all epochs, all effects to all causesā āis of course the prerogative of the Deity aloneā ābut in every variety of degree, short of the absolute perfection, is the power itself exercised by the whole host of the Angelic intelligences.
Oinos
But you speak merely of impulses upon the air.
Agathos
In speaking of the air, I referred only to the earth; but the general proposition has reference to impulses upon the etherā āwhich, since it pervades, and alone pervades all space, is thus the great medium of creation.
Oinos
Then all motion, of whatever nature, creates?
Agathos
It must: but a true philosophy has long taught that the source of all motion is thoughtā āand the source of all thought isā ā
Oinos
God.
Agathos
I have spoken to you, Oinos, as to a child of the fair Earth which lately perishedā āof impulses upon the atmosphere of the Earth.
Oinos
You did.
Agathos
And while I thus spoke, did there not cross your mind some thought of the physical power of words? Is not every word an impulse on the air?
Oinos
But why, Agathos, do you weepā āand why, oh why do your wings droop as we hover above this fair starā āwhich is the greenest and yet most terrible of all we have encountered in our flight? Its brilliant flowers look like a fairy dreamā ābut its fierce volcanoes like the passions of a turbulent heart.
Agathos
They are!ā āthey are! This wild starā āit is now three centuries since, with clasped hands, and with streaming eyes, at the feet of my belovedā āI spoke itā āwith a few passionate sentencesā āinto birth. Its brilliant flowers are the dearest of all unfulfilled dreams, and its raging volcanoes are the passions of the most turbulent and unhallowed of hearts.
The Imp of the Perverse
In the consideration of the faculties and impulsesā āof the prima mobilia of the human soul, the phrenologists have failed to make room for a propensity which, although obviously existing as a radical, primitive, irreducible sentiment, has been equally overlooked by all the moralists who have preceded them. In the pure arrogance of the reason, we have all overlooked it. We have
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